Connections

Connecting Balanced Sources

Use high-quality three-conductor cable for balanced connections, such as Star Quad by Belden, Canare, or Mogami, etc. The better the shield, the better the audio signal is protected from induced EMI and RFI.

Note: With screw-down connectors, it's best to use stranded wire that is not tinned. Solder can "flow" under the pressure of the screw-down terminal and cause the connection to become loose.

To connect a balanced mic or line-level signal: Strip the wire back about 1/4" inch. Insert the

wire as far as it will go into the appropriate hole in the supplied Phoenix-type connector. Tighten down the screw with a small slot-head screwdriver. It is recommended that you use 20 or 22 gauge wire with the Phoenix-type connectors. The connectors

are wired as follows:
Pin 1	= Ground (Shield)
Pin 2	= Hot (+)
Pin 3	= Cold (–)	1 2 3

Balanced Connection (Line Input Shown)

Gnd + –

Note: To connect to the MIC inputs, turn the connector upside-down relative to the LINE input connector. Double check the wiring with the wiring graphics indicated on the rear panel.

DIRECT OUTPUTS

	15	8	INPUT 1 HOT (+)
SIGNAL RETURN	15

			INPUT 2 HOT (+)
SIGNAL RETURN

			INPUT 3 HOT (+)
SIGNAL RETURN

			INPUT 4 HOT (+)
SIGNAL RETURN

			INPUT 5 HOT (+)
SIGNAL RETURN

			INPUT 6 HOT (+)
SIGNAL RETURN

			INPUT 7 HOT (+)
SIGNAL RETURN			INPUT 7 HOT (+)

9INPUT 8 HOT (+)

DIRECT OUTPUTS Pinout Connection

Connecting the RECORD Outputs

These are RCA-type unbalanced connectors. Use high-quality shielded cable with RCA-type plugs for these connections.

Connecting the Bus A and B Outputs

These are 3-pin Phoenix-type connectors that

provide a balanced line-level output signal from Bus A and Bus B. Use high-quality, three-conductor shielded cable for these connections.

Strip the wire back about 1/4" inch. Insert the wire as far as it will go into the appropriate hole in the supplied Phoenix-type connector. Then tighten down the screw with a small slot-head screwdriver. It is recommended that you use 20 or 22 gauge wire with the Phoenix-type connectors. The OUTPUT connectors are wired as follows:

Pin 1 = Ground (Shield) Pin 2 = Hot (+)

Pin 3 = Cold (–)

Connecting Unbalanced Sources

It may be necessary to connect a 2-conductor unbalanced input to a balanced input on the DX810.

To connect an unbalanced line-level signal: Follow the instructions for connecting a balanced

line-level signal above, but wire the connector
as follows:
Pin 1	= Ground (Shield)
Pin 2	= Hot (+)
Pin 3	= Ground	1	2	3

Unbalanced Connection

Gnd +

Connecting the Bus C-J Outputs

Outputs C-J are on the DX•10e connector panel.

– + G

•10e
G + –	C	D	E	F

The DX•10e Expansion Kit includes two 12- position Phoenix-type connectors for connecting to the DX•10e connector panel. These are wired as indicated on the connector panel. Notice that the top connector is wired the same way as the bottom connector; however, it is turned upside-down when it is plugged into the unit.

Connecting the DIRECT OUTPUTS

This is a 15-pin D-Sub connector. The signals on the DIRECT OUTPUT are unbalanced. Use shielded, twisted pairs for the DIRECT OUTPUT cable to ensure the best rejection of external noise (EMI and RFI).

The DIRECT OUTPUT connector is wired as follows:

G+–

Gnd

+–

Gnd

–G +

+ –	Gnd

– G + – G + –

+ –	Gnd	+ –

DX810 – 12

DX810 specifications

The Mackie DX810 is a versatile mixer designed for both live sound and studio applications, combining intuitive operation with a host of advanced features. This compact device, with its robust design, is perfect for musicians, sound engineers, and content creators alike, making it an essential tool for any audio setup.

One of the key features of the DX810 is its ten channels, which provide ample space for connecting multiple audio sources. Each channel comes equipped with a 3-band EQ, allowing users to tailor the sound to their specific needs. The built-in effects processor further enhances audio flexibility, offering a range of reverb and delay options. This makes it easier to create professional-quality soundscapes without the need for external equipment.

The Mackie DX810 also includes a feature called "Built-In USB Recording." This allows users to easily record their performances or practice sessions directly to a computer, streamlining the workflow for musicians and producers. Coupled with its low-latency monitoring capabilities, the DX810 is ideally suited for both live performances and studio recording.

Extensive connectivity options are another highlight of the DX810. With XLR, TRS, and RCA input outputs, it facilitates the integration of various audio sources, including microphones, instruments, and external effects units. The mixer also supports phantom power, enabling the use of condenser microphones, which is crucial for capturing high-quality vocals and acoustic instruments.

The DX810 is designed with ease of use in mind. Its layout features clearly labeled knobs and faders, ensuring that adjustments can be made quickly, even in high-pressure situations. The bright LED indicators provide visual feedback, allowing sound engineers to monitor levels effectively and avoid clipping.

Additionally, the robust construction of the DX810 ensures reliable performance in diverse environments, from intimate venues to large-scale events. Its portable design means that it can be easily transported, making it a favored choice for mobile sound engineers and gigging musicians.

In summary, the Mackie DX810 is packed with features designed to meet the needs of modern audio professionals. With its impressive channel count, built-in effects, recording capabilities, and solid build quality, it stands out as an essential mixer for anyone looking to enhance their sound experience. Whether in a studio or on stage, the DX810 delivers exceptional performance and flexibility.