Voicing Filter, EQ Section, Low-Hi Eq Mid Eq

I N P U T / M O N O

Sometimes it can be also very effective to combine the LO CUT filter with the VOICING filter. For instance to provide a “thin” voice with more “body”, without getting additional low pitched noise. Whenever the LO CUT is engaged, raising the bass level (LO EQ) provides you with a richer sound, but no additional rumbling or popping noise.

Another welcome side effect is, that the power amplifier and the connected loudspeakers do not get “polluted” with unnecessary low pitched noise. And the audience will be thankful for the use of the LO CUT filter, too. Since in this way they can enjoy a truly clear, natural, and powerful sound performance.

6. VOICING FILTER

This button activates an asymmetric micro-

phone filter, which can be used in addition to the channel EQ. The VOICING filter en-

hances the first harmonic oscillation of the human voice and slightly attenuates the mid

frequency range. This voice shaping me-

thod provides precisely audible, intelligible,

and powerful vocals that are clearly empha- sized from the rest of the mix. An effect

which is not achievable using ordinary third or octave equalizers.

The use of this filter is not restricted to vocals

only. Also horns, woodwinds, and other acoustic instruments can profit from the voicing filter. We leave it entirely up to your creativity and imagination to try the filter with as many different sound sources as you want. Normally, you do not have to fear any problems with the occurrence of feedback.

7. EQ SECTION

The mixer’s EQ section allows very differentiated shaping of the incoming audio signal within miscellaneous frequency bands. Turning one of the EQ level controls to the right enhances/am- plifies the corresponding frequency range while turning them to the left lowers/attenuates the signal of the specific frequency band. Before you begin to alter the sound, all EQ controls should be set to their neutral position; that is: their marker points straight up (locked in place). Do not set the EQ controls to extreme positions. Usually, minor changes are totally sufficient and produce the best results in the overall sound. You should use the natural reproduction as an orientation mark and rely on your musically trained ear, being the perfect instrument to judge the sound quality. The moderate use of the MID control is the best remedy to avoid acoustical feedback. Especially in this frequency range you should try to avoid excessive enhancement. Lowering the level more or less in this band will provide you with high amplification rates without feedback.

Use the LO control according to your pleasing, to add more “punch” to the sound of a kick drum or “body” to the vocals. Use the HI control in the same way to provide cymbals and the human voice with more treble and a more transparent sound. The MID EQ section offers separate rotary controls for the adjustment of the level (MID) and the frequency band (kHz) between 100 Hz and 8 kHz.

LOW-HI EQ

MID EQ

1000 specifications

The Dynacord 1000 series stands as a beacon of excellence in the realm of professional audio systems. Renowned for its reliability and superior sound quality, this series is crafted for a variety of applications, from live performances to installations in concert halls and auditoriums.

One of the standout features of the Dynacord 1000 is its power amplification technology. The series incorporates Class-D amplifier technology, which allows for high efficiency and reduced weight compared to traditional amplifiers. This results in a compact design without compromising the audio output. Users can expect impressive power levels that are capable of driving large speaker systems with ease, providing clear sound even at high volumes.

The Dynacord 1000 series also boasts an advanced digital signal processing (DSP) platform. This powerful DSP engine includes a variety of built-in effects and advanced equalization options, allowing sound engineers to finely tune their audio output. This versatility makes it suitable for diverse applications, from smooth music playback to complex multi-channel live mixing scenarios.

A key characteristic of the Dynacord 1000 is its user-friendly interface. The intuitive layout of controls allows for quick adjustments and easy navigation through various settings. This is particularly advantageous for live sound situations, where time is often limited and quick responses are critical.

Durability is another critical aspect of the Dynacord 1000 series. The rugged build quality ensures that the system can withstand the rigors of both touring and permanent installation environments. Additionally, the units are designed with thermal management features, which prevent overheating during long usage periods, ensuring longevity and reliability.

The Dynacord 1000 series is also highly compatible with various accessories and additional equipment. Its flexible connectivity options, including analog and digital inputs, ensure seamless integration with other sound systems and devices. This adaptability is essential for professionals seeking a comprehensive audio solution.

In summary, the Dynacord 1000 series stands out as a top-tier choice for audio professionals, boasting powerful amplification, advanced DSP capabilities, user-friendly controls, and robust construction. It meets the demanding needs of modern sound production, making it an essential component for any serious audio setup.