Behringer AC112 manual Appendix, Midi connection, Preset list

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VINTAGER AC112

Fig. 5.2: Wiring of a stereo headphones 1/4" plug

5.3MIDI connection

The MIDI standard (Musical Instruments Digital Interface) was developed in the early 80’s to enable electronic musical instruments of different makes to communicate with each other. Over the years the range of MIDI applications has constantly expanded, and today it is completely normal to network entire recording studios using the MIDI standard.

At the heart of this network we find a computer loaded with a sequencer software that controls not only the keyboards but also effects and other peripheral devices. In such a studio you could control your VINTAGER in real time from a computer. In particular, when playing live gigs you can use a MIDI footcontroller to control both the effect parameters and channel/effect changes on your VINTAGER.

The MIDI connector on the rear of your VINTAGER is an internationally standardized 5-pin DIN jack. To connect your VINTAGER to other MIDI equipment, you need a dedicated MIDI cable, which is commercially available in various lengths. However, you can solder your own cables using 2-conductor shielded cables (e.g. microphone cables) and two rugged 180° DIN plugs: pin 2 (center) = shield; pins 4 and 5 (right and left of pin 2) = internal conductor; pins 1 and 3 (the outer pins) are not used. MIDI cables should not exceed a length of 15 meters.

+Make sure that pin 4 is connected to pin 4, and pin 5 to pin 5 on both plugs.

MIDI IN: receives MIDI controller information. The receiving channel can be set with the buttons UP and DOWN. On = Omni, i.e. MIDI data are received and processed on all channels (see section 3.2).

6. APPENDIX

6.1Preset list

Table 6.1 on the next two pages provides you with information on effect numbers and names, parameter types and ranges as well as factory default settings.

6. APPENDIX

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Contents Vintager Importantsafetyinstructions Foreword Vintager Table of Contents Introduction Before you begin Design conceptFront panel of the Vintager Control elementsVintager AC112 Rear panel connectors Vintager Wiring ExamplesStandard setup Description of effects Effects ProcessorTab .2 Parameters of effects 13 Tab .1 Parameters of effects 01 throughTab .3 Parameters of effects 15 Tab .5 Parameters of effect Tab .4 Parameters of effects 17 throughTab .6 Parameters of effects 21 through Tab .8 Parameters of effects 34 through Tab .7 Parameters of effects 30 throughTab .10 Parameters of effects 43 through Tab .9 Parameters of effects 38 throughTab .11 Parameters of effects 48 through Tab .12 Parameters of effects 52 throughTab .14 Parameters of effects 62 Tab .13 Parameters of effects 57 throughTab .15 Parameters of effects 64 through Tab .16 Parameters of effects 67Tab .18 Parameters of effects 71 Tab .17 Parameters of effects 69Tab .19 Parameters of effects 73 Tab .21 Parameters of effects 82 through Tab .20 Parameters of effects 75 throughTab .22 Parameters of effects 86 through Tab .24 Parameters of effects 92 Tab .23 Parameters of effects 90Tab .25 Parameters of effects 94 through Tab .26 Parameters of effects 97 through Controlling the Vintager via MidiHistorical Background by Neville Marten Guitarist Magazine Mains connection InstallationAudio connections Appendix Preset listMidi connection Spring Stereo Tab .2 Midi implementation Midi implementationTab .3 Midi control changes of the Vintager Audio Inputs SpecificationsWarranty