Behringer AC112 manual Foreword

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VINTAGER AC112

FOREWORD

Dear Customer,

Welcome to the team of VINTAGER users and thank you very much for expressing your confidence in BEHRINGER products by purchasing the AC112.

It is one of my most pleasant tasks to write this letter to you, because it is the culmination of many months of hard work delivered by our engineering team to reach a very ambitious goal: To present you with a really out-of-the-ordinary vintage guitar workstation.

What remains indispensable on the stage is the musical expression a good amplifier must reproduce with full detail. For this reason, we did not simply install a triode stage in a solid-state amplifier, but implemented the proven UTC circuitry from our studio processors. Thus, we achieved a particularly musical compression effect, open sound and gradual shift to the upper harmonics spectrum, which could be produced before by pure-tube amplifiers only. So, your playing dynamics and personal sound will not be confined in the amplifier but will be reproduced and inspired even further. In particular, we made sure that the AC112 will give you lots of fun with its intuitive user interface, so that you can focus entirely on playing your guitar.

The task to design the VINTAGER certainly meant a great deal of responsibility, which we assumed by focusing on you, the discerning user and musician. It also meant a lot of work and night shifts to accomplish this goal. But it was fun, too. Developing a product usually brings a lot of people together, and what a great feeling it is when everybody who participated in such a project can be proud of what we’ve achieved.

It is our philosophy to share our joy with you, because you are the most important member of the BEHRINGER family. With your highly competent suggestions for new products you’ve greatly contributed to shaping our company and making it successful. In return, we guarantee you uncompromising quality as well as excellent technical and audio properties at an extremely favorable price. All of this will enable you to fully unfold your creativity without being hampered by budget constraints.

We are often asked how we can make it possible to produce such high-grade devices at such unbelievably low prices. The answer is quite simple: it’s you, our customers! Many satisfied customers, mean large sales volumes enabling us to get better conditions of purchase for components, etc. Isn’t it only fair to pass this benefit back to you? Because we know that your success is our success too!

I would like to thank the following people, whose help on “Project VINTAGER” has made it all possible:

sThe existing users of BEHRINGER equipment, whose comments and suggestions have made them the most important members of the BEHRINGER design team,

sJan, whose passionate work has made the VINTAGER a revolutionary vintage guitar workstation,

sThorsten who designed this marvelous manual,

sVolker and C.W. for the fine mechanics,

sand all the others, who have made very personal contributions.

My friends, it’s been worth the trouble!

Thank you very much,

Uli Behringer

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Contents Vintager Importantsafetyinstructions Foreword Vintager Table of Contents Introduction Before you begin Design conceptFront panel of the Vintager Control elementsVintager AC112 Rear panel connectors Vintager Wiring ExamplesStandard setup Description of effects Effects ProcessorTab .1 Parameters of effects 01 through Tab .2 Parameters of effects 13Tab .3 Parameters of effects 15 Tab .4 Parameters of effects 17 through Tab .5 Parameters of effectTab .6 Parameters of effects 21 through Tab .8 Parameters of effects 34 through Tab .7 Parameters of effects 30 throughTab .12 Parameters of effects 52 through Tab .9 Parameters of effects 38 throughTab .10 Parameters of effects 43 through Tab .11 Parameters of effects 48 throughTab .16 Parameters of effects 67 Tab .13 Parameters of effects 57 throughTab .14 Parameters of effects 62 Tab .15 Parameters of effects 64 throughTab .17 Parameters of effects 69 Tab .18 Parameters of effects 71Tab .19 Parameters of effects 73 Tab .20 Parameters of effects 75 through Tab .21 Parameters of effects 82 throughTab .22 Parameters of effects 86 through Tab .23 Parameters of effects 90 Tab .24 Parameters of effects 92Tab .25 Parameters of effects 94 through Tab .26 Parameters of effects 97 through Controlling the Vintager via MidiHistorical Background by Neville Marten Guitarist Magazine Installation Mains connectionAudio connections Preset list AppendixMidi connection Spring Stereo Midi implementation Tab .2 Midi implementationTab .3 Midi control changes of the Vintager Audio Inputs SpecificationsWarranty