ARRI ARRIFLEX D-21 manual Arriflex D-21, Film Style Digital Camera

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ARRIFLEX D-21

The Film Style Digital Camera

The ARRIFLEX D-21 combines leading edge digital technology with film camera features that have been refined over ARRI’s 90-year history. It allows directors and cinematographers to shoot in the same way as they would with 35 mm film, while taking advantage of the immediacy and economy of digital acquisition.

Through ARRI Imaging Technology (AIT), the D-21 produces bril- liant images with a cinematic look and feel. D-21 images have a high dynamic range, high contrast and the most film-like color reproduc- tion of any digital motion picture camera.

Incorporating a rotating mirror shutter, optical viewfinder and

compatibility with existing film accessories, the D-21 is immediately recognizable as an ARRI camera and film crews feel comfortable operating it. Further film style features include variable frame rate and robust construction.

The D-21's single, Super 35-size CMOS sensor exhibits the same cinematic depth of field as 35 mm film and the camera's industry standard PL lens mount accepts the same unequalled variety of spherical lenses as used on 35 mm film cameras. Since the D-21 is the only digital high-end camera with a 4x3 aspect ratio sensor, it can make full use of anamorphic lenses.

The ARRIRAW format enables the D-21 to output raw uncom- pressed data. Alternatively – or simultaneously – the camera can output an uncompressed HD signal that works perfectly in the established HD infrastructure. With such flexibility, the D-21 easily adapts to a variety of production requirements and budgets.

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Contents Arriflex D-21 Arriflex D-21 Film Style Digital CameraArri Arriflex D-21 Arriflex D-21 Main Features Cinematic Image QualityOptical Viewfinder · zero delay State of the ART Technology Arri Imaging TechnologyArri Arriflex D-21 Company Photo Sony Pictures TV Clear View Optical ViewfinderFilm Sized Sensor & Film Lenses for a Film Look For AN Authentic Cinematic LookArri Arriflex D-21 Company Photo Sony Pictures TV From the Field Mikael Salomon, ASCData Mode Main Features Best Image QualityFlexible Output Options Different Productions Require Different OutputsComplete System True Arri CameraArri Arriflex D-21 Sean Bobbitt, BSC Cinematographer on The Butcher’s Shop Michael Coulter, BSC Cinematographer on The Bank Job Sam Nicholson CinematographerFrequently Asked Questions About Time Travel John Pardue Cinematographer onEd Wild Cinematographer on Prisoners of the Sun Frank Küpper Cinematographer on Afrika, Mon AmourTechnical Data Camera TypeArri Arriflex D-21 USA

ARRIFLEX D-21 specifications

The ARRI ARRIFLEX D-21 is a groundbreaking digital motion picture camera that represents the convergence of traditional cinematography and modern digital technology. Launched in 2005, the D-21 was designed with input from renowned cinematographers and is renowned for its exceptional image quality and versatility. One of the standout features of the D-21 is its unique Super 35mm-sized sensor, which closely mimics the characteristics of film, allowing filmmakers to achieve a familiar depth of field and aesthetic that is appreciated by professionals in the industry.

The D-21 incorporates advanced color science, enabling it to capture a broad dynamic range and reproduce colors faithful to the filmmakers' vision. Its sensor offers an impressive 13 stops of dynamic range, providing the ability to handle highlights and shadows with phenomenal detail. This capability is especially vital for high-contrast scenes often found in cinematography.

Another key characteristic of the D-21 is its modular design, which allows for various configurations to suit different shooting requirements. The camera body can be equipped with numerous accessories, including a wide range of lenses, filters, and external recorders, enhancing its ability to adapt to diverse filmmaking conditions. Additionally, the D-21 supports various recording formats, including 1080p and 720p, allowing for both high-definition and standard workflows.

The camera employs a dual-link HD-SDI output, facilitating real-time monitoring and recording to external devices. This feature is particularly useful during live broadcasts or in demanding production environments where immediate feedback on image quality is critical.

The ARRIFLEX D-21 also incorporates advanced noise reduction technologies, ensuring that low-light performance remains exceptional. This capability allows filmmakers to work in challenging environments and capture stunning visuals without the need for extensive lighting setups.

Durability is another aspect where the D-21 excels. Constructed with robust materials, it can withstand the rigors of professional filmmaking, making it a reliable choice for on-location shooting. Furthermore, the camera is designed to be user-friendly, equipped with intuitive controls that minimize the learning curve for cinematographers.

In conclusion, the ARRI ARRIFLEX D-21 has earned its place in the pantheon of cinematic tools due to its blend of innovative technology and a deep-rooted understanding of the art of filmmaking. Its remarkable features, such as superior image quality, flexible design, and robust performance in various environments, make it a valuable asset in any filmmaker's toolkit.
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