SoundCraft manual Sampler 1601S only, Controls

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THE SAMPLER (1601S ONLY)

THE CONTROLS

1 RE-WRITE

This button is used to over-record any pre-recorded samples.

LOOP-RE-WRITE: If recording over a loop that is currently playing, the old loop will continue to be played until the new loop has finished recording.

NOTE: This works best when replacing a loop that is the same length or shorter than the one playing back. If recording a longer loop over a shorter one, some of the new loop may be played back when the portion of memory containing the old loop has been written over. The loop playing back during resample will be in sync.

2 PLAY MODE: LOOP, 1-SHOT, REVERSE

This switch selects the three play modes. LOOP mode automatically creates the loop and plays it continuously. 1-SHOT mode re- starts the sample each time the REC/MUTE button is pressed which allows you to play short bursts of audio. REVERSE mode plays the sample backwards when the REC/MUTE button is pressed.

3 TAP/CLEAR

This button allows you to manually enter a tempo by hand or erase the current BPM value. The TAP feature should be used to set the BPM rate if there is no audio signal present or when the beat information becomes unavailable during a quiet passage of the audio. The CLEAR feature can be used to cancel the current BPM. Note: this doesn’t clear the samples from the REC/MUTE pads.

4 A & B FADERS

These 25mm travel faders are digitally controlled in the DSP and are used to adjust the playback volume of the two sample pads.

In 1-SHOT mode this doubles as a fader start REC/MUTE function. You can trigger the playback of the sampler by moving the fader from its home position.

NOTE: in 1=shot mode, if you leave the fader open, the sample will loop.

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Contents Page Potters BAR Contents Important Safety Instructions Green and Yellow US Green/Yellow Safety Symbol Guide Headphones Safety WarningTIP Introduction Page Installation General PrecautionsMains Installation Initial Wiring Considerations Audio WiringShielding Points to Remember Working Safely with SoundUnpacking and Inspection Inspection and InstallationPowering Environmental ConsiderationsConnecting to a Typical Sound System Making Adjustments and Fitting Spares Setting The Pre-trim PadsPage Description TOP Panel 1601S ShownPage Rear Connector Panel 1601S Shown Front Panel EQ CUT -RotaryGetting Started Combi -XLR ConnectorOperation MIC / Line InputLevel Control EQ -LOW ControlEQ -HIGH Control Input Selector Switches Clip IndicatorsPRE-TRIM Pads HI EQ Channel Volume FadersTrim MID EQRecord OUT FX Send & Return / AUXSend -LEVEL Send -SELECTFX SEND/RETURN RE-CONFIGURATION Clip IndicatorFX ON/OFF Switch Return / AUX -LEVELMaster / Booth Output Fader ExciterFader Curve Headphone Monitor LevelMASTER/CUE Select Monitor Sampler 1601S only ControlsLocking Onto the Beat Recording Mode Recording LoopsSelecting the Sampling Source Reverse Mode Play ModeShot Mode PLAYING-BACK LoopsDisengaging the BPM Engine Loop Synchronisation AdjustmentsSampler Specification Rule of ThumbBlock Diagram Connecting Leads Troubleshooting Specifications Warranty Glossary Post after the channel faderEqualising the system to notch out the offending frequencies Riaa