Behringer AC112 manual Controlling the Vintager via Midi, Tab .26 Parameters of effects 97 through

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VINTAGER AC112

97-99 Speaker Cabinet: This algorithm emulates three different types of speaker cabinets. Additionally, you can shift the speaker’s main resonance peak. Various degrees of resonance emphasis allow you to emulate different speaker characteristics. The PARAMETER control adjusts the cutoff frequency of the low-pass filter. EFFECT A determines the gain of the resonance filter. EFFECT B can be used to adjust the filter frequency.

Preset-Nr.

Effect

Variation

PARAMETER

EFFECT A

EFFECT B

97

SPEAKER

Stack A

HF Cut

Peak Gain

Peak Frequency

98

Stack B

HF Cut

Peak Gain

Peak Frequency

CABINET

99

Combo

HF Cut

Peak Gain

Peak Frequency

 

Tab. 3.26: Parameters of effects 97 through 99

3.2 Controlling the VINTAGER via MIDI

With its built-in MIDI interface you can integrate your VINTAGER into any MIDI setup. The AC112 is capable of receiving both program change and MIDI controller information. So, you can change programs via MIDI using a MIDI foot controller or a computer-based sequencer software. Our MIDI foot controller FCB1010 gives you precisely these and more options, and is a perfect match for all BEHRINGER guitar amps. For example, you could wire the VINTAGER as follows:

Connect the MIDI IN jack of your VINTAGER to the MIDI OUT jack of a MIDI foot controller (see fig. 2.2). Now, enable the MIDI functions on your VINTAGER by pressing both UP and DOWN (multi-effects processor) for about two seconds. Select a MIDI channel (1 through 16, “ON” = Omni mode, “OF” = off and 1 through 16, or “On” (Omni) plus decimal point = Store Enable mode, see chapter 3.2.1). Confirm your selection with ENTER. Omni mode means that your VINTAGER receives and processes MIDI information on all channels. Of course, you should select the same channel both on your MIDI foot controller and VINTAGER (see MIDI foot controller user’s manual).

+Once you activate the MIDI functions, the automatic effect-to-channel assignment feature will be disabled, i.e. changing channels does not automatically load the previously set effect. As this assignment feature would cause some confusion when controlling the VINTAGER via a MIDI foot controller, it makes sense only when it is controlled from the enclosed footswitch or directly from the VINTAGER’s front panel. To operate the VINTAGER without MIDI remote control, please disable the MIDI functions (display reads OF).

You can select presets via MIDI using program change instructions. Since the range of program change numbers is 0 through 127, program change instruction 0 corresponds to preset 1, #1 to preset 2, and so forth (see table 6.2 in the appendix). After changeover the preset is activated immediately, i.e. it will not be affected by previously adjusted bypass settings.

The three adjustable parameters PARAMETER, EFFECT A and EFFECT B can be controlled in real time from a MIDI foot controller. First, select a controller number for the foot pedal on your MIDI foot controller (controller numbers 12 (PARAMETER), 13 (EFFECT A) and 14 (EFFECT B)). Then, use the foot pedal on your MIDI foot controller to adjust the values for the three parameters.

Channel changes can be effected with controller #10. Sending value 0 via this controller will activate the CLEAN channel, while value 1 activates the OVERDRIVE channel. Program change instructions can also be used to change channels. Program change #123 activates the CLEAN channel, program change #124 selects the OVERDRIVE channel of your VINTAGER. In addition to changing channels, you can also disable effects, by sending the value 0 via controller #11. Value 1 enables the effect. Alternatively, you can bypass the effect section by sending program change instruction #127.

MIDI controller #7 adjusts the input sensitivity of the effects module, enabling you to set the overall volume of your VINTAGER as desired. Since this controller has no influence on the Master Volume control, you should adjust the maximum volume before with the Master Volume control, then use MIDI controller #7 to reduce the volume. This function is also known as “Volume Controller”.

The operating range of the wah effect can be determined with MIDI controller #15.

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3. EFFECTS PROCESSOR

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Contents Vintager Importantsafetyinstructions Foreword Vintager Table of Contents Introduction Design concept Before you beginControl elements Front panel of the VintagerVintager AC112 Rear panel connectors Wiring Examples VintagerStandard setup Effects Processor Description of effectsTab .2 Parameters of effects 13 Tab .1 Parameters of effects 01 throughTab .3 Parameters of effects 15 Tab .5 Parameters of effect Tab .4 Parameters of effects 17 throughTab .6 Parameters of effects 21 through Tab .7 Parameters of effects 30 through Tab .8 Parameters of effects 34 throughTab .11 Parameters of effects 48 through Tab .9 Parameters of effects 38 throughTab .10 Parameters of effects 43 through Tab .12 Parameters of effects 52 throughTab .15 Parameters of effects 64 through Tab .13 Parameters of effects 57 throughTab .14 Parameters of effects 62 Tab .16 Parameters of effects 67Tab .18 Parameters of effects 71 Tab .17 Parameters of effects 69Tab .19 Parameters of effects 73 Tab .21 Parameters of effects 82 through Tab .20 Parameters of effects 75 throughTab .22 Parameters of effects 86 through Tab .24 Parameters of effects 92 Tab .23 Parameters of effects 90Tab .25 Parameters of effects 94 through Controlling the Vintager via Midi Tab .26 Parameters of effects 97 throughHistorical Background by Neville Marten Guitarist Magazine Mains connection InstallationAudio connections Appendix Preset listMidi connection Spring Stereo Tab .2 Midi implementation Midi implementationTab .3 Midi control changes of the Vintager Specifications Audio InputsWarranty