Panasonic AJ-HDX400P When recording is to be suspended at any time, When the recording is to be

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Chapter 3 Recording and playback

When recording is to be suspended at any time

Press the STOP button. Recording is now suspended.

O The tape may continue to run since the unit will record the images stored in the memory until the moment when the button is pressed.

When the recording is to be continued

Press the unit’s VTR START button or VTR button on the lens once more. Interval recording is now started again.

When the recording is to be continued

Press the unit’s VTR START button or VTR button on the lens once more. One-shot recording is now started again.

When the ONE SHOT mode of INTERVAL REC is to be exited

There are two ways to do this.

1)Set the unit’s POWER switch to OFF.

2)Perform a menu operation and select OFF as the INTERVAL REC MODE item setting.

When the INTERVAL REC mode is to be exited

There are two ways to do this.

1)Set the unit’s POWER switch to OFF.

2)Perform a menu operation and select OFF as the INTERVAL REC MODE item setting.

Procedure for shooting in the ONE SHOT mode

Follow the procedure below for shooting after the settings for the interval recording mode have been completed.

1 After performing the basic operations for shooting and recording as set forth in “3-2 Basic procedures,” secure the unit in such a way that it will not move.

2 Press the unit’s VTR START button or the VTR button on the lens. When the set REC TIME has elapsed, the recording is ended automatically.

As mentioned in “2-7 Display window and its displays,” “i” flashes when the INTERVAL REC mode is selected. As soon as recording starts, “iREC” lights.

When the recording ends, “iREC” flashes.

The same displays as the ones in the display window also appear inside the viewfinder, and the TALLY lamp lights while recording is underway.

 

 

iREC

Time base

 

 

start

 

 

 

 

 

 

 

REC TIME

Real-time video signals

 

 

 

 

 

 

 

 

 

 

 

Real-time audio signals

 

A

 

 

 

 

 

 

 

(recording time = t1)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

t

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

What is recorded on the tape

Previous cut

 

A

 

 

Checkpoints common to all INTERVAL REC modes

≥Sound-related

Whether the sound is to be recorded or not during interval recording is set by setting ON or OFF for the AUDIO REC item on the <REC FUNCTION> screen.

≥Tape function button-related

During interval recording, all the tape function buttons (EJECT, REW, FF and PLAY/STILL) except STOP do not work.

≥Starting recording quickly when unit is in pause mode Selecting REC as the setting for one of either USER MAIN or USER1/USER2 buttons in advance enables quick start recording during pause mode when the set button is pressed. Measurement of pause mode time is continued even after quick start recording.

≥When the unit’s power was turned off during recording If the unit’s POWER switch was set to the OFF position during interval recording with the use of the memory, the tape will continue to run in order to record the video signals which were stored in the memory until the moment when the POWER switch was set to OFF, and then the power will automatically go off.

If the battery was removed, the DC cable was disconnected or the power supplied through the AC adapter was cut off during recording, those shots (up to 5 seconds) taken prior to the moment concerned may not be recorded. Bear this in mind when the battery is to be replaced.

≥When the tape has run out during recording

Bear in mind that if the tape has run out and stops during interval recording with the use of the memory, those shots (up to 5 seconds) taken prior to the moment when the tape stopped may not be recorded.

≥If a PLAY, FF or REW operation is performed after one-shot recording, the operation will be performed after the images remaining in the memory are written on the tape.

While the images are being recorded, the LED of the button pressed (for play, FF or REW operation) will flash.

≥Concerning the time code display

When recording has been started, the time code (TCG) display may remain in the hold status until it is possible for the time code (TCR) on the tape to be read.

