SoundCraft MFX manual Polarity Phase, Grounding and Shielding

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Polarity (Phase)

You will probably be familiar with the concept of polarity in electrical signals and this is of particular importance to balanced audio signals. Just as a balanced signal is highly effective at cancelling out unwanted interference, so two microphones picking up the same signal can cancel out, or cause serious degradation of the signal if one of the cables has the +ve and -ve wires reversed. This phase reversal can be a real prob- lem when microphones are close together and you should therefore al- ways take care to connect pins correctly when wiring audio cables.

Grounding and Shielding

For optimum performance use balanced connections where possible and ensure that all signals are referenced to a solid, noise-free earthing point and that all signal cables have their screens connected to ground. In some unusual circumstances, to avoid earth or ground ‘loops’ ensure that all cable screens and other signal earths are connected to ground only at their source and not at both ends.

If the use of unbalanced connections is unavoidable, you can minimise noise by following these wiring guidelines:

On INPUTS, unbalance at the source and use a twin screened cable as though it were balanced.

On OUTPUTS, connect the signal to the +ve output pin, and the ground of the output device to -ve. If a twin screened cable is used, connect the screen only at the mixer end.

Avoid running audio cables or placing audio equipment close to thyristor dimmer units or power cables.

Noise immunity is improved significantly by the use of low imped- ance sources, such as good quality professional microphones or the outputs from most modern audio equipment. Avoid cheaper

high impedance microphones, which may suffer from interference over long cable runs, even with well-made cables.

Grounding and shielding is still seen as a black art, and the suggestions above are only guidelines. If your system still hums, an earth/ground loop is the most likely cause. Two examples of how an earth loop can occur are shown below.

Warning!

Under NO circumstances must the AC power mains earth be disconnected

from the mains lead.

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Contents User Guide Potters BAR Contents Important Safety Instructions Neutral Blue US White Live Hot Brown US Black Safety Symbol Guide Advice for Those WHO Push the Boundaries Introduction60-SECOND Guide MIC Input XLRSUB-GROUP Routing Wiring UP Mic InputLine Input Insert PointHeadphones Stereo Inputs Stereo 1/2Mix Outputs Aux and FX Bus OutputsPolarity Phase Grounding and ShieldingProblem Solving Products Under WarrantyOUT-OF-WARRANTY Products Block Diagram Mono Input Channels High-pass FilterHF EQ MID EQLF EQ Signal Present SP LED FX SendPAN MuteStereo Input Channels Fader PFLChannel Peak LED 12 MIX/SUBMaster Section Power Indicator Phantom PowerHeadphones Level TrackHeadphones Socket Meters & AFL/PFL Active LEDMIX Fader SUB Faders24 PRE/POST Switches FootswitchAUX Masters FX MasterFX Operation Select and Load a ProgramSet Audio Levels FX Processor Controls Reverbs Reverb Controls Delays Delay ControlsModulated Effects Phaser FlangerTremelo/Pan RotaryFactory Reset VibratoEffects Data Using Your MFX Console Microphone PlacementInitial Setup Page MARK-UP Sheets Fitting Optional RACK-MOUNT Brackets MFX12/2 & MFX8/2 Rack-mount kit part numbers are for MFX12/2 = RW5753Dimensions Applications Application 1 Live Sound ReinforcementApplication 2 Multispeaker Applications Application 3 Places of Worship Application 4 Recording Typical Connecting Leads Page MFX Typical Specifications Warranty Glossary AFLPre-fade