Mesa/Boogie M 2000 owner manual Rest Area

Page 13

MIXING A DISTORTION and a CLEAN SOUND

Next, let's try mixing a distortion (or maybe just

 

 

 

 

a slightly overdriven) sound from the VACUUM

50Hz 80 180

TUBE CHANNEL with a tight clean sound from the FIELD EFFECT CHANNEL.

EQ IN

 

 

While still in the MIX Mode, select the HI-GAIN setting of the MIX ASSIGN Switch

 

OUT

in the TUBE Channel's lower left corner.

4K 6K 8K

EQ IN

OUT

MIX MODE

 

 

 

 

 

 

 

MIX MODE

BRIGHT

 

 

COMPRESSION

50%

COMPRESSION

 

BRIGHT

 

 

MESA BOOGIE

BASIS M 2000

 

NORMAL

 

 

TUBE

FET

 

NORMAL

HI GAIN

 

 

 

 

 

HI GH

 

 

THRESHOLD

MIX

 

 

 

 

 

 

 

THRESHOLD

3:1

 

 

 

 

 

3:1

TUBE

FET

 

 

LOW

 

 

 

5:1

 

5:1

MIX

 

 

 

 

 

BASS

GAIN

TREBLE MIDDLE BASS

MASTER

HI GAIN

CLIP

 

MASTER TREBLE MIDDLE BASS BASS FREQ.

NORMALASSIGN

 

 

OFF

OFF

 

SHIFT

 

VACUUM TUBE CHANNEL

 

 

FIELD EFFECT CHANNEL

 

 

FREQUENCY

OUTPUT LEVEL

FREQUENCY

 

 

Set the controls in both channels to the setting shown in the above illustration. For this example, we have chosen a medium overdrive sound to audition. Select the MIX Mode (if you have not already done so.)

Start with the MIX Control panned hard right (100% FET) and sweep left. At slightly before 12:00, you will hear the overdrive from the TUBE Channel's HI-GAIN Mode start to come into the mix. Continue sweeping toward the TUBE Channel until the desired blend is reached. To adjust the amount of overdrive in the TUBE Channel, simply raise or lower the GAIN Control until you find the intensity (amount of distortion) that you desire.

NOTE It may be helpful to reduce the setting of the rotary BASS Control in the TUBE Channel when using the HI-GAIN Mode, especially with higher settings of the GAIN Control. High settings of these two controls simultaneously will often produce a flubby, indistinct attack. If you need more low frequencies when dialing up Hi Gain sounds, try using the lower bands ( 50 - 80 - & 180K ) of the Graphic Equalizer as it occurs later in the signal path and is therefore less likely to be detrimental to the attack characteristic.

GRAPHIC E.Q. MIX ASSIGN One or both 9 Band Equalizers may be automatically engaged when the MIX Mode is called up via the footswitch (or via the Rear Panel rotary switch.) Simply select the MIX ASSIGN (down position) of the 3 position E.Q. mini-toggle switch that is adjacent to each Equalizer and it will be activated

automatically every time you choose the MIX Mode. Needless to say, this increases the sonic power of the MIX Mode exponentially.

50Hz 80 180 300 600 1.2K 4K 6K 8K

SIMUL STATE POWER

50Hz 80 180 300 600 1.2K 4K 6K 8K

EQ IN

 

EQ IN

OUT

 

OUT

MIX MODE

 

MIX MODE

MESA BOOGIE

 

BASIS M 2000

Now that we've run through the two channels, we are ready to spin the unit around and review the M-2000s'Rear Panel.

REST AREA

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Contents Basis M Hello from the Tone Farm 2000 USE Common Sense and Always Observe These Precautions Overview Rear View Basis MConnect Speaker Initial SET-UPMini Toggles Vacuum Tube ChannelBand EQ Field Effect ChannelCompressor Basis M Basis M MIX Mode Field Effect Channel Settings Thus FARVacuum Tube Channel Settings Thus FAR Rest Area Rear Panel On the stage Speaker OUT Mode, regardless of the state of any other switching logic Settings Templates for Your Personal Favorite M-2000Sounds Basis M ESA Boogie Front View Basis M-2000 Mesa Boogie

M 2000 specifications

The Mesa/Boogie M 2000 is a highly regarded tube amplifier that embodies the rich legacy of Mesa/Boogie, a brand known for its unique sound and innovative designs. Introduced in the late 1990s, the M 2000 was part of a shift towards more versatile and high-powered amplifiers, catering to both live performance and studio recordings.

One of the standout features of the M 2000 is its dual-channel design, which allows for a broad spectrum of tonal possibilities. Each channel offers independent gain, treble, mid, bass, and presence controls, enabling the player to sculpt their sound with precision. This flexibility is particularly beneficial for guitarists who require a range of tones, from clean and glassy to aggressive and distorted.

The M 2000 is equipped with Mesa/Boogie's patented Dyna-Watt power technology, which delivers an impressive 200 watts of power while maintaining a light and compact chassis. This technology enhances headroom and responsiveness, emphasizing the tonal characteristics of the tubes and enabling them to react dynamically to the player's touch. The result is a natural and expressive playing experience that can adapt to various musical styles.

Another key characteristic of the M 2000 is its built-in reverb, which adds depth and dimension to the sound. Players can select between a lush spring reverb or a more subtle hall effect, further enhancing the amplifier's versatility. The inclusion of an effects loop also opens up new possibilities for integrating pedals and external effects, making it an ideal choice for musicians utilizing multiple effects in their setups.

The cabling and connectivity options on the M 2000 are designed to suit both studio musicians and touring artists. It supports multiple speaker configurations and features parallel effects loops, ensuring seamless integration into any rig. Mesa/Boogie's reputation for durability is evident in the construction of the M 2000, with high-quality components and a rugged design that can withstand the rigors of the road.

In summary, the Mesa/Boogie M 2000 is a powerhouse amplifier that offers superb tonal flexibility, advanced power technology, and durable construction. Its combination of features makes it an excellent choice for both professional and aspiring musicians looking to elevate their sound.
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