Panasonic AJ-HDX400P operating instructions Skin Tone DTL, Direction, =SKIN Tone Area

Page 82

Chapter 7 Menu description tables

7-3-8 SKIN TONE DTL

7-3-9 KNEE/LEVEL

 

Item/

 

 

Variable

Remarks

Data storage

range

 

 

 

 

 

 

 

 

$ SKIN TONE DTL

ON

For selecting ON or OFF for the skin tone

S

C

U

F

E

OFF

DTL.

$ SKIN TONE

 

ON

For selecting ON or OFF for ZEBRA in the

ZEBRA

 

 

OFF

SKIN TONE range.

S

C

U

F

E

 

 

 

 

 

 

 

 

 

SKIN DTL CORING

0

For setting the SKIN TONE DTL coring effect.

 

 

 

 

 

 

:

<Note>

 

 

 

 

 

 

5

 

 

 

 

 

 

ZEBRA signals are superimposed only when

 

 

 

 

 

 

:

 

 

 

 

 

 

7

menu operations have been performed to

 

 

 

 

 

 

 

open the <SKIN TONE DTL> page and ON

 

 

 

 

 

 

 

has been selected as the SKIN TONE ZEBRA

 

 

 

 

 

 

 

item setting. Exercise care during operation

 

 

 

 

 

 

 

since these signals will be superimposed onto

 

 

 

 

 

 

 

not only the viewfinder but the main line

S

C

U

F

E

 

system as well.

 

 

 

 

 

 

 

 

Y MAX

 

 

000

For setting the maximum luminance signal

 

 

 

 

 

 

:

value for applying the SKIN TONE effect.

 

 

 

 

 

 

190

 

 

 

 

 

 

 

 

 

 

 

 

 

:

 

S

C

U

F

E

255

 

Y MIN

 

 

000

For setting the minimum luminance signal

 

 

 

 

 

 

:

value for applying the SKIN TONE effect.

 

 

 

 

 

 

010

 

 

 

 

 

 

 

 

 

 

 

 

 

:

 

S

C

U

 

F

E

255

 

I CENTER

 

 

000

For setting the center position on the I axis

 

 

 

 

 

 

:

(setting the area to which the SKIN TONE

 

 

 

 

 

 

035

 

 

 

 

 

 

effect is to be applied).

 

 

 

 

 

 

:

S

C

U

 

F

E

255

 

I WIDTH

 

 

000

For setting the width of the area to which the

 

 

 

 

 

 

:

SKIN TONE effect is to be applied on the I

 

 

 

 

 

 

055

 

 

 

 

 

 

axis centered on the I CENTER.

 

 

 

 

 

 

:

S

C

U

F

E

255

 

 

 

 

 

 

 

 

 

Q WIDTH

 

 

000

For setting the width of the area to which the

 

 

 

 

 

 

:

SKIN TONE effect is to be applied on the Q

 

 

 

 

 

 

010

 

 

 

 

 

 

axis centered on the I CENTER.

 

 

 

 

 

 

:

S

C

U

F

E

255

 

 

 

 

 

 

 

 

 

Q PHASE

 

 

–31

For setting the phase of the area to which the

 

 

 

 

 

 

:

SKIN TONE effect is to be applied as

 

 

 

 

 

 

+00

 

 

 

 

 

 

referenced to the Q axis.

 

 

 

 

 

 

:

S

C

U

 

F

E

+31

 

 

 

R-Y

 

Y

 

 

Q-WIDTH

I-WIDTH

 

 

 

 

 

Y-MAX

 

 

 

 

 

+ direction

 

 

 

 

 

 

 

 

I-CENTER

 

 

 

 

 

 

 

 

– direction

 

Q-PHASE

 

 

 

 

 

 

 

 

 

B-Y

Y-MIN

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

=SKIN TONE AREA

0

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Item/

 

Variable

Remarks

Data storage

range

 

 

 

 

 

 

 

 

 

MASTER PED

 

–200

For performing the MASTER PEDESTAL

 

 

 

 

 

 

:

setting.

