ARRI 416 manual Power On, Camera RUN, Inching, Camera Display, Prog

Page 7

Power On, Camera RUN, Inching, Camera Display

Turning Camera Power On

The Power On button for the ARRIFLEX 416 is located above the RUN button on the camera right side. To turn the camera On, briefly press the Power On button. When a battery is connected to the camera and the power switch is turned on, you should see characters appear on the Display on the camera left side.

Note: The camera remembers the status of the Power On button and restores this status after a power interruption.

RF CHAN

TCC

ON/OFF

Power On button

 

LCS

RUN

 

LCS

RS RS

Camera RUN

PHASE button

ZOOM

NORM

PS/CCU

LOCK

PHASE

 

 

 

 

 

RUN button

 

 

 

 

RUN

 

 

RUN indicator

MODE

SEL/∆

SET/ V

 

 

 

A RUN button is located on both sides of the camera. To run the camera, press the RUN button briefly. The RUN indicator light will glow red while the camera comes up to speed, changing to green once the set frame rate is reached. The RUN indicator light will glow steadily green while the camera runs at the set frame rate. To stop the camera, briefly press the RUN button again. If the RUN indicator glows red while the camera is in Standby, the camera is not ready and pressing the RUN button will have no effect.

Inching

The ARRIFLEX 416 cannot be manually inched – it can only be inched by pressing the PHASE button while the camera is in Standby. If the PHASE button is pressed briefly, the mirror shutter will rotate 180º to allow for gate checks. To move the mirror shutter back into viewing position, press the PHASE button again briefly.

Camera Display

The Camera Display indicates the status of, or value assigned to, the various camera parameters. There are seven modes which show the following information:

1.

2.

Total film exposed (or take counter)

5.

Timecode User Bits

Standard speed.

 

Timecode User Bits

 

6.

Loudspeaker sequence & volume

Programmed speed.

 

Button backlight brightness

3.

Take counter (or total film exposed)

7.

Supply voltage & (with OBB-2),

battery capacity/magazines left.

ARRIGLOW colour

4.

Timecode hours & minutes Timecode minutes & framerate

Display Indicators:

asy:

Asynchronous operation (camera is not running at set fps)

 

bat:

Low battery (less than 20 volts)

 

end:

Camera has run out of film

 

fps flashes:

ESU is not receiving a valid signal

 

PROG:

Internal program is activated

 

TC glows:

Timecode exposure is enabled and timecode is set

 

TC flashes

Timecode exposure is enabled but not recording properly

Viewfinder Indicators:

LED glows:

Asynchronous operation (camera is not running at set fps)

 

LED flashes

Low battery (less than 20 volts)

ARRIFLEX 416 Quick Guide 05/2006, Page 7

Page 6 Page 8
Image 7
Page 6 Page 8
Contents Preliminary Quick Guide Page About the 416 Preliminary Quick Guide About, Software, Tools, SafetyRGB Arriglow Camera Left & FrontAntenna Camera Right & BackQuick Specs Prog Power On, Camera RUN, Inching, Camera DisplayFeed Side Loading the 416 MagazineLoop length mark Mounting the Magazine Mounting the MagazineChanging Fps & Shutter Angle RGB Arriglow Beeper, Backlight & RGB ArriglowOn-board Battery Integrated Video System VBS Accessories Accessories Timecode Operation TCS Timecode Sensitivity TableUSA Arri Group Addresses

416 specifications

The ARRI 416 is a professional motion picture camera that has garnered a reputation for its versatility, reliability, and superb image quality. Renowned for its performance in both film and television production, the ARRI 416 blends cutting-edge technology with a user-friendly design, making it a favorite among cinematographers around the globe.

One of the most notable characteristics of the ARRI 416 is its capability to shoot in 16mm format, which provides a unique aesthetic that is often sought after in independent and experimental filmmaking. This camera is equipped with a stunning 16mm gate that ensures exceptional film transport and exposes the film accurately, delivering stunningly sharp images with a distinct visual quality that only film can provide.

The ARRI 416 features a modular design, which allows cinematographers and technical crews to customize the setup according to the specific needs of a shoot. This flexibility means that it can easily be adapted for various shooting conditions, whether in a controlled studio environment or challenging outdoor scenarios. Its compact size and lightweight frame facilitate hand-held shooting, while also allowing for easy installation on drones and other aerial platforms.

Equipped with advanced camera technologies, the ARRI 416 includes features such as a synchronized shutter mechanism that reduces the risk of flicker and enhances the overall shooting experience. Additionally, the camera supports a wide range of lenses, providing filmmakers with numerous creative options to achieve their desired look.

The ARRI 416 also embraces modern technologies, including the integration of electronic components that improve workflow efficiency. This includes built-in displays for monitoring settings and film status in real-time, allowing directors and cinematographers to keep track of their shots without interruption.

Durability and resilience are also key characteristics of the ARRI 416. Constructed with high-quality materials, this camera is designed to withstand the rigors of film production, ensuring consistent performance even in the most demanding environments.

In summary, the ARRI 416 stands out due to its rich feature set, incorporating both traditional filmmaking values and modern technology, making it an invaluable tool for filmmakers aiming to achieve artistic excellence.
Top Page Image Contents