TUNABLE BASS CONTROL |
| In this channel the bass frequencies are shaped utilizing a pair of parametric type controls. | |||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
| Two rotary controls, Bass and Bass Frequency enable you to | |
NOTE |
| When switch |
|
|
|
|
|
|
|
|
| center in on the region of lows that you wish to enhance and | |||
|
| HIGH |
|
| 1.2K | 4K | 6K | 8K |
| ||||||
is in the "Down" position |
|
|
|
|
| boost or cut them to your desire. Just to the right of these two | |||||||||
|
|
|
|
|
|
|
|
| |||||||
the controls, BASS and |
|
|
|
|
|
|
| EQ IN |
| controls there is a | |||||
BASS FREQ., shape | LOW |
|
|
|
|
| OUT |
| |||||||
|
|
|
| ||||||||||||
|
|
|
|
| "Shift" the region of bass that | the Bass Frequency rotary | |||||||||
and control | frequencies | from |
|
|
| MIX MODE |
| ||||||||
30Hz to 100Hz. |
|
|
|
|
|
|
|
| BRIGHT |
| control affects. |
| |||
|
|
|
|
| 2000 |
| ON |
| |||||||
|
|
|
|
|
|
|
|
|
|
|
| ||||
NOTE |
| When switch |
|
|
|
| NORMAL |
| As you might have guessed, this | ||||||
|
|
|
|
|
|
| HIGH |
| |||||||
|
| HIGH |
|
|
|
| |||||||||
is in the "Up" position the |
|
|
|
|
|
|
|
|
| the action of the control when in the down position and | |||||
controls, | BASS | and |
|
|
|
|
|
|
| LOW |
| shifts the region up higher when the toggle is in the up | |||
|
|
|
|
|
|
|
| POWER | |||||||
BASS | FREQ., | shape |
| LOW |
| BASS | BASS FREQ. BASS | ||||||||
|
|
|
|
|
|
| SHIFT |
| position. So that you have complete control of the entire | ||||||
and control | frequencies | from | NNEL |
|
|
| |||||||||
100Hz to 200Hz. |
|
|
|
|
|
|
|
|
|
| range of low frequencies, the Low and High ranges of the | ||||
|
|
|
|
|
|
|
|
|
| ||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
| Bass Shift overlap at 100Hz.. | This overlap occurs at 5:30 |
(fully cranked) on the Bass Frequency control when the Bass Shift switch is in the Low position. When the Shift is switched to High you will find this 100Hz. overlap at 7:30 (all the way down) on the Bass Frequency control. This difference in Bass controls in the FET channel is crucial to its tighter attack and
MINI TOGGLES |
| Locate the 3 mini toggle switches on the right side of this channel and set to these positions. | |||||||
50Hz | 80 | 180 | 300 | 600 | 1.2K | 4K | 6K | 8K |
|
|
|
|
|
|
|
|
| EQ IN |
|
|
|
|
|
|
|
|
| OUT |
|
| BASIS M 2000 | MIX MODE | ON | ||||||
| BRIGHT | ||||||||
|
|
|
|
|
|
|
| NORMAL |
|
|
|
|
|
|
|
|
| HIGH |
|
MASTER | TREBLE MIDDLE | BASS | BASS FREQ. |
| |||||
|
|
|
|
|
|
|
| LOW | POWER |
|
| FIELD EFFECT CHANNEL |
| ||||||
|
|
|
| ||||||
COMPRESSOR THRESHOLD & FREQUENCY | Set the | Field Effect Channel Compressor's Threshold and Frequency | ||
|
|
|
| Controls per this example, while leaving the Ratio toggle |
COMPRESSION | 50% | COMPRESSION |
| switch in the OFF 3:1 (down position.) |
|
|
|
| 5:1 |
| TUBE | FET |
| OFF |
|
|
| ||
THRESHOLD | MIX | THRESHOLD | 3:1 |
|
3:1 | TUBE | FET |
| |
| 5:1 |
| ||
5:1 |
|
|
| |
OFF | HI GAIN | CLIP | OFF |
|
OUTPUT LEVEL |
|
| ||
FREQUENCY | FREQUENCY |
|
| |
MASTER CONTROL With your instrument still connected to the appropriate jack, SLOWLY bring up the FET channel's MASTER Control to the desired volume.
BASIS M 
2000
NORMAL
HIGH
LOW
MASTER TREBLE MIDDLE BASS BASS FREQ.
FIELD EFFECT CHANNEL
BASS SHIFT
PAGE 5