Ashly WR-5, WR-2, WR-1 manual 1g Noise Gate, 1h Autoleveler

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Operating Manual - ne24.24M Matrix Processor

is 0 degree phase shift, at the All Pass filter center frequency there is -180 degrees of phase shift, and at high frequencies there is -360 degrees of phase shift.

Each input channel has an EQ On/Off button for all filters, and in turn each filter band has its own bypass button. The Flatten Curve function returns all filters to 0dB, but preserves the frequency and bandwidth of any used filters.

8.1g Noise Gate

Noise gates are used to minimize unwanted or ambient low level signal from an individual mic input. THRESHOLD is the level above which an input signal will pass through, and below which its signal is turned off. RANGE is the amount of attenuation in dB which the noise gate attenuates the signal when the gate is off. ATTACK and RELEASE control the time characteristics of the gating action. Attack sets the amount of time it takes for the gate to open or gated signal to turn on. Release sets the time required for the gate to close back up when the input signal falls below thresh- old.

8.1h Autoleveler

An Autoleveler is a dynamics processor used to automatically boost or cut a signal to a user defined target level. TARGET LEVEL is the primary setting in an autoleveler, as it determines the desired constant level to which an input is boost or cut. Both basic mode and advanced mode utilize the target level control, but basic mode simplifies setup. In BASIC MODE, target level, action, and maximum gain are the available controls. ACTION is selectable to gentle, normal, or aggressive, and automatically adjusts the following controls found in advanced mode:

Action

Ratio

Hold Time

Gain Incr. Rate

Gain Dec. Rate

Aggressive

10:1

0 Sec

20ms/dB

5 ms/dB

Normal

4:1

1 Sec

50ms/dB

10 ms/dB

Gentle

2:1

2 Sec

100ms/dB

20 ms/dB

Thr =

Max Gain

(1/ratio - 1)

 

MAXIMUM GAIN controls the threshold below target using the follow- ing formula:

In ADVANCED MODE, THRESHOLD BELOW TARGET determines the input signal level relative to the target level, above which the autoleveler increases gain, and below which no action is taken. RATIO is defined as the relationship of input level change in dB to output level change in dB. It is a measure of how aggressively the autoleveler changes the gain to maintain a constant output target level. GAIN INCREASE RATE and GAIN DECREASE RATE are used to prevent sudden, choppy sounding level changes to an input signal having a wide dynamic range. HOLD TIME is used in conjunction with gain change rate, and is defined as the time after the input signal falls below the threshold during which the autolever’s gain is held constant before it re- turns to unity gain. The purpose is to reduce the amount of gain “chatter” and abrupt signal cutoff when the input signal is hovering around the threshold level. Advanced settings which are different than the three Basic action set- tings results in a USER DEFINED display in the basic action control.

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Contents Ashly Audio INC Operating ManualTable Of Contents This Apparatus Must be Earthed Introduction AC Power RequirementsUnpacking Front Panel Features Logic Inputs Preset Recall Rear Panel FeaturesInput Connections Output Connections0-5V Remote Level Control 10/100 Ethernet Control JackFactory Reset Switch Expansion Module InstallationAC Inlet and Power Switch Data In/Data Out ConnectionProtea NE Software How to get Protea NE SoftwareAudio Functions Connecting the ne24.24M to a computer using EthernetInput Audio Functions 1a Input Mute1e Input Delay 1c Phantom Power1c Push To Talk Mic 1d Input GainOperating Manual ne24.24M Matrix Processor 1h Autoleveler 1g Noise Gate1i Ducker Output Audio Functions1j Matrix Routing 1k Remote Level ControlButterworth 2b Hpf/Lpf CrossoverBessel 2c Output DelayLinkwitz-Riley 2d Output EQOther Software Functions Channel Preset and Sub Preset File Management2f Output Compressor/Limiter 2g Output MuteProgram Upgrade Copying Settings to Another Input Or OutputRemote Control 10.1 WR-1 Volume Control10.3 WR-5 Programmable Zone Controller 10.2 WR-2 Contact Closure Preset RecallCommon WR-1 Wiring DiagramTroubleshooting Tips 12.1 Audio Problems GPO Expansion Module Wiring Examples12.2 RS-232 Data Communications Problems DimensionsWarranty Information SpecificationsInput by 8 Output Boardroom System Typical ApplicationsNe24.24M Back Panel Left / Center / Right Theater System

WR-2, WR-1, WR-5 specifications

The Ashly WR series, comprising the WR-5, WR-1, and WR-2 models, is a lineup of high-performance wall controllers designed to enhance the user experience in professional audio environments. These devices are particularly useful in applications such as classrooms, conference rooms, and studios, providing intuitive control over various sound systems.

The WR-5 is the flagship model of the series, featuring a compact design that supports multiple zones. One of its standout characteristics is its ability to control various audio source devices, allowing users to select different inputs and adjust volume levels in distinct areas. The WR-5 is equipped with a large, easy-to-read LCD screen, which provides visual feedback on settings and selected configurations. Its Ethernet connectivity allows for seamless integration with compatible systems, making remote management and control straightforward.

The WR-1 is a versatile single-zone controller designed for simplicity. It features a rotary volume knob and a push-button for mute, making it an ideal choice for users who prioritize ease of use. The WR-1 can be integrated into existing setups with minimal effort, and its user-friendly interface ensures that anyone can operate the system without requiring extensive training. The unit supports audio over Ethernet, which allows for flexible placement and installation in various settings.

The WR-2 is designed for dual-zone control, offering similar features to the WR-1, but with the added benefit of managing two distinct audio zones. This model supports individual volume control for each zone, making it perfect for environments where different audio experiences are needed in separate areas. Like its counterparts, the WR-2 employs robust Ethernet connectivity, ensuring that it can communicate effectively with compatible audio systems for a cohesive overall sound experience.

All three models in the Ashly WR series are built with high-quality materials and innovative technology, ensuring durability and reliable performance. They feature intuitive layouts and responsive controls, making them suitable for a broad range of audio applications. Whether it is in a corporate environment or an educational setting, the Ashly WR series provides a sophisticated yet user-friendly solution for managing audio systems effectively.

In conclusion, the WR-5, WR-1, and WR-2 controllers are excellent options for anyone looking to streamline their audio control experience while maintaining high-quality sound management in diverse environments.