Marshall electronic LR150, LR300, LR230 Introduction, Please read the following list carefully

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ENGLISH

WARNING!

Please read the following list carefully.

A.ALWAYS ensure that a good quality mains plug is fitted to your Audio State™ conforming to the latest B.S.I. standards (UK only) lead supplied.

B.ALWAYS ensure that the plug is wired in accordance with the regulations of your country.

C.DO NOT attempt to remove the chassis. There are no user serviceable parts inside your Audio State™.

D.ALWAYS have your Audio State™ serviced or repaired by competent, qualified service technicians.

E.NEVER use your Audio State™ in damp or wet conditions.

F.DO NOT obstruct airflow around the amplifier, a clearance of 30cm is required at the top, back and sides.

G.WARNING This apparatus must be earthed.

Introduction

LR300

The Marshall LR300 is a combination of a 5 channel mono mixer, high quality 300 Watt RMS power amp with distortion reducing limiting circuit and a compact high quality loudspeaker system, intended to provide a very versatile single unit solution to all applications where linear stage amplification is required. Let us just take a moment to understand what we mean by Linear Response. Linear response essentially means getting out what we put in, only louder, without any undue colouration, distortion, or undesired frequency changes, just as you would expect from a good PA or HiFi system. Those qualities are desired in a guitar amp, for instance, but NOT when you are amplifying keyboards, sound modules, pre-recorded music or vocals. The LR300 allows you to do this with ease as it is self contained in one package, rather than carrying around (and finding stage space for) the minimum of three units that would make up a normal PA type set up.

The LR300’s 5 channels come equipped with a variety of input and sound forming options, plus the power and sonic quality to enable many different live sound uses to be performed. For instance, the LR300 can be used to mix and amplify up to 5 keyboards, sound modules and/or sequencers, as either a main system at club level or as a monitor system on louder concert stages. Want to use a guitar as well? No problem! With the inclusion of the reknowned Marshall loudspeaker emulation system on channel 4, not only is great clean guitar sound possible, it also allows the use of external distortion generating effects, i.e. stomp boxes or preamps, without the sound being harsh and fizzy, unlike a normal PA system or mixer. Great for keyboard players who double on guitar!

Besides the normal jack line inputs on all channels, channels 1 and 2 also feature balanced XLR inputs for low impedance microphones for vocal or acoustic instrument amplifying duties, plus channel 5 also has phono inputs for tape, CD, or even a computer sound card! Channel 1 also features a dedicated series FX loop, so that you can add specialised FX to that channel, i.e. how about a harmonizer on your vocals?

With so much versatility on tap the creative horizons of the LR300 are quite boundless. For example, how about using it as a percussion monitor - miking and mixing both electronic and acoustic drum sources. Or as a “band in a box” used by solo/duo artists (or even a full band!) for bar, lounge and cabaret functions where space and transport is limited, but high quality sound is the order of the day. For the more technically minded the LR300 also features a 15” premium bass driver and

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Contents LR150, LR230 LR300 From Jim Marshall Please read the following list carefully IntroductionLR230 Front Panel Features Audiostate LR230Channel LR230 Rear Panel Features ReverbEffects Master Channel 3 & Channel LR150 Top Panel Features page38Audiostate LR150 Channel 1 & ChannelLR150 Rear Panel Features LR300 Top Panel FeaturesAudiostate LR300 LR300 Rear Panel Features Audiostate LR230 Audiostate LR150 Audiostate LR300