Behringer manual Vintager AC112

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VINTAGER AC112

7The GAIN control determines the degree of distortion in the OVERDRIVE channel.

8The VOLUME control sets the volume for the OVERDRIVE channel.

+Use both VOLUME controls to optimize the volume ratio of the two channels, so that no volume differences can be heard when switching from one channel to the other. This setting is also effective on the level-dependent digital effects!

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The BASS control in the EQ section allows you to boost/cut the bass frequencies in the OVERDRIVE channel.

With the MID control you can boost/cut the midrange frequencies in the OVERDRIVE channel. The TREBLE control adjusts the OVERDRIVE channel’s upper frequency range.

The DISPLAY reads either the program number of the selected preset or the value of the parameter selected with the PARAMETER, EFFECT A or EFFECT B controls.

With the UP button you can increment the program number of the built-in effects module. Keep the button pressed to scroll through the programs.

The DOWN button allows you to decrement the program number.

The STATUS LED’s inform you about the type of parameter you can edit with the PARAMETER control (an exception being the MIDI LED).

sMIDI: This LED lights up when you press both UP and DOWN buttons for about two seconds. Subsequently, you can use these buttons to set up a MIDI channel for MIDI data reception (1 through 16, “ON” = Omni and “OF” = off, or “ON” = Omni and 1 through 16 plus one decimal point each = Store Enable mode, see chapter 3.2.1). Press the ENTER button to confirm your selection. The MIDI LED flashes as soon as MIDI data is being received.

+The Store Enable mode (see chapter 3.2.1) allows you to store presets directly via MIDI. Please note that by sending MIDI control #18 values, any changes made to the currently active preset will be permanently stored.

+Whenever the multi-functional MIDI LED flashes and the unit is not in edit mode, this indicates that the DSP module’s output level is close to distortion. In this case, you should turn down the VOLUME control a bit.

sTIME: This LED lights up when you select a time-domain effect parameter (e.g. reverb or delay time).

sSPEED: This LED lights up for all modulation effects and indicates the LFO speed (low-frequency oscillator) or the speed parameter of compress/expander.

sSENS: This LED informs you that you can adjust the sensitivity of effects such as Auto-Wah, Expander, Compressor.

sPITCH: This LED lights up when you edit the pitch shifter, and shows the detune factor, either in semi-tones or cents.

sEQ: This LED lights up when you edit the parameters of a filter-based effect.

To the right of the status LED’s you can find a chart that lists the various effect types as well as their initial program numbers. Use this list to quickly locate, edit and store the effect of your choice. The built-in effects module features 31 different effect groups and includes a total of 99 effect variations.

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Use the ENTER button to confirm your program selection.

+When the MIDI functions are inactive, one effect can be stored for each of the two channels on your VINTAGER, which allows for instance, to select a DELAY effect for the OVERDRIVE channel and assign a REVERB/CHORUS effect to the CLEAN channel. The corresponding program numbers will be stored with the channels and can be recalled using the footswitch or the front panel buttons. When MIDI is on, this assignment feature will be disabled, so that in this mode both channels and effects can be selected separately.

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The PARAMETER control allows you to edit an effect-specific parameter. Once selected with the PARAMETER control, its value is displayed and the corresponding LED lights up (see ).

1. INTRODUCTION

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Contents Vintager Importantsafetyinstructions Foreword Vintager Table of Contents Introduction Before you begin Design conceptFront panel of the Vintager Control elementsVintager AC112 Rear panel connectors Vintager Wiring ExamplesStandard setup Description of effects Effects ProcessorTab .1 Parameters of effects 01 through Tab .2 Parameters of effects 13Tab .3 Parameters of effects 15 Tab .4 Parameters of effects 17 through Tab .5 Parameters of effectTab .6 Parameters of effects 21 through Tab .8 Parameters of effects 34 through Tab .7 Parameters of effects 30 throughTab .10 Parameters of effects 43 through Tab .9 Parameters of effects 38 throughTab .11 Parameters of effects 48 through Tab .12 Parameters of effects 52 throughTab .14 Parameters of effects 62 Tab .13 Parameters of effects 57 throughTab .15 Parameters of effects 64 through Tab .16 Parameters of effects 67Tab .17 Parameters of effects 69 Tab .18 Parameters of effects 71Tab .19 Parameters of effects 73 Tab .20 Parameters of effects 75 through Tab .21 Parameters of effects 82 throughTab .22 Parameters of effects 86 through Tab .23 Parameters of effects 90 Tab .24 Parameters of effects 92Tab .25 Parameters of effects 94 through Tab .26 Parameters of effects 97 through Controlling the Vintager via MidiHistorical Background by Neville Marten Guitarist Magazine Installation Mains connectionAudio connections Preset list AppendixMidi connection Spring Stereo Midi implementation Tab .2 Midi implementationTab .3 Midi control changes of the Vintager Audio Inputs SpecificationsWarranty