ARRI Comprehensive Timecode Operation for 416 Camcorder

Page 18

Timecode Operation

Note: To write SMTPE timecode to film, ARRIFLEX 416 magazines must have the 416 Timecode Module fitted.

Note: Timecode recording is only possible at the 5 Standard Speeds of 23.976, 24, 25, 29.97 & 30 fps.

Turning Timecode Recording On and Off.

Press the MODE key until the display shows mode 4.

Press and hold SET until the TC symbol appears (or disappears) on the display.

Alternatively, Timecode recording is automatically turned on when the camera receives a valid Timecode signal (see Timecode Input).

Display in mode 4. TC

is on. Framerate is 25 fps

Timecode Input (Jam Syncing)

Connect the LTC signal from a Timecode generator (or motherclock) to the Timecode connector on the camera’s right side.

The last 2 digits on the display will show ‘EC’ (external code). When the Timecode is correctly transferred they will change to ‘CC’ (correct code).

After approximately 10 seconds the last 2 digits will change to the Timecode recording framerate.

Note: If the motherclock is left connected for 10 minutes, the camera’s Timecode clock will synchronize itself to the exact frequency of the motherclock leading to better accuracy and extended periods between jam syncing.

Userbit Input

Userbits are automatically input with the Timecode, but they can also be set by means of the camera display in mode 5.

Use the SEL button to select the digit you wish to change, which will flash.

The SET button changes the value of the flashing digit.

Repeat the last two steps for all the digits that need to be changed.

Note: Userbit values are hexadecimal so only values from 0 – 9 and A – F are available.

Magazine Timecode Sensitivity Switch

Display in mode 5.

Showing Userbits

To ensure proper timecode exposure on film, the intensity of the exposure LED in the 416 Timecode Module is adjustable. Magazines have a Timecode Sensitivity Switch in the top left corner of the feed side door for this purpose. Different film stocks require the TCS Switch to be set to different TCS numbers. The table on the next page shows the settings required by current film stocks (as of November 2005).

Timecode sensitivity switch

DIMMER

+

NORM PS/CCU LOCK

MODE

SEL/∆

SET/ V

ARRIFLEX 416 Quick Guide 05/2006, Page 18

Image 18
Contents Preliminary Quick Guide Page About, Software, Tools, Safety About the 416 Preliminary Quick GuideCamera Left & Front RGB ArriglowCamera Right & Back AntennaQuick Specs Power On, Camera RUN, Inching, Camera Display ProgLoading the 416 Magazine Feed SideLoop length mark Mounting the Magazine Mounting the MagazineChanging Fps & Shutter Angle Beeper, Backlight & RGB Arriglow RGB ArriglowOn-board Battery Integrated Video System VBS Accessories Accessories Timecode Operation Timecode Sensitivity Table TCSArri Group Addresses USA

416 specifications

The ARRI 416 is a professional motion picture camera that has garnered a reputation for its versatility, reliability, and superb image quality. Renowned for its performance in both film and television production, the ARRI 416 blends cutting-edge technology with a user-friendly design, making it a favorite among cinematographers around the globe.

One of the most notable characteristics of the ARRI 416 is its capability to shoot in 16mm format, which provides a unique aesthetic that is often sought after in independent and experimental filmmaking. This camera is equipped with a stunning 16mm gate that ensures exceptional film transport and exposes the film accurately, delivering stunningly sharp images with a distinct visual quality that only film can provide.

The ARRI 416 features a modular design, which allows cinematographers and technical crews to customize the setup according to the specific needs of a shoot. This flexibility means that it can easily be adapted for various shooting conditions, whether in a controlled studio environment or challenging outdoor scenarios. Its compact size and lightweight frame facilitate hand-held shooting, while also allowing for easy installation on drones and other aerial platforms.

Equipped with advanced camera technologies, the ARRI 416 includes features such as a synchronized shutter mechanism that reduces the risk of flicker and enhances the overall shooting experience. Additionally, the camera supports a wide range of lenses, providing filmmakers with numerous creative options to achieve their desired look.

The ARRI 416 also embraces modern technologies, including the integration of electronic components that improve workflow efficiency. This includes built-in displays for monitoring settings and film status in real-time, allowing directors and cinematographers to keep track of their shots without interruption.

Durability and resilience are also key characteristics of the ARRI 416. Constructed with high-quality materials, this camera is designed to withstand the rigors of film production, ensuring consistent performance even in the most demanding environments.

In summary, the ARRI 416 stands out due to its rich feature set, incorporating both traditional filmmaking values and modern technology, making it an invaluable tool for filmmakers aiming to achieve artistic excellence.