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Contents Operating Instructions Camera/VTR Model No. AJFCC Note Do not Remove Cover or BackNi-Cd Contents Chapter Maintenance Inspections SpecificationsMenu description tables Features of the camera unit Features of the VTR unit System configuration AJ-HDX400PPower supply and accessory mounting section Audio function section input system FrontRear Audio function section output system Shooting and recording camera unit Shooting and recording VTR unit CAM. Auto Knee onCAM. Auto Knee OFF BarsLT BOX ScropSqueeze Setup card insertion slot Busy operation mode display lampMenu operation section Menu buttonTime code related section CTLDisplays relating to the VTR unit’s operations and modes Time code-related switch settings and display items Mode displaysTCG switch position Display switch Display item Position Displays relating to the time codeViewfinder section Cassette tapes Basic procedures From providing the power supply to loading the cassetteUp to performing the switch settings Procedure for shooting Adjust the white balance3When adjusting the white balance on the spot Tape function buttonsScene-to-scene continuity Scene-to-scene continuity during rec-pauseEnsuring scene-to-scene continuity at other times Procedure for shooting in the on modes PRE-RECORDING functionInterval REC function ONE ShotWhen recording is to be suspended at any time When the recording is to beWhen the ONE Shot mode of Interval REC is to be exited When the Interval REC mode is to be exitedWhen the Retake function is to be exited Retake functionRec-review function Normal playback and playback at different speedsAdjusting the white balance and black balance Adjusting the white balanceWhite balance detection area Output CAMWhen there is no time to adjust the white balance When the white balance cannot be adjusted automaticallyAuto tracking white balance setting White balance memoriesAdjusting the black balance Auto W/B BAL switchBlack balance memory Use this to execute ABBSetting the electronic shutter Setting the shutter mode and speedShutter modes Viewfinder screen displays relating to the shutterSelecting the recording signals and recording system Setting the synchro scan modeSelecting the audio input signals Adjusting the audio signal recording levels 3 CH3 and CH4 recording levelsAuto Level MICSetting the time data Setting the user bitsTape continuity with the user bits User bit memory functionSetting the internal clock’s date and time RegionSetting the time code Time code when the battery is replacedOperating procedure for external locking Externally locking the time codeSetting the Umid information Concerning the user bit setting during external lockTo release the external lock ExamplesMenu configuration Menu displays on the viewfinder screenBasic menu operations Selecting the user menus To increment the valueTo decrement the value To set an item to on or OFFViewfinder screen status display configuration Viewfinder screen status displaysViewfinder lamp displays Selecting the viewfinder screen display itemsDisplay item What is displayed Status when display appears Mode CheckCheck Filter Line MIX Gain Battery type Remaining battery= Iris override Iris, f-valueColor temperature Viewfinder screen display selectionShutter Speed/modeSetting the marker displays Setting the camera IDSetting change/adjustment result messages and display modes Mode check screen displays Mode Check button function Marker check screen displays Marker Select button functionMenu-driven function setup Setting the User SW Gain switchingSelecting the video output signals Setting items and detailsSetting items and what is set Selecting the F.AUDIO Level control functionFunctions which can be selected Setting the color temperature manually Handling the setup cardData handling Setup card operations Formatting the setup cardSaving the data settings on the card Selecting the file NoSaving the data settings to the selected file Giving a title to the selected fileLoading the data saved on the card Loading the data of the selected fileHow to use the user data Writing the setting data in the user areaLoading the user data How to use the scene file data Writing the setting data used for the scene filesReading the setting data used for the scene files Scene Read User Data Scene SEL # Read Write Reset Scene Read User Data Scene SEL Write Reset How to use the lens file data White BAL switchOperation method without performing File menu operations Supplying the power Attaching the battery and setting the battery typeUsing the Anton Bauer battery pack ReferenceUsing the NP-1 type battery pack Using the V-mount type battery packNP-1 type Battery case Using an AC power supply When the AJ-B75 AC adapter made by Panasonic is usedPin no Signal Attaching the lensAdjusting the lens flange Lens socketApprox meters Adjusting the white shading of the lens OFFStoring the lens file data Giving a title to the selected file noReading the lens file data Audio input signal preparations When using the front microphoneWhen using an external microphone When using a wireless receiver When using an audio componentWhen using a UniSlot wireless receiver Mounting the unit on a tripodAdjusting the position of the shoulder pad Connecting the extension control unit AJ-EC3PAttaching the shoulder belt Example showing use of the SHAN-RC700 rain coverAttaching the Front Audio Level control knob Front AudioInspections prior to shooting Preparation for inspectionsInspecting the camera unit Automatic audio level adjustment function inspection Manual audio level adjustment function InspectionInspecting the VTR unit Tape travel inspectionInspection using external microphones Self-diagnosis functionInspections relating to the time code and user bits Maintenance Connectors and signals PushNC5FBH HA16PRM-3SGBattery END SlackTape END REC WarningWireless RF Battery Near ENDServo Tape Near ENDError codes Code No Description of errorEmergency eject Emergency eject screw Push in and turn at the same timeMenu configuration How to open the menusHow to interpret the menu lists REC Function Output SELVariable Remarks Data storage Range ONE ShotOption Mode Genlock1 ROP Matrix Color CorrectionLOW Setting MID SettingHigh Setting Additional DTLSkin Tone DTL Direction=SKIN Tone Area 12 $ Camera Settings All items in Camera Setting are setting targets of the itemGamma FlareVF Displays VF MarkerZebra pattern display HoldVF INDICATOR1 VF INDICATOR2User BOX Mode Check IND Camera ID7 !LED Shutter SpeedShutter Select User SWSW Mode SmpteSplit AribWhite Balance Mode User SW GainFile IrisCard READ/WRITE Card R/W SelectDiagnostic Lens FileSystem Check InitializeBATTERY/TAPE Black ShadingWhite Shading VTR FunctionBattery SETTING1 ManualData storage Range HYTRON100ENDURA50*1 ENDURA80*1ENDURA-D*2 Battery SETTING2 DIGITAL14END 5 MIC/AUDIO1 6 MIC/AUDIO27 TC/UB Umid SET/INFODowncon Setting VTR DiagOption Video System Audio SystemConnector Section Audio Input Connectors Memo Panasonic Broadcast & Television Systems Company

