Panasonic AJ-SD955A, AJ-SD930 manual Display panel, Edit REC, Rec Inh

Page 12

Parts and their functions

Display panel

525

 

 

625

 

 

 

 

 

 

 

 

 

 

 

 

REMOTE

 

VIDEO

 

 

AUDIO

 

SCH SERVO

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

dB

dB

dB

dB

 

 

 

 

 

 

 

 

 

Y PB PR

 

ANALOG

 

=

 

 

 

 

 

 

INH

 

 

 

 

 

CUE

 

 

 

 

 

EDIT REC

 

 

8

0

 

 

 

0

 

 

 

0

 

 

 

0

 

 

 

 

 

 

CMPST

 

AES/EBU

 

 

 

 

-4

 

 

 

-4

 

 

 

-4

 

 

 

-4

 

 

dB

 

 

 

 

 

USER SET

DVCPRO

 

 

-8

 

 

 

-8

 

 

 

-8

 

 

 

-8

-8

 

 

 

 

 

SDI

 

SDI

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

50

 

 

 

 

 

 

 

 

 

 

 

-12

 

 

 

-12

 

 

 

-12

 

 

 

-12

-12

 

 

 

 

SDTI/1394

SDTI/1394

 

 

 

 

 

 

 

 

 

 

 

9

 

 

 

 

 

 

 

 

 

 

 

 

 

DVCAM

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

SG 1 2

 

SG

 

-16

 

 

 

-16

 

 

 

-16

 

 

 

-16

-16

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

-20

 

 

 

-20

 

 

 

-20

 

 

 

-20

-20

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

:

-25

 

 

 

-25

 

 

 

-25

 

 

 

-25

-25

 

 

CTL

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

-30

 

 

 

-30

 

 

 

-30

 

 

 

-30

-30

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

TC

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

-

 

 

 

 

-

 

 

 

 

-

 

 

 

 

-

 

-

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

UB

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

L

 

R

 

L

 

R

 

L

 

R

 

L

 

R

 

L

 

R

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

<;

8EDIT, EDIT REC, REC and REC INH lamps EDIT:

This lights when an editing mode has been selected.

EDIT REC:

This lights when the edit recording mode has been established.

REC:

This lights when the recording mode has been established.

REC INH:

This lights in the recording inhibit status (when the REC INH switch at the bottom front panel is set to ON or the cassette is in the accidental erasure prevention status).

In this status, recording and editing are not possible.

Whether the REC INH lamp is to light or flash when recording has been inhibited by the accidental erasure prevention tab on the cassette tape can be selected using setup menu No. 114 (REC INH LAMP).

9Tape transport displays

The tape transport status is displayed here.

: Normal playback or recording

: Playback at a speed slower than 1a

: Playback at a speed faster than 1a

: Fast forwarding (FF)

: Playback in the reverse direction at 1a

: Playback in the reverse direction at a speed slower than 1a

: Playback in the reverse direction at a speed faster than 1a

: Rewinding (REW)

: Pause/still

:Format displays

The recording format and the format of the tape inserted in the unit are displayed here.

;Counter display

The tape counter, time code, etc. are displayed here.

The type of value displayed is indicated by CTL, TC or UB.

<Level meters

These meters indicate the levels of the CH1, CH2, CH3, CH4 and CUE tracks of the PCM audio signals.

During recording or while E-E is selected, the levels of the audio input signals appear; during playback, the levels of the audio output signals appear.

Using the METER selector button L, the audio level display is switched from the FULL mode to the FINE mode or vice versa. (See page 8)

FULL modeFINE mode

dB

 

Reference level

 

0

 

 

(–20 dB)

-4

 

 

 

 

 

 

 

 

 

 

-8 -12 -16 -20 -25 -30

-

L RL R

Each of the dots (O) indicates a 1 dB scale increment.

