Loading the 416 Magazine, Feed Side

Loading the 416 Magazine

Note: The 416 magazine has its feed and take-up chambers on opposite sides to the SR 1, 2 & 3 magazines.

Step 1: The Feed Side

Load the unexposed film into the feed side in absolute darkness (darkroom or changing tent).

•Open the feed side magazine door and latch back the lay-on roller arm.

•Remove the film from the film can.

•Remove the tape from the film head. Ensure that the tape is completely removed and secured out of the way.

•Place the film roll on the core holder so it unwinds in the direction shown in the picture below. Press it down fully.

Note: When placing film on the feed side core holder, do not push on the film itself as it could become conical. Push on the film core instead.

•Hold the film roll still and turn the core holder until the core holder key clicks into the key slot of the film core. Make sure the core holder cannot turn any further.

•Release the lay-on roller arm gently so the roller rests on the outer surface of the film roll. The sides of the roller should overlap the film roll edges, as shown in the picture below.

•Push approximately 15 cm (6”) of film into the slit at the top of the angled transfer roller. Then thread the film around the guide roller.

•Replace and lock the feed side magazine door, being careful not to trap any film in the process.

Transfer roller

Feed side core holder

Guide roller

Lay-on roller

Step 2: The Take-up Side

The following procedures may be carried out in the light.

•Flip the magazine over lengthways so the take-up door is uppermost and the top of the magazine is facing you. The ‘ARRI’ on the door will be upside down.

•Open the take-up side magazine door and latch back the footage counter roller arm. Fit an empty film core to the take-up core holder.

•The film head should be protruding from the transfer roller. Check that it is cut squarely through a perforation.

•Thread the film head around the forward guide roller as indicated inside the magazine. Without touching the film core, push the film head into the upper sprocket roller until its teeth engage in the film perforations.

•Once the sprocket teeth have engaged in the film perforations, turn the film core until the film head emerges from the magazine throat.

ARRIFLEX 416 Quick Guide 05/2006, Page 8

416 specifications

The ARRI 416 is a professional motion picture camera that has garnered a reputation for its versatility, reliability, and superb image quality. Renowned for its performance in both film and television production, the ARRI 416 blends cutting-edge technology with a user-friendly design, making it a favorite among cinematographers around the globe.

One of the most notable characteristics of the ARRI 416 is its capability to shoot in 16mm format, which provides a unique aesthetic that is often sought after in independent and experimental filmmaking. This camera is equipped with a stunning 16mm gate that ensures exceptional film transport and exposes the film accurately, delivering stunningly sharp images with a distinct visual quality that only film can provide.

The ARRI 416 features a modular design, which allows cinematographers and technical crews to customize the setup according to the specific needs of a shoot. This flexibility means that it can easily be adapted for various shooting conditions, whether in a controlled studio environment or challenging outdoor scenarios. Its compact size and lightweight frame facilitate hand-held shooting, while also allowing for easy installation on drones and other aerial platforms.

Equipped with advanced camera technologies, the ARRI 416 includes features such as a synchronized shutter mechanism that reduces the risk of flicker and enhances the overall shooting experience. Additionally, the camera supports a wide range of lenses, providing filmmakers with numerous creative options to achieve their desired look.

The ARRI 416 also embraces modern technologies, including the integration of electronic components that improve workflow efficiency. This includes built-in displays for monitoring settings and film status in real-time, allowing directors and cinematographers to keep track of their shots without interruption.

Durability and resilience are also key characteristics of the ARRI 416. Constructed with high-quality materials, this camera is designed to withstand the rigors of film production, ensuring consistent performance even in the most demanding environments.

In summary, the ARRI 416 stands out due to its rich feature set, incorporating both traditional filmmaking values and modern technology, making it an invaluable tool for filmmakers aiming to achieve artistic excellence.