AJ-HDX400P specifications

The Panasonic AJ-HDX400P is a versatile HD camcorder renowned for its exceptional image quality and professional-grade features. This camera is optimized for broadcast and production environments, delivering exceptional performance in a compact design.

One of the standout features of the AJ-HDX400P is its ability to record in multiple formats, including DVCPro HD, DVCPRO50, and DVCPRO. This flexibility allows users to choose the best format for their specific needs, making it suitable for various applications, from documentaries to commercial productions. The camcorder supports high-definition resolutions of up to 1080i, ensuring that the final output meets industry standards.

The camera is equipped with a three-CCD sensor system, which provides outstanding color reproduction and detail. Each CCD chip specializes in capturing specific color information, resulting in rich, vibrant images free from color artifacts. With a resolution of 1280 x 720p and the ability to capture 720p and 1080i formats, the AJ-HDX400P excels in delivering superior image clarity and fluid motion.

In addition to its recording capabilities, the AJ-HDX400P features advanced image processing capabilities. The camera utilizes a high-quality digital signal processor, which ensures that noise reduction is effectively handled, particularly in low-light conditions. This feature is crucial for producing clean and polished footage without compromising quality.

The Panasonic camcorder also boasts an extensive range of connectivity options. Users can benefit from HD-SDI and analog outputs, allowing for versatile connections to monitors and other recording devices. The presence of IEEE 1394 for digital output further enhances its compatibility with various editing systems, streamlining the post-production workflow.

Another notable characteristic of the AJ-HDX400P is its ergonomic design. It is built for extensive usage, featuring a lightweight yet durable chassis. The camcorder has an adjustable viewfinder and an intuitive user interface that make it easy to operate, even in high-pressure shooting environments.

Furthermore, the AJ-HDX400P supports a range of professional accessories, including lenses, microphones, and battery packs, enhancing its functionality for different shooting conditions. This adaptability makes it a reliable choice for videographers and production houses looking for a high-quality recording solution.

In summary, the Panasonic AJ-HDX400P stands out as a feature-rich, professional HD camcorder that combines advanced imaging technology, versatile recording formats, and user-friendly design, making it ideal for a wide array of filming scenarios. Its robustness and exceptional performance solidify its position as a reliable tool in the hands of creative professionals.
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