Flexible Output Options

Data recorders that can record and play back the ARRIRAW T-Link signal can be certified by ARRI.

ARRI ARRIFLEX D-21

Different Productions Require Different Outputs

Different projects have different production requirements, budgets and distribu- tion channels; the equipment chosen has to be flexible enough to accommodate those differences. The unique construction of the ARRIFLEX D-21 allows various output signals to be generated, accommodating diverse production needs and pipelines.

In HD Mode, HD output options include 'Linear' or Logarithmic output, 4:2:2 YPbPr or 4:4:4 RGB, Normal or Extended Range, as well as frame rates of up to 60 fps and an optional fiber optic link. HD Mode allows the D-21 to deliver its unique images into the existing HD infrastructure.

Alternatively, or even concurrently, the D-21 can work in Data Mode, whereby the uncompressed, 12 bit raw Bayer data from the D-21's 4x3 sensor is available in full resolution. The ARRIRAW T-link (Transport Link) is a method of transporting the ARRIRAW data over a standard dual link HD-SDI connection. The data files which result from processing of the ARRIRAW recordings are as easy to grade as those scanned from film because they have the same pixel raster and colorimetry as film scans.

ARRIRAW T-Link

One of the obstacles that has held back the use of raw data in the past has been the problem of how to get data easily from the camera to a recorder. ARRI engineers have found a way to utilize a standard dual link HD-SDI connection to transport the raw D-21 Bayer data. This new transport method is called "ARRIRAW T-Link" (Transport Link). It allows any recorder capable of recording an uncompressed dual link HD-SDI stream to record raw D-21 Bayer data, greatly simplifying the raw data workflow for manu- facturers and users alike.

The properties of the dual link HS-SDI connection are defined in SMPTE 372M. The standard specifies a maximum data rate of 2.97 Gb/s, which is enough bandwidth to carry the 12 bit D-21 raw Bayer data. SMPTE 372M also defines a number of standardized source signal formats to be sent through two BNC cables (affectionately known as Link A and Link B).

One of those source signal formats is the RGBA format. RGBA stands for red, green and blue plus an alpha channel, technically called 4:4:4:4 (R'G'B'+A)/10 bit. The ARRIRAW T-Link works by mapping the 12 bit raw Bayer data into this RGBA data stream, so that it can be transported via a dual link HD-SDI connection.

Any recorder that is capable of recording a SMPTE 372M compliant RGBA signal and playing it back without compression or further encoding can record this signal. If the signal is recorded by a data recorder, the additional option of a live preview exists. The data recorder can extract the original D-21 raw Bayer data out of the RGBA data stream, and use a real-time image reconstruction algorithm to display the 4:3 image as a 1440 x 1080 preview HD image. If anamorphic lenses are used on the D-21 a suitably "de-squeezed" image can be displayed on an HD monitor.

A similar but more refined process is used in postproduction. The original raw Bayer data is extracted from the RGBA stream, and advanced image reconstruction algorithms are used to reconstruct a pristine image in HD, 2K or 2.8K. Doing this in post has the added advantage that it does not have to be done in real-time, so a significantly better image quality and greater flexibility are possible. Note that throughout the whole process, the image always stays uncompressed, at the highest quality.

ARRIFLEX D-21 specifications

The ARRI ARRIFLEX D-21 is a groundbreaking digital motion picture camera that represents the convergence of traditional cinematography and modern digital technology. Launched in 2005, the D-21 was designed with input from renowned cinematographers and is renowned for its exceptional image quality and versatility. One of the standout features of the D-21 is its unique Super 35mm-sized sensor, which closely mimics the characteristics of film, allowing filmmakers to achieve a familiar depth of field and aesthetic that is appreciated by professionals in the industry.

The D-21 incorporates advanced color science, enabling it to capture a broad dynamic range and reproduce colors faithful to the filmmakers' vision. Its sensor offers an impressive 13 stops of dynamic range, providing the ability to handle highlights and shadows with phenomenal detail. This capability is especially vital for high-contrast scenes often found in cinematography.

Another key characteristic of the D-21 is its modular design, which allows for various configurations to suit different shooting requirements. The camera body can be equipped with numerous accessories, including a wide range of lenses, filters, and external recorders, enhancing its ability to adapt to diverse filmmaking conditions. Additionally, the D-21 supports various recording formats, including 1080p and 720p, allowing for both high-definition and standard workflows.

The camera employs a dual-link HD-SDI output, facilitating real-time monitoring and recording to external devices. This feature is particularly useful during live broadcasts or in demanding production environments where immediate feedback on image quality is critical.

The ARRIFLEX D-21 also incorporates advanced noise reduction technologies, ensuring that low-light performance remains exceptional. This capability allows filmmakers to work in challenging environments and capture stunning visuals without the need for extensive lighting setups.

Durability is another aspect where the D-21 excels. Constructed with robust materials, it can withstand the rigors of professional filmmaking, making it a reliable choice for on-location shooting. Furthermore, the camera is designed to be user-friendly, equipped with intuitive controls that minimize the learning curve for cinematographers.

In conclusion, the ARRI ARRIFLEX D-21 has earned its place in the pantheon of cinematic tools due to its blend of innovative technology and a deep-rooted understanding of the art of filmmaking. Its remarkable features, such as superior image quality, flexible design, and robust performance in various environments, make it a valuable asset in any filmmaker's toolkit.