REAR PANEL
| EXTERNAL SELECT | SPEAKER OUT | SPEAKER |
| EFFECTS LOOP |
| CHANNEL SELECT | ||||
12A S.B. | TUBE | FET |
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| ON | TUBE | CROSSOVER |
| FET | MIX MODE | |||||
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| EXT | TUBE | |
FUSE |
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| OFF | MIX |
| SEND |
| FOOT | TUBE |
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| MODE | LOW | HIGH |
| SWITCH | HI GAIN | |
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250 VOLTS | EQ | EQ |
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| MIX |
| FOOTSWITCH | ||
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| SUGGESTED LOAD 4 OHMS |
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| FUNCTION ASSIGN | ||
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| 600 WATTS RMS |
| POST | PRE |
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| MUTE | GAIN | |
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| MINIMUM LOAD 2 OHMS |
| 0% | 100% |
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117 VAC 60Hz 1200VA | TUBE | MIX | SPEAKER OUT | SPEAKER |
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| BALANCED | TUNER |
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HI GAIN | MODE | OUT | BALANCED OUTPUT |
| LEVEL | OUTPUT | FOOTSWITCH |
Let's start from the right, as you are looking at the Rear Panel and go through the features one at a time. We are starting from the right because the more frequently used features begin here, as you have probably already experienced.
CHANNEL SELECT | This rotary control engages the two channels and their Modes of operation. | CHANNEL SELECT | ||||||||||
| When the | FET | MIX MODE | |||||||||
| EXT | TUBE | ||||||||||
choose the desired mode of operation. To use the | ||||||||||||
FOOT | TUBE | |||||||||||
Rotary Switch to the "Footswitch" position. The | SWITCH | HI GAIN | ||||||||||
FOOTSWITCH | ||||||||||||
source that uses 1/4 inch "tip to ground" ports. This way, the | ||||||||||||
FUNCTION ASSIGN | ||||||||||||
MIDI controlled systems, allowing instant access to the Modes under MIDI program change commands. | MUTE | GAIN | ||||||||||
Set the CHANNEL SELECT to "EXT" and connect the six 1/4 inch jacks found in the EXTERNAL SELECT | ||||||||||||
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section (far left of the Rear Panel) to the switching source. Unshielded cable is preferable for this |
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application. Trigger the |
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corresponding | FOOTSWITCH | |||||||||||
program number. |
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FOOTSWITCH FUNCTION ASSIGN | This | the | GAIN | switch | on | the | FOOTSWITCH | |||||
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| M2000- | Foot Controller. | The GAIN | switch | serves | a | dual | FUNCTION ASSIGN | |||
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| GAIN | |||||||||
purpose in the switching scheme of the | MUTE | |||||||||||
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Channel's |
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(right) position. This toggle switch may also be used in conjunction with the TUNER Output to | FOOTSWITCH | |||||||||||
produce a "silent tuning" mode for stage use. |
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| FUNCTION ASSIGN | |||||
Connect a tuner to the 1/4 inch jack labeled TUNER OUTPUT (located just to the left of the 6 pin |
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XLR Footswitch jack.) | Select "MUTE" with the FOOTSWITCH FUNCTION ASSIGN (toggle |
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switch to the left.) When the GAIN switch is selected on the |
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sound to the power section will be muted and the instrument signal will pass straight | TUNER | FOOTSWITCH | ||||||||||
through to the TUNER OUTPUT jack. |
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| OUTPUT | |||||
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BALANCED OUTPUT / BALANCED LEVEL | This electronically | balanced XLR jack provides | two | CHANNEL SELECT | ||||||||
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| possible ways of interfacing to mixing consoles for live | |||||||||
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| FET | MIX MODE | ||||||||
and recording situations. POST: captures all the robust warmth of the | ||||||||||||
EXT | TUBE | |||||||||||
FOOT | TUBE | |||||||||||
SWITCH | HI GAIN | |||||||||||
graphic equalization. Add to this the frequency specific compression | FX LOOP AUTO | MIX |
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circuits in each channel that are tweaked for Bass - and we think |
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POST | PRE | RETURN |
| MUTE | GAIN | |||||||
you too will find the |
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direct. Switched to PRE: all |
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signal path and the signal is then fed straight from either Instrument |
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Input jack to the Balanced Level control and straight on to the |
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| BALANCED OUTPUT | LEVEL |
| OUTPUT |
PAGE 9