Spirit LIVE 4 Getting to Know Your Console, Input Channel, IC RO PHO NE Input, Direc T O Utput

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IN PUT

GETTING TO KNOW YOUR CONSOLE

Refer to the fold -ou t front p anel d iagram w hich show s the control fu nctions on the SPIRIT LIVE 4. Each facility is d escribed below , and is id entified by the reference nu m ber.

FACILITIES

 

 

INPUT CHANNEL

 

 

 

 

 

 

1.

 

M IC RO PHO NE INPUT

 

The Microp hone inp u t is via a stand ard fem ale XLR-3

 

connector and is available w hen the LIN E -20dBsw itch is

 

released . It is d esigned to accep t a w id e range of balanced or

 

u nbalanced low im p ed ance inp u t signals.

 

+48V Phantom Pow er is available on each inp u t m icrop hone

 

socket. This is sw itched on globally from the p ow er su p p ly in

 

the case of the 12, 16 and 24 channel d esks, or from a rocker

 

sw itch ad jacent to the d .c. p ow er connector at the top right of

 

the 32 channel d esk.

Shou ld you w ish to configu re inp u ts

 

w ithou t +48V p ow er, see Selectable Op tions on Page 27 for

 

d etails of this m od ification .

 

Transform er-cou p led

d ynam ic m icrop hones m ay be u sed

 

w ithou t cau sing d am age, even w hen the +48V p ow er is

 

connected , bu t care m u st be taken w hen u sing u nbalanced

 

sou rces, becau se of the voltage p resent on p ins 2 and 3 of the

 

XLR connector. Microp hone inp u t level is set by the GAIN

 

control(6).

 

 

 

N OTE: Phantom p ow ered m ics shou ld not be p lu gged in

 

w ith the +48V sw itched on . Also you shou ld be aw are that

 

som e m icrop hones d raw an u nu su ally large cu rrent w hich

 

m ay overload the p ow er su p p ly, resu lting in d istortion .

 

Consu lt you r m icrop hone su p p lier for gu id ance if necessary.

 

 

 

 

2.

 

DIREC T O UTPUT

 

 

A grou nd com p ensated D IRECT ou tp u t is p rovid ed , fed from

 

the ou tp u t of the fad er bu ffer, w hich is therefore u naffected

 

by the p osition of the ROUTIN G sw itches or PAN control.

 

This p rovid es an id eal sou rce for external p rocessing u nits,

 

the ou tp u t of w hich m ay be brou ght back to the console

 

throu gh the

STEREO

sections or grou p RETURN S, or to

 

d irectly send

to the tracks of a tap e m achine for m u ltitrack

record ing. This p rovid es as m any Tap e Send s as there are m ixer channels, w ithou t u sing the grou p or m ix ou tp u ts.

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Contents Page Page User Guide Introduction Basic Principles of PA Mixing Mixer Pre-Fade-ListenPFL allow s you toClipping Connections and Connectors Getting StartedBa lanced a nd Unba la nced Pola rityUnbalanced Pa ge Getting to Know Your Console Input ChannelIC RO PHO NE Input Direc T O UtputLine Input InsertLine Selec T AIN C O Ntro LHI- Pass Filter EQ UaliserAuxiliary Sends PA N PFL/ Peak LEDSwitc H RO Uting Switc HESStereo Sections Stereo InputsEQ Ualisatio N AUX Send AUX Selec TIO NBalanc E PFLGroup Section RO UP O Utput PO WER SO C KETNo O Utput IX L & R O UtputsAuxiliary M Asters Auxiliary O UtputsTalkbac K Headpho NE V O LUM EUsing Your Spirit Live 4 Console Initial Set UpPa ge Applications Exa mple 1 Public Address Stereo OutputExa mple 2 Public Address Stereo + Centre Feed Exa mple 3 Public Address Mono OutputExa mple 4 Stereo Recording Exa mple Multitra ck RecordingCare of Your Mixer Genera l Preca utionsFrequency response Selectable Options Removal of +48V on Mic Inputs Reconfiguring Aux 2 as a Post Fa de Send Specifications NoiseDistortion Page Input Stereo StereoPage FAX