 

 

 

 

 

 

+018

 

 

 

 

 

 

 

 

 

 

 

 

 

:

 

S

C

U

F

 

E

+200

 

 

 

 

 

 

 

 

 

$ MANUAL KNEE

 

ON

For setting the mode which is to be established

 

 

 

 

 

 

OFF

when the AUTO KNEE switch is at OFF. The

 

 

 

 

 

 

 

KNEE POINT/SLOPE setting value is active

S

C

U

F

E

 

when ON is selected.

 

 

 

 

 

 

 

 

KNEE POINT

 

70.0%

For setting the KNEE POINT position in 0.5%

 

 

 

 

 

 

:

steps.

 

 

 

 

 

 

93.0%

 

 

 

 

 

 

 

 

 

 

 

 

 

:

 

S

C

U

F

E

107.0%

 

 

 

 

 

 

 

 

 

KNEE SLOPE

 

00

For performing the KNEE width setting.

 

 

 

 

 

 

:

Same as KNEE OFF when set to 0.

 

 

 

 

 

 

85

 

 

 

 

 

 

<Note>

 

 

 

 

 

 

:

 

 

 

 

 

 

99 (98)

The range of values that can be selected

 

 

 

 

 

 

 

using the AJ-EC3P is 00 to 98.

S

C

U

F

E

 

 

 

 

 

 

 

 

 

 

 

$ WHITE CLIP

 

ON

For selecting ON or OFF for the WHITE CLIP

 

 

 

 

 

 

OFF

function. The WHITE CLIP LVL setting value

S

C

U

F

E

 

is active when ON is selected.

WHITE CLIP LVL

 

90%

For performing the WHITE CLIP LEVEL

 

 

 

 

 

 

:

setting.

S

C

U

F

E

109%

 

 

 

 

 

 

 

 

 

A.KNEE POINT

 

80%

For setting the AUTO KNEE POINT position

 

 

 

 

 

 

:

in 0.5% steps. This item is active when the

 

 

 

 

 

 

93%

 

 

 

 

 

 

OUTPUT/AUTO KNEE selector switch is set

 

 

 

 

 

 

:

S

C

U

F

E

107%

to CAM.AUTO KNEE ON.

A.KNEE LVL

 

100

For performing the AUTO KNEE level setting.

 

 

 

 

 

 

:

 

 

 

 

 

 

 

107

 

 

 

 

 

 

 

:

 

S

C

U

F

E

109

 

A.KNEE

 

1

For setting the AUTO KNEE response speed.

RESPONSE

 

:

 

 

4

 

 

 

 

 

 

 

 

S

C

U

F

 

E

 

 

 

 

 

 

 

 

 

 

<Note>

Items with $ in front of their names are set by the PAINT MENU SW ($) R/W menu items on the <CARD R/W SELECT> screen.

Items without $ in front of their names are set by the PAINT MENU LEVEL R/W menu item.

For details, refer to “7-6-2 CARD R/W SELECT.”

The underlining in the variable range column indicates the setting in the preset mode.

