Mackie DX810 Operation, Quick Start, Make the Connections, Start Up, Set the Levels

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LINE
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MIC + G

4. OPERATION

Quick Start

Reading the instruction manual is the only way to fully understand the features and functions of the DX810. However, this Quick Start section provides a quick overview to get the DX810 set up and working fast.

Make sure the power switch is off while setting up and making connections to the DX810.

Make the Connections

Determine which inputs to use for program sources and which to use for microphones. Follow the wiring diagram on the rear panel to make the connections.

Make use of the PHANTOM POWER switches if any of the microphones require phantom power. Phantom power is present when the switch is in the UP position.

Make use of the supplied Phoenix connectors with appropriate wiring to connect the DX810 outputs to the amplifier inputs. Connect the power amplifier outputs to speakers appropriate for the amplifier’s specified output power.

Connect a personal computer loaded with the

DX-10E-PC control software to the COMM PORT on the DX-810. This is for maximum control and ease of use. The RS-232 serial port from the computer can be connected to either COMM PORT on the DX-810 (front or rear panels).

Start Up

Before turning on the DX810, set the TRIM controls all the way down.

Turn on the DX810 power switch. Open the DX- 10E-PC control software on the computer and click On Line. This begins the communication between the DX810 and the computer.

Configure the DX810 for the current application. Download the appropriate plug-ins, if installed. Set all the EQ controls flat. Adjust the input faders and the output faders all the way down.

Tip: To speed things up, select Output A and set all the Input faders down. Select Copy Mix Levels from the Edit menu. Select Output B and select Paste Mix Levels from the Edit menu. Repeat for outputs C-J.

Set the Levels

MIC and LINE Input Trim

The analog trim controls on the rear panel are not adjustable via the control software. This is because these are in the analog domain, prior to the A/D converters. To adjust the MIC and

LINE TRIM controls:

1.Start the program source playback for Input 1 or, if a microphone is connected, have someone speak into the microphone at a normal volume.

2.Adjust the Input 1 TRIM control so the meter indication is at or around –10 dB. The peaks should regularly hit, and occasionally exceed the –10 dB level. This provides plenty of headroom for transient peaks.

Input Mix Levels

After setting the MIC and LINE TRIM controls as instructed above, adjust the input mix levels to unity gain (Ctrl + click on the fader to set it to unity gain). Adjust the input faders on the eight input channels individually to achieve a balanced mix.

Output Levels

Before adjusting the output faders, turn on the power amplifier.

If the power amplifier has level controls:

1.Turn the amplifier level controls all the way down.

2.Adjust the output faders to unity “U” on-screen. Have the program sources playing. The peaks on the master output meter should regularly hit, and occasionally exceed the –10 dB level. This provides a nominal +4 dBu level at the OUTPUTS.

3.Slowly increase the amplifier level controls to attain the volume level desired. If the volume gets too loud too fast, adjust the output level controls to

–15 dB or –20 dB. If the volume level isn’t loud enough, adjust the output faders to –5 or –10. Be careful that the peak level doesn't hit the OL (overload) indicator on the meter, as this may run the risk of driving the output into clipping.

If the power amplifier doesn’t have level controls:

1.Slowly adjust the output faders until the –10 and –7 dB LED indicators light (or to unity “U” on-screen). They may also be adjusted until the desired volume level is attained. If the volume level isn’t loud enough, adjust the output faders to –5 or –10. Be careful that the peak level doesn't hit the OL (overload) indicator on the meter, as this may run the risk of driving the output into clipping.

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Contents Trim Comm PortDirect Outputs Logic I/O Remote BUS Comm PortTable of Contents KEY Features IntroductionAudio Equipment Front Panel FeaturesListed Commercial LineRear Panel Features InputsAIN BUS BDX-810 Application Courtroom System InstallationApplication Diagrams Typical Community Center Application DX810 in Church Application DX-10E-PC Application Laptop with Microphone Input Remote ControlsDX810/DX-10E Application 8-Track Recording with 2-Track Mix Applications DX810/DX-10E Application Track Recording with 2-Track MixConnections Connecting the Remote BUS AC Power ConsiderationsConnecting the Logic I/O Make the Connections OperationQuick Start Start UpBus a and B Input Trim Using the Digital Signal ProcessorsUsing Inputs Plug-InsUsing the Logic I/O Using the BUS a and B InputsUsing the Record Output Outputs a Through JLogic Inputs Front Panel LockUpgrading the Software Logic OutputsInstalling the Software OverviewFile Top SectionMenu Bar EditWindows Indicators/Presets/Control

DX810 specifications

The Mackie DX810 is a versatile mixer designed for both live sound and studio applications, combining intuitive operation with a host of advanced features. This compact device, with its robust design, is perfect for musicians, sound engineers, and content creators alike, making it an essential tool for any audio setup.

One of the key features of the DX810 is its ten channels, which provide ample space for connecting multiple audio sources. Each channel comes equipped with a 3-band EQ, allowing users to tailor the sound to their specific needs. The built-in effects processor further enhances audio flexibility, offering a range of reverb and delay options. This makes it easier to create professional-quality soundscapes without the need for external equipment.

The Mackie DX810 also includes a feature called "Built-In USB Recording." This allows users to easily record their performances or practice sessions directly to a computer, streamlining the workflow for musicians and producers. Coupled with its low-latency monitoring capabilities, the DX810 is ideally suited for both live performances and studio recording.

Extensive connectivity options are another highlight of the DX810. With XLR, TRS, and RCA input outputs, it facilitates the integration of various audio sources, including microphones, instruments, and external effects units. The mixer also supports phantom power, enabling the use of condenser microphones, which is crucial for capturing high-quality vocals and acoustic instruments.

The DX810 is designed with ease of use in mind. Its layout features clearly labeled knobs and faders, ensuring that adjustments can be made quickly, even in high-pressure situations. The bright LED indicators provide visual feedback, allowing sound engineers to monitor levels effectively and avoid clipping.

Additionally, the robust construction of the DX810 ensures reliable performance in diverse environments, from intimate venues to large-scale events. Its portable design means that it can be easily transported, making it a favored choice for mobile sound engineers and gigging musicians.

In summary, the Mackie DX810 is packed with features designed to meet the needs of modern audio professionals. With its impressive channel count, built-in effects, recording capabilities, and solid build quality, it stands out as an essential mixer for anyone looking to enhance their sound experience. Whether in a studio or on stage, the DX810 delivers exceptional performance and flexibility.
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