ARRI 416 manual Quick Specs

Page 6

 

 

Quick Specs

 

 

 

Fps range:

1 to 75 fps, forward only, in 0.001 fps increments

Mirror Shutter:

180º to 45º, manually adjustable

 

 

Fixed settings at: 180º, 172.8º, 150º, 144º, 135º, 90º, 45º

 

Use the following angles for filming with non-electronic ballast HMI

 

or fluorescent lighting:

 

 

180º:

25 fps, 50 Hz supply, 1/50th second exposure time

 

172.8º:

24 fps, 50 Hz supply, 1/50th second exposure time

 

150º:

25 fps, 60 Hz supply, 1/60th second exposure time

 

144º:

24 fps, 60 Hz supply, 1/60th second exposure time

Power:

24 V DC, custom 105 Fischer connector, pin 1 is 0 V, pin 2 is positive,

 

pin 3 is on-board battery condition monitor

 

 

Acceptable range: 21 V to 35 V

 

Accessory Power:

1 x 24 V RS connector on 416

 

 

2 x 24 V RS connectors on 416 Plus

 

 

1 x 24 V REMOTE connector

 

 

RS & REMOTE connectors combined 2 A continuous, 4 A peak

 

Note: RS & REMOTE connectors are not regulated so their output voltage tracks the

 

camera supply voltage.

 

 

1 x 24 V Heated Eyecup connector

 

 

2 x 12 V MINI MONITOR connector on IVS

 

 

MINI MONITOR connectors combined 2 A continuous

Movement:

One pull-down film transport claw and one registration pin

Sound Level:

Less than 20 dB (A) @ 24 fps

 

Lens Mount:

54 mm PL mount, Super 16 only

 

Flange Focal Distance:

52.00 – 51.99 mm

 

Temperature Range:

-20ºC to +50ºC (+4ºF to +122ºF)

 

Electronic Accessories:

LDD-FP

Lens Data Display for Focus Puller

(Lens Data Archive only)

 

UMC-3

Universal Motor Controller

 

 

EXD-1

External Display

(Accessory expansion cable needed)

 

RCU-1

Remote Control Unit

 

 

LCS

Lens Control System

 

 

WRS

Wireless Remote System

 

 

WRC-1

Wireless Remote Control

 

 

ESU-1

External Synchronization Unit

(Accessory expansion cable needed)

 

ICU-1

Iris Control Unit

(Accessory expansion cable needed)

 

RS-4

Remote On/Off Switch

 

Other Accessories: 16SR 3 fibre screens, HE-3, 4 & 5 heated eyecups, FF-3 (with bridge plate), FF-4 & 5 (on lightweight support rods or bridge plate), 15 mm & 19 mm support rod matte boxes (with bridge plate), ARRI/Zeiss Ultra 16 lenses, ARRI/Zeiss Lightweight Zoom LWZ-1, ARRI/Zeiss Standard Speed lenses, ARRI/Zeiss Super Speed lenses, ARRI/Zeiss Ultra Prime lenses, ARRI/Zeiss Master Prime lenses, Cooke S-4 lenses, ARRI Macro lenses, Cooke & Angenieux zoom lenses, ARRI/Zeiss Variable Prime lenses.

Not compatible with: 16SR magazines, 16SR on-board batteries, 435 Single Frame Hand Controller, CCU and ARRICAM electronic accessories.

ARRIFLEX 416 Quick Guide 05/2006, Page 6

Page 5 Page 7
Image 6
Page 5 Page 7
Contents Preliminary Quick Guide Page About, Software, Tools, Safety About the 416 Preliminary Quick GuideCamera Left & Front RGB ArriglowCamera Right & Back AntennaQuick Specs Power On, Camera RUN, Inching, Camera Display ProgLoading the 416 Magazine Feed SideLoop length mark Mounting the Magazine Mounting the MagazineChanging Fps & Shutter Angle Beeper, Backlight & RGB Arriglow RGB ArriglowOn-board Battery Integrated Video System VBS Accessories Accessories Timecode Operation Timecode Sensitivity Table TCSArri Group Addresses USA

416 specifications

The ARRI 416 is a professional motion picture camera that has garnered a reputation for its versatility, reliability, and superb image quality. Renowned for its performance in both film and television production, the ARRI 416 blends cutting-edge technology with a user-friendly design, making it a favorite among cinematographers around the globe.

One of the most notable characteristics of the ARRI 416 is its capability to shoot in 16mm format, which provides a unique aesthetic that is often sought after in independent and experimental filmmaking. This camera is equipped with a stunning 16mm gate that ensures exceptional film transport and exposes the film accurately, delivering stunningly sharp images with a distinct visual quality that only film can provide.

The ARRI 416 features a modular design, which allows cinematographers and technical crews to customize the setup according to the specific needs of a shoot. This flexibility means that it can easily be adapted for various shooting conditions, whether in a controlled studio environment or challenging outdoor scenarios. Its compact size and lightweight frame facilitate hand-held shooting, while also allowing for easy installation on drones and other aerial platforms.

Equipped with advanced camera technologies, the ARRI 416 includes features such as a synchronized shutter mechanism that reduces the risk of flicker and enhances the overall shooting experience. Additionally, the camera supports a wide range of lenses, providing filmmakers with numerous creative options to achieve their desired look.

The ARRI 416 also embraces modern technologies, including the integration of electronic components that improve workflow efficiency. This includes built-in displays for monitoring settings and film status in real-time, allowing directors and cinematographers to keep track of their shots without interruption.

Durability and resilience are also key characteristics of the ARRI 416. Constructed with high-quality materials, this camera is designed to withstand the rigors of film production, ensuring consistent performance even in the most demanding environments.

In summary, the ARRI 416 stands out due to its rich feature set, incorporating both traditional filmmaking values and modern technology, making it an invaluable tool for filmmakers aiming to achieve artistic excellence.
Top Page Image Contents