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Contents Operating Instructions Camera/VTR Model No. AJDo not Remove Cover or Back FCC NoteNi-Cd Contents Specifications Chapter Maintenance InspectionsMenu description tables Features of the camera unit Features of the VTR unit System configuration AJ-HDX400PPower supply and accessory mounting section Front Audio function section input systemRear Audio function section output system Shooting and recording camera unit CAM. Auto Knee OFF Shooting and recording VTR unitCAM. Auto Knee on BarsScrop LT BOXSqueeze Menu operation section Setup card insertion slotBusy operation mode display lamp Menu buttonTime code related section CTLDisplays relating to the VTR unit’s operations and modes TCG switch position Display switch Display item Position Time code-related switch settings and display itemsMode displays Displays relating to the time codeViewfinder section Cassette tapes From providing the power supply to loading the cassette Basic proceduresUp to performing the switch settings 3When adjusting the white balance on the spot Procedure for shootingAdjust the white balance Tape function buttonsScene-to-scene continuity during rec-pause Scene-to-scene continuityEnsuring scene-to-scene continuity at other times Interval REC function Procedure for shooting in the on modesPRE-RECORDING function ONE ShotWhen the ONE Shot mode of Interval REC is to be exited When recording is to be suspended at any timeWhen the recording is to be When the Interval REC mode is to be exitedRec-review function When the Retake function is to be exitedRetake function Normal playback and playback at different speedsWhite balance detection area Adjusting the white balance and black balanceAdjusting the white balance Output CAMAuto tracking white balance setting When there is no time to adjust the white balanceWhen the white balance cannot be adjusted automatically White balance memoriesBlack balance memory Adjusting the black balanceAuto W/B BAL switch Use this to execute ABBShutter modes Setting the electronic shutterSetting the shutter mode and speed Viewfinder screen displays relating to the shutterSetting the synchro scan mode Selecting the recording signals and recording systemSelecting the audio input signals Auto Level Adjusting the audio signal recording levels3 CH3 and CH4 recording levels MICTape continuity with the user bits Setting the time dataSetting the user bits User bit memory functionSetting the internal clock’s date and time RegionOperating procedure for external locking Setting the time codeTime code when the battery is replaced Externally locking the time codeTo release the external lock Setting the Umid informationConcerning the user bit setting during external lock ExamplesMenu displays on the viewfinder screen Menu configurationBasic menu operations To decrement the value Selecting the user menusTo increment the value To set an item to on or OFFViewfinder lamp displays Viewfinder screen status display configurationViewfinder screen status displays Selecting the viewfinder screen display itemsDisplay item What is displayed Status when display appears Mode CheckCheck Filter Line MIX Gain = Iris override Battery typeRemaining battery Iris, f-valueShutter Color temperatureViewfinder screen display selection Speed/modeSetting the camera ID Setting the marker displaysSetting change/adjustment result messages and display modes Mode check screen displays Mode Check button function Marker check screen displays Marker Select button functionSelecting the video output signals Menu-driven function setupSetting the User SW Gain switching Setting items and detailsSelecting the F.AUDIO Level control function Setting items and what is setFunctions which can be selected Handling the setup card Setting the color temperature manuallyData handling Saving the data settings on the card Setup card operationsFormatting the setup card Selecting the file NoSaving the data settings to the selected file Giving a title to the selected fileLoading the data saved on the card Loading the data of the selected fileWriting the setting data in the user area How to use the user dataLoading the user data Writing the setting data used for the scene files How to use the scene file dataReading the setting data used for the scene files Scene Read User Data Scene SEL # Read Write Reset Scene Read User Data Scene SEL Write Reset White BAL switch How to use the lens file dataOperation method without performing File menu operations Using the Anton Bauer battery pack Supplying the powerAttaching the battery and setting the battery type ReferenceUsing the V-mount type battery pack Using the NP-1 type battery packNP-1 type Battery case Pin no Signal Using an AC power supplyWhen the AJ-B75 AC adapter made by Panasonic is used Attaching the lensLens socket Adjusting the lens flangeApprox meters Adjusting the white shading of the lens OFFStoring the lens file data Giving a title to the selected file noReading the lens file data When using the front microphone Audio input signal preparationsWhen using an external microphone When using a UniSlot wireless receiver When using a wireless receiverWhen using an audio component Mounting the unit on a tripodAttaching the shoulder belt Adjusting the position of the shoulder padConnecting the extension control unit AJ-EC3P Example showing use of the SHAN-RC700 rain coverAttaching the Front Audio Level control knob Front AudioPreparation for inspections Inspections prior to shootingInspecting the camera unit Inspecting the VTR unit Automatic audio level adjustment function inspectionManual audio level adjustment function Inspection Tape travel inspectionSelf-diagnosis function Inspection using external microphonesInspections relating to the time code and user bits Maintenance NC5FBH Connectors and signalsPush HA16PRM-3SGTape END Battery ENDSlack REC WarningServo Wireless RFBattery Near END Tape Near ENDEmergency eject Error codesCode No Description of error Emergency eject screw Push in and turn at the same timeHow to open the menus Menu configurationHow to interpret the menu lists Variable Remarks Data storage Range REC FunctionOutput SEL ONE ShotGenlock Option Mode1 ROP Matrix Color CorrectionLOW Setting MID SettingHigh Setting Additional DTLDirection Skin Tone DTL=SKIN Tone Area Gamma 12 $ Camera SettingsAll items in Camera Setting are setting targets of the item FlareZebra pattern display VF DisplaysVF Marker HoldVF INDICATOR2 VF INDICATOR1User BOX 7 !LED Mode Check INDCamera ID Shutter SpeedShutter Select User SWSplit SW ModeSmpte AribWhite Balance Mode User SW GainCard READ/WRITE FileIris Card R/W SelectSystem Check DiagnosticLens File InitializeWhite Shading BATTERY/TAPEBlack Shading VTR FunctionData storage Range Battery SETTING1Manual HYTRON100ENDURA80*1 ENDURA50*1ENDURA-D*2 DIGITAL14 Battery SETTING2END 5 MIC/AUDIO1 6 MIC/AUDIO27 TC/UB Umid SET/INFOVTR Diag Downcon SettingOption Video System Audio SystemConnector Section Audio Input Connectors Memo Panasonic Broadcast & Television Systems Company

