Mesa/Boogie Mark IV Amplifier manual Mark IV Personal Settings

Page 20

MARK IV Personal Settings

 

PULLBRIGHT

FATPULL

 

 

PRESENCE

RHY1 GAIN

RHY2 GAIN

R1 TREBLE

R1+R2 BASS

R1+R2 MID

R2 TREBLE

INPUT

LEAD GAIN

LEAD TREBLE

LEAD BASS

LEAD MID

LEAD DRIVE

 

INSTRUMENT

FATPULL

 

 

BRIGHTPULL

CONTROLS

SHIFTPULL

SHIFTPULL

 

 

 

SILENT

EQ

LOOP

 

 

 

RECORDING

 

POWER

 

 

 

 

 

 

(PULL)

 

FULL

 

 

 

 

 

 

 

ON

 

 

 

 

 

 

 

 

R1

R2

LD

 

 

 

 

 

 

MASTERS

 

 

 

 

 

 

 

TWEED

 

 

 

 

 

 

OUTPUT LEVEL

STANDBY

POWER

 

 

80

240

750

2200

6600

 

 

 

 

 

 

 

 

MARK IV

 

PULLBRIGHT

FATPULL

 

 

PRESENCE

RHY1 GAIN

RHY2 GAIN

R1 TREBLE

R1+R2 BASS

R1+R2 MID

R2 TREBLE

INPUT

LEAD GAIN

LEAD TREBLE

LEAD BASS

LEAD MID

LEAD DRIVE

 

INSTRUMENT

FATPULL

 

 

BRIGHTPULL

CONTROLS

SHIFTPULL

SHIFTPULL

 

 

 

SILENT

EQ

LOOP

 

 

 

RECORDING

 

POWER

 

 

 

 

 

 

(PULL)

 

FULL

 

 

 

 

 

 

 

ON

 

 

 

 

 

 

 

 

R1

R2

LD

 

 

 

 

 

 

MASTERS

 

 

 

 

 

 

 

TWEED

 

 

 

 

 

 

OUTPUT LEVEL

STANDBY

POWER

 

 

80

240

750

2200

6600

 

 

 

 

 

 

 

 

MARK IV

 

PULLBRIGHT

FATPULL

 

 

PRESENCE

RHY1 GAIN

RHY2 GAIN

R1 TREBLE

R1+R2 BASS

R1+R2 MID

R2 TREBLE

INPUT

LEAD GAIN

LEAD TREBLE

LEAD BASS

LEAD MID

LEAD DRIVE

 

INSTRUMENT

FATPULL

 

 

BRIGHTPULL

CONTROLS

SHIFTPULL

SHIFTPULL

 

 

 

SILENT

EQ

LOOP

 

 

 

RECORDING

 

POWER

 

 

 

 

 

 

(PULL)

 

FULL

 

 

 

 

 

 

 

ON

 

 

 

 

 

 

 

 

R1

R2

LD

 

 

 

 

 

 

MASTERS

 

 

 

 

 

 

 

TWEED

 

 

 

 

 

 

OUTPUT LEVEL

STANDBY

POWER

 

 

80

240

750

2200

6600

 

 

 

 

 

 

 

 

MARK IV

 

PULLBRIGHT

FATPULL

 

 

PRESENCE

RHY1 GAIN

RHY2 GAIN

R1 TREBLE

R1+R2 BASS

R1+R2 MID

R2 TREBLE

INPUT

LEAD GAIN

LEAD TREBLE

LEAD BASS

LEAD MID

LEAD DRIVE

 

INSTRUMENT

FATPULL

 

 

BRIGHTPULL

CONTROLS

SHIFTPULL

SHIFTPULL

 

 

 

SILENT

EQ

LOOP

 

 

 

RECORDING

 

POWER

 

 

 

 

 

 

(PULL)

 

FULL

 

 

 

 

 

 

 

ON

 

 

 

 

 

 

 

 

R1

R2

LD

 

 

 

 

 

 

MASTERS

 

 

 

 

 

 

 

TWEED

 

 

 

 

 

 

OUTPUT LEVEL

STANDBY

POWER

 

 

80

240

750

2200

6600

 

 

 

 

 

 

 

 

MARK IV

 

PULLBRIGHT

FATPULL

 

 

PRESENCE

RHY1 GAIN

RHY2 GAIN

R1 TREBLE

R1+R2 BASS

R1+R2 MID

R2 TREBLE

INPUT

LEAD GAIN

LEAD TREBLE

LEAD BASS

LEAD MID

LEAD DRIVE

 