12

Image 12
Contents Operating Instructions Model No. AJ- P$ this Apparatus Must be Grounded FCC NoteContents IntroductionFeatures Parts and their functions Front panelParts and their functions Front panelPlayer RecorderSearch button ? SHTL/SLOW buttonAssem button SD955A Insert buttons SD955ATrim buttons SD955A Unity VARPreset OFFRegen EXTDisplay panel Display panel Edit RECREC REC INHRear panel IN/OUTOUT Parallel Remote connector Analog Audio OUT connectorsMonitor OUT connectors = Signal GND terminalConnections Source machineRecorder OFFAV monitor Reference signal Generator Connections with editing controllerAV monitor Editing controllerTapes Cassette sizeJog mode Jog/ShuttleManual editing SD955A Preroll SD955ASwitch settings and adjustments When using the AJ-SD955A as the recorderWhen using the AJ-SD955A as the player Automatic editing deck-to-deckSD955ASelecting the editing mode Match frame processing functionHow to calculate the duration Checking and previewing edit pointsModifying edit points Re-registering an edit pointAutomatic editing deck-to-deckSD955A Executing and reviewing automatic editingAudio split editing SD955A Between the video in and OUT points Between the audio in and OUT pointsMatch frame processing system Variable memory editing operation procedure Variable memory editing SD955AChanging the settings Setup initial settingsSetup menus Setting and releasing the lock modeChanging the file Lock mode can be set Lock mode can be set Counter displayLoading user files Menu screen Load/saveSetup menus Saving user filesMenu screen System menu Setup Level OffsetSYS SC/H LocalUser menu Basic User menu BasicMoni ControlOperation Memory stop function REC INH LampEject SW INHInterface Edit IN/OUT DELVAR FWD MAXVAR REV MAX JOG FWDTape Protect Time Code RUN Mode Vitc OUTSBC VauxYC SEP Mode INT SGOUT Vsync Mute SELESR Mode CCR ModeSetup CmpstDVCPRO50 50 Mbps mode Sub-screen This selects the 7.5% setup processing forSignals on the tape CC RECCH1 in LV CH2 in LVCH3 in LV CH4 in LVMoni CH SEL ManuPCM REC CH1Moni SEL INH MON AutoSEL Audio VR SELBlank ADD LineREC LINE1 REC LINE2REC LINE2 REC LINE3REC LINE4 Teletext SELNumber of lines which can be set for Teletext TeletextDET REC LINE13Menu Setting the internal time code Time code/user bitTime code User bitSetting the external time code LTCVitc Operation mode Superimpose screenCharacters displayed Display positionVideo output signals and servo reference signal External synchronization of video output signalsInternal synchronization Servo reference signal StartAudio signal a Audio V fade functionFade is performed instantaneously to eliminate the noise Audio recording channel and monitor output selection Printed circuit boardAudio recording channel Monitor output channelRack mounting Rack-mounting adaptorsStandard rack Fasten it to the rack with set screws Video head cleaning MaintenanceCondensation Attaching the dust coverError messages Diag menu$ Displaying the Diag menu $ Warning information display$ Displaying the Hours Meter information High Error Rate Unknown SIGInvalid Video SIG Invalid Audio SIGError messages Tension VTR Stop Error Torque VTR Stop ErrorReel Rota VTR Stop TOO Fast ReelHardware specifications Connector specificationsRS-232C interface Software specifications Protocol RS-232C interfaceCommunication parameters Send format controller PC 5 VTRError code table $ When the communication has terminated normallyReturn format VTR 5 controller PC Command table $ Commands relating to operation control$ Commands relating to inquiries CTL/TC Data STX QCD ETXRequest Precautions to observe when using the Sdti signals Source Reference signal GeneratorSdti signals Sdti interfaceConnector signals Remote IN/OUTRemote OUT RS-232C SUB 25-pin crossover cable supportedSpecifications $Video input connector$Digital video $Digital IN/Analog Component OUTSpecifications Other Input/Output ConnectorsPage Panasonic Broadcast & Television Systems Company Eastern ZoneWestern Zone Technical Support

AJ-SD930, AJ-SD955A specifications

The Panasonic AJ-SD955A and AJ-SD930 are noteworthy additions to the world of professional video production, combining cutting-edge technology with user-friendly features. Both models are designed for broadcast and post-production environments, offering high-quality video capture and playback at an impressive level of performance.

The AJ-SD955A is a versatile digital disk recorder that supports a wide range of formats, including DV and DVCPRO. This model stands out due to its capability to record in both standard definition and high definition, making it suitable for various production requirements. One of its main features is its dual-slot P2 card system, which allows for hot-swappable memory cards, enabling uninterrupted recording and extended shooting times. This flexibility is invaluable in fast-paced production settings.

The AJ-SD930 is a more compact option, ideal for mobile applications. Like the AJ-SD955A, it supports both DV and DVCPRO formats, but it offers slightly fewer advanced features, focusing instead on portability and user convenience. The SD930 includes balanced audio inputs, a built-in LCD monitor, and a straightforward interface that allows for intuitive operation in the field.

Both models utilize MPEG-2 compression technology, providing high-quality video while minimizing file sizes. This is particularly important for content that demands efficient storage and fast transfer rates. Additionally, they support both 16-bit linear PCM audio and embedded audio recording, catering to professionals who require top-notch audio fidelity alongside their video.

The build quality of both the AJ-SD955A and AJ-SD930 is robust, making them suitable for rigorous use in various environments. The devices feature extensive connectivity options, including SDI and analog outputs, which facilitate seamless integration into existing production setups. This versatility ensures that users can adapt to different workflows with ease.

In conclusion, the Panasonic AJ-SD955A and AJ-SD930 are exemplary choices for professionals seeking reliable and high-quality video recording solutions. Their combination of innovative technology, flexibility, and durable design makes them indispensable tools for anyone serious about video production, whether in a studio or on location. With their ability to deliver outstanding performance while accommodating evolving industry standards, they remain relevant in the ever-changing landscape of professional videography.