Behringer B-5 manual LOW CUT-FILTER and Level Attenuation -10 dB

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STUDIO CONDENSER MICROPHONE B-5

If you use the cardioid pattern capsule, the pickup pattern is such that the sound produced by sources located in front of the mic is strongly picked up, while sound sources to the side are picked up less pronouncedly. Therefore, the cardioid pattern capsule is ideal for directional pickup of acoustic instruments. It is often used in recording situations in which several sound sources are present. Since this capsule selectively tones down the pickup of sounds located to the side of the microphone, this way you can achieve good separation of sound sources, thus easily avoiding feedback.

The so-called proximity effect is typical for microphones with the cardioid pickup pattern. Depending on the distance between the microphone and the sound source, a slight increase in the lower frequency range occurs. The shorter the distance, the more pronounced this effect. By cleverly selecting the position and the angle of your microphone, you can effectively manipulate the proximity effect and thus affect how your recording sounds. Experiment with various positions in order to gain more experience.

The proximity effect does not occur with the capsule featuring the omnidirectional pickup pattern; its strength is its ultra-linear frequency response. With this pickup pattern, your B-5 picks up a large portion of diffuse ambience sound and is therefore particularly well suited for atmospherical, natural-sounding recordings. Similarly, you can also use the omnidirectional pickup pattern capsule in situations in which several sound sources (e. g. a group of singers) need to be picked up together.

4. LOW CUT-FILTER AND LEVEL ATTENUATION (-10 dB)

The B-5 features a switchable low-cut filter that eliminates low- frequency noise such as floor rumble. Set the switch to its middle position to activate the low-cut filter.

For situations in which the microphone is exposed to extremely high sound pressure levels, the B-5 features a switchable level attenuation (“pad”). When the switch is in its “-10 dB” position, the level attenuation is activated.

When the switch is in its top-most position, the signal is not influenced in any way.

4. LOW CUT-FILTER AND LEVELATTENUATION (-10 dB) 3

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Contents Studio Condenser Microphone Safety Precautions Power SupplyPickup Patterns LOW CUT-FILTER and Level Attenuation -10 dB Audio Connection Microphone InstallationLevel Setting / Adjusting the Basic Sound Changing Microphone CapsulesApprox .09 kg 0.21 lbs SpecificationsStudio Condenser Microphone B-5