Ashly WR-5, WR-2, WR-1 manual Bessel, Linkwitz-Riley, 2c Output Delay, 2d Output EQ, 2e Output Gain

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Operating Manual - ne24.24M Matrix Processor

Bessel

These filters, as implemented on the ne24.24M, are always -3dB at the displayed crossover frequency. Bessel filters are used because they have a maximally flat group delay. Stated another way, Bessel filters have the most linear phase response. When a Bessel HPF and LPF of the same crossover frequency are summed, the combined response is +3dB for 12dB/oct, 18dB/oct, and 48dB/oct Bessel filters, and -2dB for 24dB/oct Bessel filters. One of the outputs must be inverted when using either 12dB/oct or 18dB/oct Bessel crossover filters or else the combined response will have a large notch.

Linkwitz-Riley

The 12 dB/oct, 24dB/oct, an 48dB/oct Linkwitz-Riley filters individually are always -6dB at the displayed cross- over frequency, however the 18dB/oct Linkwitz filters individually are always -3dB at the displayed crossover fre- quency. The reason for this is that Linkwitz-Riley filters are defined in terms of performance criterion on the summing of two adjacent crossover HPF and LPF filters, rather than defined in terms of the pole-zero characteristics of individual filters. The 18dB/oct Linkwitz-Riley individually are 18dB/oct Butterworth filters in that they have Butterworth pole- zero characteristics and also satisfy the criterion for Linkwitz-Riley filters.

When a Linkwitz-Riley HPF and LPF of the same crossover frequency are summed, the combined response is always flat. With 12dB/oct Linkwitz-Riley crossover filters, one of the outputs must be inverted or else the combined response will have a large notch at the crossover frequency.

8.2c Output Delay

Output delay can be used to time align discrete drivers within a cabinet or cluster using short delay times, or align multiple drivers in different locations using longer delay times. For a thorough long-delay explanation, see section 9.1e. The following example illustrates a use of short delay to time align speak- ers within a group: A typical three way speaker cluster has low end, midrange, and high frequency drivers all located near one another. The different drivers for each frequency band are not necessarily the same physical depth with respect to the front of the loudspeaker cluster, so there exists the problem of the same sig- nals (at the crossover points) arriving at the cluster "wavefront" at different times, creating undesirable wave interaction such as frequency peaks or cancellation. The solution in this case, rather than fixing the frequency anomalies with EQ, is to slightly delay the signal to the drivers closest to the cluster front.

Using the location of the driver diaphragm farthest back as a reference point, measure the distance to other drivers in the cluster, and set the output delay for each accordingly, with the driver diaphragm closest to the front getting the long- est delay and the driver at the very back getting no delay at all. The minimum adjustment is 0.02 milliseconds, or about 1/4 inch. When appropriate, always time align the loudspeakers before applying EQ to the outputs of the ne24.24M.

8.2d Output EQ

Short Time Delay

For Driver Alignment

Example: 12 Inches

High - No Delay

Midrange Delay 12 Inches = 0.9mS

Low Delay

8 Inches = 0.6mS

Example: 8 Inches

The Protea ne24.24M Output EQ section is the same as the input EQ (see section 9.1f), with the exception of the ability to view the combined effect of input EQ for each installed and linked input channel to a given output channel. Within the output EQ frame, each installed and linked input channel has its own <Overlay Input EQ> check box, through which the interaction between input and output EQ is displayed.

8.2e Output Gain

Output Gain operates in the same manner as Input Gain (section 9.1d), ranging from +12dB to Off, with an option to reverse polarity.

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Contents Operating Manual Ashly Audio INCTable Of Contents This Apparatus Must be Earthed Introduction AC Power RequirementsUnpacking Front Panel Features Rear Panel Features Logic Inputs Preset RecallInput Connections Output Connections10/100 Ethernet Control Jack 0-5V Remote Level ControlExpansion Module Installation Factory Reset SwitchAC Inlet and Power Switch Data In/Data Out ConnectionHow to get Protea NE Software Protea NE SoftwareConnecting the ne24.24M to a computer using Ethernet Audio FunctionsInput Audio Functions 1a Input Mute1c Phantom Power 1e Input Delay1c Push To Talk Mic 1d Input GainOperating Manual ne24.24M Matrix Processor 1g Noise Gate 1h AutolevelerOutput Audio Functions 1i Ducker1j Matrix Routing 1k Remote Level Control2b Hpf/Lpf Crossover Butterworth2c Output Delay BesselLinkwitz-Riley 2d Output EQChannel Preset and Sub Preset File Management Other Software Functions2f Output Compressor/Limiter 2g Output MuteCopying Settings to Another Input Or Output Program UpgradeRemote Control 10.1 WR-1 Volume Control10.2 WR-2 Contact Closure Preset Recall 10.3 WR-5 Programmable Zone ControllerWR-1 Wiring Diagram CommonGPO Expansion Module Wiring Examples Troubleshooting Tips 12.1 Audio Problems12.2 RS-232 Data Communications Problems DimensionsSpecifications Warranty InformationTypical Applications Input by 8 Output Boardroom SystemLeft / Center / Right Theater System Ne24.24M Back Panel

WR-2, WR-1, WR-5 specifications

The Ashly WR series, comprising the WR-5, WR-1, and WR-2 models, is a lineup of high-performance wall controllers designed to enhance the user experience in professional audio environments. These devices are particularly useful in applications such as classrooms, conference rooms, and studios, providing intuitive control over various sound systems.

The WR-5 is the flagship model of the series, featuring a compact design that supports multiple zones. One of its standout characteristics is its ability to control various audio source devices, allowing users to select different inputs and adjust volume levels in distinct areas. The WR-5 is equipped with a large, easy-to-read LCD screen, which provides visual feedback on settings and selected configurations. Its Ethernet connectivity allows for seamless integration with compatible systems, making remote management and control straightforward.

The WR-1 is a versatile single-zone controller designed for simplicity. It features a rotary volume knob and a push-button for mute, making it an ideal choice for users who prioritize ease of use. The WR-1 can be integrated into existing setups with minimal effort, and its user-friendly interface ensures that anyone can operate the system without requiring extensive training. The unit supports audio over Ethernet, which allows for flexible placement and installation in various settings.

The WR-2 is designed for dual-zone control, offering similar features to the WR-1, but with the added benefit of managing two distinct audio zones. This model supports individual volume control for each zone, making it perfect for environments where different audio experiences are needed in separate areas. Like its counterparts, the WR-2 employs robust Ethernet connectivity, ensuring that it can communicate effectively with compatible audio systems for a cohesive overall sound experience.

All three models in the Ashly WR series are built with high-quality materials and innovative technology, ensuring durability and reliable performance. They feature intuitive layouts and responsive controls, making them suitable for a broad range of audio applications. Whether it is in a corporate environment or an educational setting, the Ashly WR series provides a sophisticated yet user-friendly solution for managing audio systems effectively.

In conclusion, the WR-5, WR-1, and WR-2 controllers are excellent options for anyone looking to streamline their audio control experience while maintaining high-quality sound management in diverse environments.