Playing Auto Accompaniment Chords
■About chords
Playing two or more notes together simultaneously creates a “chord.”
Playing a note together with two other notes spaced three notes (steps) |
|
|
|
notes C, E and |
|
|
|
they play an important role in most music. | 3rd | Root | 3rd |
| |||
|
|
|
Taking the chord above as an example, the lowest note of this triad is called the “root note.” This is the central note sound, and it supports or anchors the rest of the notes chord.
You’ll notice that the middle note of the chord above (E) is the third step in the succession of scale
Major | Minor | |||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
We’ll also alter the top note of our original chord and make three additional chords, as shown below. (The captions indi- cate the intervals between each of the notes.)
| ◆ Major chord | ◆ Minor chord | ◆ Augmented chord | ◆ Diminished chord | ||||||||||||||||||||||||||||||||||||||||||
|
|
|
|
| CM |
|
|
|
|
| Cm |
|
|
|
|
| Caug |
|
|
|
|
|
| Cdim |
| |||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Minor 3rd |
| Major 3rd | Major 3rd |
|
| Minor 3rd |
| Major 3rd |
|
|
|
|
| Major 3rd |
| Minor 3rd |
|
| Minor 3rd | ||||||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The basic characteristics of the chord sound are same, no matter if we change the order of the notes from bottom to top, or if we add other same name notes in different octaves. Beautiful sounding harmonies can be built in this manner, and emotional music can be created by playing different chords one after the other according to commonly accepted rules.
Harmony determines the nature of chords, and music is created based on harmony.
●Chord names
From the chord name, you can tell at a glance what type of chord it is and which notes make up the chord. Understanding the basic structure of chords is very
Cm
Root note | Chord type |
●Chord types (These chords are among those that can be recognized by the Fingered method.)
Suspended 4 th |
| 7 th |
|
|
|
|
|
|
| Minor 7 th |
| Major 7 th | |||||||||||||||||||||||||||||||||||
|
| Csus4 |
|
|
|
|
| C7 |
|
|
|
|
| Cm7 |
|
|
|
|
| CM7 | |||||||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Perfect 5th |
|
|
|
| Perfect 4th | Flatted 7th | Major chord |
| Flatted 7th |
|
|
| Minor chord |
| Major 7th |
|
|
| Major chord | ||||||||||||||||||||||||||||
Minor/major 7 th | 7 th, flatted 5 th | Minor 7 th, flatted 5 th | 7 th, suspended 4 th | ||||||||||||||||||||||||||||||||||||||||||||
|
| CmM7 |
|
|
|
|
| (b5) |
|
|
|
|
| (b5) |
|
|
| C7sus4 | |||||||||||||||||||||||||||||
|
|
|
|
|
|
| C7 |
|
|
|
|
| Cm7 |
|
|
| |||||||||||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Major 7th | Minor chord | Flatted 5th |
|
| 7th chord | Flatted 5th | Minor 7th chord |
| Flatted 7th | Suspended 4th chord |
47 |