AJ-HDX400P specifications

The Panasonic AJ-HDX400P is a versatile HD camcorder renowned for its exceptional image quality and professional-grade features. This camera is optimized for broadcast and production environments, delivering exceptional performance in a compact design.

One of the standout features of the AJ-HDX400P is its ability to record in multiple formats, including DVCPro HD, DVCPRO50, and DVCPRO. This flexibility allows users to choose the best format for their specific needs, making it suitable for various applications, from documentaries to commercial productions. The camcorder supports high-definition resolutions of up to 1080i, ensuring that the final output meets industry standards.

The camera is equipped with a three-CCD sensor system, which provides outstanding color reproduction and detail. Each CCD chip specializes in capturing specific color information, resulting in rich, vibrant images free from color artifacts. With a resolution of 1280 x 720p and the ability to capture 720p and 1080i formats, the AJ-HDX400P excels in delivering superior image clarity and fluid motion.

In addition to its recording capabilities, the AJ-HDX400P features advanced image processing capabilities. The camera utilizes a high-quality digital signal processor, which ensures that noise reduction is effectively handled, particularly in low-light conditions. This feature is crucial for producing clean and polished footage without compromising quality.

The Panasonic camcorder also boasts an extensive range of connectivity options. Users can benefit from HD-SDI and analog outputs, allowing for versatile connections to monitors and other recording devices. The presence of IEEE 1394 for digital output further enhances its compatibility with various editing systems, streamlining the post-production workflow.

Another notable characteristic of the AJ-HDX400P is its ergonomic design. It is built for extensive usage, featuring a lightweight yet durable chassis. The camcorder has an adjustable viewfinder and an intuitive user interface that make it easy to operate, even in high-pressure shooting environments.

Furthermore, the AJ-HDX400P supports a range of professional accessories, including lenses, microphones, and battery packs, enhancing its functionality for different shooting conditions. This adaptability makes it a reliable choice for videographers and production houses looking for a high-quality recording solution.

In summary, the Panasonic AJ-HDX400P stands out as a feature-rich, professional HD camcorder that combines advanced imaging technology, versatile recording formats, and user-friendly design, making it ideal for a wide array of filming scenarios. Its robustness and exceptional performance solidify its position as a reliable tool in the hands of creative professionals.
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