Mesa/Boogie Mark IV Amplifier manual Cheers Randall Smith Designer & President

Page 26

BIAS ADJUSTMENT (Continued)

Some newer amps have LED indicators connected to the circuit which will turn on when the right threshold of current flow has been reached. This is an improvement, and almost worthy if you’re willing to except resistors and lights added into your amplifier’s audio path — which we aren’t. The other “advantage” of this system is that it allows some amp manufacturers to avoid matching their power tubes. The thinking is that adjusting the bias to each tube separately eradicates the inherent differences between the tubes by insuring that the same current flows through each one.

Again, this has some merit .. but it’s still not as good as using tubes that are matched in the first place because compensating for the mis-match causes the push-pull circuit itself to become unbalanced. Two wrongs don’t really make a right.

Some of the other recommended biasing, “methods” — such as -”.. tubes running red hot, increase the bias .. sounds harsh and runs too cool, turn it down ...” are guesswork at best. Luckily, one of the great things about tube amps is that they can usually stand some abuse without causing any real harm ... at least not immediately.

But don’t these alterations imply that you are second-guessing the amp designer and that there’s a better set of operating conditions that the designer missed but the tube sellers have discovered? Now some players may like the sound of their amp altered by tubes with extreme characteristics and with the bias set to help compensate. But often it is the mere novelty of change that they’re really responding to and when the amp goes back to the proper original way, we’ve seen them be far happier still!

Because every part in every one of our designs has been meticulously evaluated, compared and stressed over — no matter how seemingly insignificant it might be. And with every design we look for a “sweet spot” where all the parameters — including the bias — come together to give the best sonic performance, consistently and reliably. Every part and voltage is important — yet no one complains that these other parameters aren’t available for tinkering.

Consider our patented Simul-Classcircuitry where there are two different bias voltages used for separate pairs of power tubes ... and changing one voltage also changes the other. Great care goes into getting this just right and we think we’d be asking for trouble to have it adjustable for the world to play with ... unless you like paying to have your amp messed up. Sorry, I meant to say, “Uh, ... your amp needed biasing.” If that doesn’t appeal to you, then merely plug a matched set of Mesa tubes into one of our amps and you’re ready for tone. Guaranteed. You’d be amazed at the number of service calls we field every day that lead to a diagnosis of out-of- tolerance, non-spec tube problems. To think these would be prevented by including a bias adjustment is something of an insult to you and us. If you put the wrong size tires on your car, do you think changing the pressure will make them right?

Please, don’t think this is a blanket indictment of the other guys selling tubes — it isn’t. And their tubes aren’t all bad either. It just doesn’t make sense to pay more of your hard earned cash for tubes that were probably made in the same Russian or Chinese factory and which have the possibility of being outside the performance window we select for your amp. And it pains us to hear the hype and mystique built up around biasing when twenty-five years of evidence affirms our decision to make bias circuits that “never need adjustment”. How much money and trouble that has saved Mesa/Boogie players you couldn’t estimate.

Our rigorously tested and hand selected tubes are available at your nearest Mesa/Boogie Pro Center or from us directly. Nobody offers better price, quality or warranty than we do ... so why swerve?

Next time we’ll talk about our part in developing the great Sylvania STR 415 type 6 6 and how we’re on the verge of seeing something fairly close reappear on the market. Remember, we still have some of these super rugged mondo-bottles available for older amps — Boogies only please! Until then, Relax, Breathe and Nourish your soul!

Cheers!

Mesa/Boogie Ltd.

Randall Smith

Designer & President

PAGE 22

Image 26
Contents Mark Hello from the Tone Farm Mark IV Table of Contents USE Common Sense and Always Observe These Precautions Markk Front Panel Rhythm 1 Treble Rhythm 1 GainPull Bright R1 + R2 Bass & R1 + R2 MIDRhythm 2 Gain & FAT R1 PresenceR1 Master R2 Presence Setting the Lead Mode Lead GainRhythm 2 Treble R2 MasterLead Bass & Lead MID Lead GainLead Treble Lead DriveGraphic EQ Lead BrightLead Presence & Lead Master Output Level Silent Recording Pull SwitchGraphic EQ StandbyFuse ReceptacleInternal circuitry Satellite Control EQ & Send Jack Reverb & Reverb FootswitchEQ Rocker Switch Due to cable length or impedance mismatchingEffects Loop Section Recording OUT when feeding a p.a. boardTriode / Pentode Switch Recording OUTPower Tube Substitution SIMUL-CLASS / Class a SwitchHarmonics / MID Gain Switch Side while pulling gently downward Power Tube SubstitutionSpeaker Jacks External Switching Jacks Going StereoMark Mark IV Personal Settings Power Tube Substitution Tube Noise Diagnosing Power Tube FailuresTube Noise & Microphonics Diagnosing PRE-AMP Tube Problems Here’s a question we often hear Bias Adjustment Cheers Randall Smith Designer & President Front View Mark Mesa Boogie 707 778-6565 FAX no

Mark IV Amplifier specifications

The Mesa/Boogie Mark IV amplifier stands as a landmark in the world of guitar amplification, boasting a rich history that intertwines with the evolution of rock music. Launched in the 1990s, the Mark IV embodies the hallmark traits of Mesa/Boogie’s innovative spirit, delivering versatility, power, and an extensive range of tonal options.

At the core of the Mark IV is its three-channel configuration, which includes Clean, Rhythm, and Lead channels. Each channel offers varying degrees of distortion and gain that can be tailored to the player's distinct preferences. The Clean channel produces a pristine sound, ideal for jazz or blues, while the Rhythm channel steps up with a compelling crunch for rock tones. The Lead channel takes it further, providing a high-gain saturation, perfect for heavier genres. The ability to switch seamlessly between these channels enables musicians to transition effortlessly during performances.

One notable feature of the Mark IV is the onboard graphic equalizer. This 5-band EQ allows guitarists to sculpt their sound intricately, enhancing or attenuating frequencies to achieve a desired tone. Coupled with its patent-pending Gain structure, the amp provides an unparalleled range of tonal shaping ability, making it a favorite among professionals and hobbyists alike.

The Mark IV also benefits from the innovative Dyna-Watt technology. This feature ensures that players can harness full power from the amp, regardless of volume levels. Dyna-Watt adjusts the output stage to produce dynamic responsiveness, allowing for a richness of sound that stands out without needing excessive volume. This feature is particularly useful for studio recording and smaller venues, where loud amplification can be an issue.

Mesa/Boogie amplifiers are renowned for their build quality, and the Mark IV is no exception. Crafted with precision, it features a rugged chassis and high-quality components designed to withstand the rigors of touring. The amp’s tube-driven design, utilizing powerful 6L6 or EL34 tubes, contributes to its warm tone and dynamic response, appealing to a wide array of musicians.

In conclusion, the Mesa/Boogie Mark IV amplifier is a cornerstone piece of gear for guitarists seeking a powerful, versatile, and richly infused tonal experience. With its three-channel architecture, graphic equalizer, Dyna-Watt technology, and robust construction, it meets and exceeds the demands of contemporary musicians across genres. Whether on stage or in the studio, the Mark IV remains a potent tool for expression, earning its place in the pantheon of iconic amplifiers.