ARRI ARRIFLEX D-21 manual Data Mode Main Features, Best Image Quality

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D-21 Data Mode Main Features

nBest Image Quality

-records uncompressed, unprocessed 12 bit raw Bayer sensor data (ARRIRAW)

-the output option with the highest dynamic range and lowest noise

-improved image quality through advanced image reconstruction in post

-2880 x 2160 (4:3) at 24 and 25 fps

2880 x 1620 (16:9) at 30 fps

nCinemaScope

- anamorphic lenses can be used

nGreatest Flexibility on the Set

-ARRIRAW T-Link: transport ARRIRAW via dual link HD-SDI

-simultaneous data and HD output for HD video monitoring and offline editing

-ingest converted data files from data recorder to NLE

nGreatest Flexibility in Post - finer detail and crisper edges

- higher resolution works better for compositing

-familiar workflow: 2K output files have the

same resolution and colorimetry as 2K scans from film

-color conversion and lookup table decisions can be made in post

-simple image reposition and cropping

-upgraded image reconstruction can be applied to archived raw data for better image quality

ARRIFLEX D-21

D-21 Raw

RGBA Transport

Bayer Data

Stream Mapping

D-21 Raw Bayer Data

2x BNC Cables

Dual Link HD-SDI Stream

D-21 Raw

Bayer Data

RGBA Format

D-21 Raw Bayer Data mapped into RGBA Transport Stream

DataRecorder

File Formatting

D-21 Raw

Bayer Data

 

 

RGBA Format

Real-Time

Image ProcessingRecorder

File Format

Recorder File

Format Unpacking

RGBA Transport

Stream Extraction

Image

Reconstruction

HD Preview Image

Postproduction

Non-Real-Time

Image Processing

Recorder File

Format Unpacking

RGBA Transport

Stream Extraction

Image

Reconstruction

RGB Image

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Contents Arriflex D-21 Arriflex D-21 Film Style Digital CameraArri Arriflex D-21 Arriflex D-21 Main Features Cinematic Image QualityOptical Viewfinder · zero delay State of the ART Technology Arri Imaging TechnologyArri Arriflex D-21 Company Photo Sony Pictures TV Clear View Optical ViewfinderFilm Sized Sensor & Film Lenses for a Film Look For AN Authentic Cinematic LookArri Arriflex D-21 Company Photo Sony Pictures TV From the Field Mikael Salomon, ASCData Mode Main Features Best Image QualityFlexible Output Options Different Productions Require Different OutputsComplete System True Arri CameraArri Arriflex D-21 Sean Bobbitt, BSC Cinematographer on The Butcher’s Shop Michael Coulter, BSC Cinematographer on The Bank Job Sam Nicholson CinematographerFrequently Asked Questions About Time Travel John Pardue Cinematographer onEd Wild Cinematographer on Prisoners of the Sun Frank Küpper Cinematographer on Afrika, Mon AmourTechnical Data Camera TypeArri Arriflex D-21 USA

ARRIFLEX D-21 specifications

The ARRI ARRIFLEX D-21 is a groundbreaking digital motion picture camera that represents the convergence of traditional cinematography and modern digital technology. Launched in 2005, the D-21 was designed with input from renowned cinematographers and is renowned for its exceptional image quality and versatility. One of the standout features of the D-21 is its unique Super 35mm-sized sensor, which closely mimics the characteristics of film, allowing filmmakers to achieve a familiar depth of field and aesthetic that is appreciated by professionals in the industry.

The D-21 incorporates advanced color science, enabling it to capture a broad dynamic range and reproduce colors faithful to the filmmakers' vision. Its sensor offers an impressive 13 stops of dynamic range, providing the ability to handle highlights and shadows with phenomenal detail. This capability is especially vital for high-contrast scenes often found in cinematography.

Another key characteristic of the D-21 is its modular design, which allows for various configurations to suit different shooting requirements. The camera body can be equipped with numerous accessories, including a wide range of lenses, filters, and external recorders, enhancing its ability to adapt to diverse filmmaking conditions. Additionally, the D-21 supports various recording formats, including 1080p and 720p, allowing for both high-definition and standard workflows.

The camera employs a dual-link HD-SDI output, facilitating real-time monitoring and recording to external devices. This feature is particularly useful during live broadcasts or in demanding production environments where immediate feedback on image quality is critical.

The ARRIFLEX D-21 also incorporates advanced noise reduction technologies, ensuring that low-light performance remains exceptional. This capability allows filmmakers to work in challenging environments and capture stunning visuals without the need for extensive lighting setups.

Durability is another aspect where the D-21 excels. Constructed with robust materials, it can withstand the rigors of professional filmmaking, making it a reliable choice for on-location shooting. Furthermore, the camera is designed to be user-friendly, equipped with intuitive controls that minimize the learning curve for cinematographers.

In conclusion, the ARRI ARRIFLEX D-21 has earned its place in the pantheon of cinematic tools due to its blend of innovative technology and a deep-rooted understanding of the art of filmmaking. Its remarkable features, such as superior image quality, flexible design, and robust performance in various environments, make it a valuable asset in any filmmaker's toolkit.