Mesa/Boogie Mark IV Amplifier manual Tube Noise & Microphonics, Diagnosing Power Tube Failures

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TUBE NOISE & MICROPHONICS

You may occasionally experience some form of tube noise or microphonics. Certainly no cause for alarm, this quirky behavior comes with the territory and the Tone. Much like changing a light bulb, you don’t need a technician to cure these types of minor user serviceable annoyances and in fact, you’ll be amazed at how easy it is to cure tube problems...by simply swapping out a pre-amp or power tube!

First may we suggest that you set the amplifier up on something so that you can get to the tubes comfortably without having to bend down. It also helps to have adequate lighting as you will need to see the tube sockets clearly to swap tubes. Use caution and common sense when touching the tubes after the amplifier has been on as they may be extremely hot! If they are hot and you don’t want to wait for them to cool off, try grasping them with a rag and also note that the glass down around the bulbous silvery tip is considerably less hot which makes it easier to handle. Gently rock the tube back and forth as you pull it away from its socket.

DIAGNOSING POWER TUBE FAILURES:

There are two main types of tube faults: shorts and noise. Both large and small tubes may fall prey to either of these problems but diagnosis and remedy is usually simple.

If a fuse blows, the problem is most likely a shorted power tube and shorts can either be mild or severe. In a mildly shorted tube the electron flow has overcome the control grid and excess current flows to the plate. You will usually hear the amp become distorted and begin to hum slightly. If this occurs, quickly look at the power tubes as you switch the amp to STANDBY and try to identify one as glowing red hot. It is likely that two of a pair will be glowing since the “shorted” tube will pull down the bias for its adjacent mates, but one tube may be glowing hotter — and that one is the culprit. The other two are often fine — unless they’ve been glowing bright red for several minutes.

Because there is no physical short inside the tube (just electrons rioting out of control) merely switching to STANDBY for a few moments then back to ON will usually cure the problem...at least temporarily. Watch the tubes carefully now. Should the problem recur, the intermittent tube will visibly start to over heat before the others and thus it can be identified. It should be replaced with one from the same color batch, shown on its label. Call us and we will send one out to you. The severe short is not nearly so benign. In the worst cases, a major arcing short occurs between the plate and the cathode with visible lightning inside the glass and a major noise through the speaker. If this is seen to happen, IMMEDIATELY turn the amp to STANDBY. By this time the fuse probably will have blown. Such a short is usually caused by a physical breakdown inside the tube including contaminate coming loose or physical contact (or near contact) between the elements. Replace it and the fuse with the proper slo-blo type and power up the amp using the power up procedure as we described earlier in this manual.

TUBE NOISE:

Often caused by contamination within in a tube, the culprit can usually be identified, and by lightly tapping on the glass, you will probably hear the noise change. Hearing some noise through the speakers while tapping on the 12AX7’s is normal however. And the one nearer the INPUT will always sound louder because its output is being further amplified by the second 12AX7.

The power tubes should be all but quiet when they are tapped. If crackling or hissing changes with the tapping, you have probably found the problem. To confirm a noisy power tube, merely put the MARK IV on Standby, remove it from its socket and turn it back on. It will cause no damage to run the MARK IV briefly with one power tube missing. You may notice a slight background hum, however, as the push-pull becomes unbalanced. Whenever you are trying to diagnose a suspect tube, keep your other hand on the POWER and STANDBY switches ready to shut them off instantly in the unlikely case you provoke a major short. If you think you’ve located a problem tube but aren’t sure, we recommend substituting the suspect with a new one just to be sure of your diagnoses. You will be doing yourself and us a big favor by just following the simple guidelines previously mentioned regarding tube replacement. You’ll probably be successful with much less effort than is required to disconnect everything and haul the unit to a technician who will basically perform the same simple tests. If the tubes are still within their six-month warranty period, we will happily send you a replacement. Just note the color designation on the tube label so that we can send you the appropriate match.

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Contents Mark Hello from the Tone Farm Mark IV Table of Contents USE Common Sense and Always Observe These Precautions Markk Front Panel Rhythm 1 Treble Rhythm 1 GainPull Bright R1 + R2 Bass & R1 + R2 MIDR1 Master R1 PresenceRhythm 2 Gain & FAT R2 Presence Setting the Lead Mode Lead GainRhythm 2 Treble R2 MasterLead Bass & Lead MID Lead GainLead Treble Lead DriveLead Presence & Lead Master Lead BrightGraphic EQ Output Level Silent Recording Pull SwitchGraphic EQ StandbyInternal circuitry ReceptacleFuse Satellite Control EQ & Send Jack Reverb & Reverb FootswitchEQ Rocker Switch Due to cable length or impedance mismatchingEffects Loop Section Recording OUT when feeding a p.a. boardTriode / Pentode Switch Recording OUTHarmonics / MID Gain Switch SIMUL-CLASS / Class a SwitchPower Tube Substitution Speaker Jacks Power Tube SubstitutionSide while pulling gently downward External Switching Jacks Going StereoMark Mark IV Personal Settings Power Tube Substitution Tube Noise & Microphonics Diagnosing Power Tube FailuresTube Noise Diagnosing PRE-AMP Tube Problems Here’s a question we often hear Bias Adjustment Cheers Randall Smith Designer & President Front View Mark Mesa Boogie 707 778-6565 FAX no

Mark IV Amplifier specifications

The Mesa/Boogie Mark IV amplifier stands as a landmark in the world of guitar amplification, boasting a rich history that intertwines with the evolution of rock music. Launched in the 1990s, the Mark IV embodies the hallmark traits of Mesa/Boogie’s innovative spirit, delivering versatility, power, and an extensive range of tonal options.

At the core of the Mark IV is its three-channel configuration, which includes Clean, Rhythm, and Lead channels. Each channel offers varying degrees of distortion and gain that can be tailored to the player's distinct preferences. The Clean channel produces a pristine sound, ideal for jazz or blues, while the Rhythm channel steps up with a compelling crunch for rock tones. The Lead channel takes it further, providing a high-gain saturation, perfect for heavier genres. The ability to switch seamlessly between these channels enables musicians to transition effortlessly during performances.

One notable feature of the Mark IV is the onboard graphic equalizer. This 5-band EQ allows guitarists to sculpt their sound intricately, enhancing or attenuating frequencies to achieve a desired tone. Coupled with its patent-pending Gain structure, the amp provides an unparalleled range of tonal shaping ability, making it a favorite among professionals and hobbyists alike.

The Mark IV also benefits from the innovative Dyna-Watt technology. This feature ensures that players can harness full power from the amp, regardless of volume levels. Dyna-Watt adjusts the output stage to produce dynamic responsiveness, allowing for a richness of sound that stands out without needing excessive volume. This feature is particularly useful for studio recording and smaller venues, where loud amplification can be an issue.

Mesa/Boogie amplifiers are renowned for their build quality, and the Mark IV is no exception. Crafted with precision, it features a rugged chassis and high-quality components designed to withstand the rigors of touring. The amp’s tube-driven design, utilizing powerful 6L6 or EL34 tubes, contributes to its warm tone and dynamic response, appealing to a wide array of musicians.

In conclusion, the Mesa/Boogie Mark IV amplifier is a cornerstone piece of gear for guitarists seeking a powerful, versatile, and richly infused tonal experience. With its three-channel architecture, graphic equalizer, Dyna-Watt technology, and robust construction, it meets and exceeds the demands of contemporary musicians across genres. Whether on stage or in the studio, the Mark IV remains a potent tool for expression, earning its place in the pantheon of iconic amplifiers.