INSTRUMENT

FATPULL

 

 

BRIGHTPULL

CONTROLS

SHIFTPULL

SHIFTPULL

 

 

 

SILENT

EQ

LOOP

 

 

 

RECORDING

 

POWER

 

 

 

 

 

 

(PULL)

 

FULL

 

 

 

 

 

 

 

ON

 

 

 

 

 

 

 

 

R1

R2

LD

 

 

 

 

 

 

MASTERS

 

 

 

 

 

 

 

TWEED

 

 

 

 

 

 

OUTPUT LEVEL

STANDBY

POWER

 

 

80

240

750

2200

6600

 

 

 

 

 

 

 

 

MARK IV

PAGE 16

Image 20
Contents Mark Hello from the Tone Farm Mark IV Table of Contents USE Common Sense and Always Observe These Precautions Markk Front Panel Rhythm 1 Gain Pull BrightRhythm 1 Treble R1 + R2 Bass & R1 + R2 MIDRhythm 2 Gain & FAT R1 PresenceR1 Master Setting the Lead Mode Lead Gain Rhythm 2 TrebleR2 Presence R2 MasterLead Gain Lead TrebleLead Bass & Lead MID Lead DriveGraphic EQ Lead BrightLead Presence & Lead Master Silent Recording Pull Switch Graphic EQOutput Level StandbyFuse ReceptacleInternal circuitry Reverb & Reverb Footswitch EQ Rocker SwitchSatellite Control EQ & Send Jack Due to cable length or impedance mismatchingRecording OUT when feeding a p.a. board Triode / Pentode SwitchEffects Loop Section Recording OUTPower Tube Substitution SIMUL-CLASS / Class a SwitchHarmonics / MID Gain Switch Side while pulling gently downward Power Tube SubstitutionSpeaker Jacks External Switching Jacks Going StereoMark Mark IV Personal Settings Power Tube Substitution Tube Noise Diagnosing Power Tube FailuresTube Noise & Microphonics Diagnosing PRE-AMP Tube Problems Here’s a question we often hear Bias Adjustment Cheers Randall Smith Designer & President Front View Mark Mesa Boogie 707 778-6565 FAX no

Mark IV Amplifier specifications

The Mesa/Boogie Mark IV amplifier stands as a landmark in the world of guitar amplification, boasting a rich history that intertwines with the evolution of rock music. Launched in the 1990s, the Mark IV embodies the hallmark traits of Mesa/Boogie’s innovative spirit, delivering versatility, power, and an extensive range of tonal options.

At the core of the Mark IV is its three-channel configuration, which includes Clean, Rhythm, and Lead channels. Each channel offers varying degrees of distortion and gain that can be tailored to the player's distinct preferences. The Clean channel produces a pristine sound, ideal for jazz or blues, while the Rhythm channel steps up with a compelling crunch for rock tones. The Lead channel takes it further, providing a high-gain saturation, perfect for heavier genres. The ability to switch seamlessly between these channels enables musicians to transition effortlessly during performances.

One notable feature of the Mark IV is the onboard graphic equalizer. This 5-band EQ allows guitarists to sculpt their sound intricately, enhancing or attenuating frequencies to achieve a desired tone. Coupled with its patent-pending Gain structure, the amp provides an unparalleled range of tonal shaping ability, making it a favorite among professionals and hobbyists alike.

The Mark IV also benefits from the innovative Dyna-Watt technology. This feature ensures that players can harness full power from the amp, regardless of volume levels. Dyna-Watt adjusts the output stage to produce dynamic responsiveness, allowing for a richness of sound that stands out without needing excessive volume. This feature is particularly useful for studio recording and smaller venues, where loud amplification can be an issue.

Mesa/Boogie amplifiers are renowned for their build quality, and the Mark IV is no exception. Crafted with precision, it features a rugged chassis and high-quality components designed to withstand the rigors of touring. The amp’s tube-driven design, utilizing powerful 6L6 or EL34 tubes, contributes to its warm tone and dynamic response, appealing to a wide array of musicians.

In conclusion, the Mesa/Boogie Mark IV amplifier is a cornerstone piece of gear for guitarists seeking a powerful, versatile, and richly infused tonal experience. With its three-channel architecture, graphic equalizer, Dyna-Watt technology, and robust construction, it meets and exceeds the demands of contemporary musicians across genres. Whether on stage or in the studio, the Mark IV remains a potent tool for expression, earning its place in the pantheon of iconic amplifiers.