ARRI ARRIFLEX D-21 manual Clear View, Optical Viewfinder

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A CLEAR VIEW

ARRI ARRIFLEX D-21

The Optical Viewfinder

While most digital cameras use electronic viewfinders, the D-21 is equipped with the same optical viewfinder as all other ARRI cameras. Thus the D-21 viewfinder always shows an image area larger than the image being recorded, and it can be used even when the camera is not powered up.

Light entering the taking lens is diverted by a spinning mirror shutter and generates a bright, magnified full color image in the viewfinder. This direct light path, free of any electronic image processing, ensures fatigue-free vie- wing as well as zero delay, a crucial feature when shooting fast action, where a delay of even a few frames can be very confusing. But even something as mundane as following a person getting up from a chair can become horrifying guesswork if the viewfinder image is delayed.

The D-21 optical viewfinder can be freely rotated, extended or flipped to the other camera side for comfortable viewing in any camera position An extension viewfinder, eyepiece leveler and a heated eyepiece are useful accessories in many shooting situations.

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Contents Arriflex D-21 Film Style Digital Camera Arriflex D-21Arri Arriflex D-21 Cinematic Image Quality Arriflex D-21 Main FeaturesOptical Viewfinder · zero delay Arri Imaging Technology State of the ART TechnologyArri Arriflex D-21 Company Photo Sony Pictures TV Optical Viewfinder Clear ViewFor AN Authentic Cinematic Look Film Sized Sensor & Film Lenses for a Film LookArri Arriflex D-21 Company Photo Sony Pictures TV Mikael Salomon, ASC From the FieldBest Image Quality Data Mode Main FeaturesDifferent Productions Require Different Outputs Flexible Output OptionsTrue Arri Camera Complete SystemArri Arriflex D-21 Sean Bobbitt, BSC Cinematographer on The Butcher’s Shop Sam Nicholson Cinematographer Michael Coulter, BSC Cinematographer on The Bank JobJohn Pardue Cinematographer on Frequently Asked Questions About Time TravelFrank Küpper Cinematographer on Afrika, Mon Amour Ed Wild Cinematographer on Prisoners of the SunCamera Type Technical DataArri Arriflex D-21 USA

ARRIFLEX D-21 specifications

The ARRI ARRIFLEX D-21 is a groundbreaking digital motion picture camera that represents the convergence of traditional cinematography and modern digital technology. Launched in 2005, the D-21 was designed with input from renowned cinematographers and is renowned for its exceptional image quality and versatility. One of the standout features of the D-21 is its unique Super 35mm-sized sensor, which closely mimics the characteristics of film, allowing filmmakers to achieve a familiar depth of field and aesthetic that is appreciated by professionals in the industry.

The D-21 incorporates advanced color science, enabling it to capture a broad dynamic range and reproduce colors faithful to the filmmakers' vision. Its sensor offers an impressive 13 stops of dynamic range, providing the ability to handle highlights and shadows with phenomenal detail. This capability is especially vital for high-contrast scenes often found in cinematography.

Another key characteristic of the D-21 is its modular design, which allows for various configurations to suit different shooting requirements. The camera body can be equipped with numerous accessories, including a wide range of lenses, filters, and external recorders, enhancing its ability to adapt to diverse filmmaking conditions. Additionally, the D-21 supports various recording formats, including 1080p and 720p, allowing for both high-definition and standard workflows.

The camera employs a dual-link HD-SDI output, facilitating real-time monitoring and recording to external devices. This feature is particularly useful during live broadcasts or in demanding production environments where immediate feedback on image quality is critical.

The ARRIFLEX D-21 also incorporates advanced noise reduction technologies, ensuring that low-light performance remains exceptional. This capability allows filmmakers to work in challenging environments and capture stunning visuals without the need for extensive lighting setups.

Durability is another aspect where the D-21 excels. Constructed with robust materials, it can withstand the rigors of professional filmmaking, making it a reliable choice for on-location shooting. Furthermore, the camera is designed to be user-friendly, equipped with intuitive controls that minimize the learning curve for cinematographers.

In conclusion, the ARRI ARRIFLEX D-21 has earned its place in the pantheon of cinematic tools due to its blend of innovative technology and a deep-rooted understanding of the art of filmmaking. Its remarkable features, such as superior image quality, flexible design, and robust performance in various environments, make it a valuable asset in any filmmaker's toolkit.
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