Spirit LIVE 4 manual HI- Pass Filter, EQ Ualiser

Page 14

 

 

 

 

 

 

 

 

 

 

 

 

IN PUT

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

7.

HI- PASS FILTER

 

 

 

 

 

 

 

 

Pressing this sw itch inserts a 12d B p er octave 100H z H i-Pass

 

 

 

Filter in the signal p ath, im m ed iately after the inp u t am p lifier.

 

 

 

This is

p articu larly

u sefu l on

live

vocals, and its u se is

 

 

 

strongly recom m end ed , even on m ale vocals. It can also be

 

 

 

u sed for filtering ou t low frequ ency hu m .

 

 

 

Frequency Response Curves of the Hi- Pa ss Filter

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

dB HI-Pass Filter

 

 

 

 

 

 

 

 

 

4.0

 

 

 

 

 

 

 

 

 

 

 

 

 

3.0

 

 

 

 

 

 

 

 

 

 

 

 

 

2.0

 

 

 

 

 

 

 

 

 

 

 

 

 

1.0

 

 

 

 

 

 

 

 

 

 

 

 

 

0.0

 

 

 

 

 

 

 

 

 

 

 

 

 

-1.0

 

 

 

 

 

 

 

 

 

 

 

 

 

-2.0

 

 

 

 

 

 

 

 

 

 

 

 

 

-3.0

 

 

 

 

 

 

 

 

 

 

 

 

 

-4.0

 

 

 

 

 

 

 

 

 

 

 

 

 

20

 

100

 

1k

10k

20k

 

 

 

 

 

 

 

 

 

Frequency/Hz

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

8.EQ UALISER

The Equ aliser(EQ) com p rises three sections. The u p p er control p rovid es H .F.(treble) boost and cu t of +/ -15d B. The low er tw o p airs of knobs are arranged as a cu t/ boost control (low er knob) of +/ - 15d B, and a SWEEP(frequ ency) control w hich d eterm ines at w hich frequ ency the boost/ cu t action w ill be centered . The LF sections are essentially Sw ep t Low Frequ ency controls, covering a range from 40 to 400H z and p rovid ing m u ch greater flexibility than a conventional LF(bass) control. The MID section, w ith a frequ ency range from 250H z to 8kH z is p articu larly versatile for vocals, enabling p articu lar characteristics of the singer to be lifted or su p p ressed very p recisely.

Frequency Response Curves of the Equa liser

dB

LF Section

 

 

 

 

20.0

 

 

 

 

 

15.0

 

 

 

 

 

10.0

 

 

 

 

 

5.0

 

 

 

 

 

0.0

 

 

 

 

 

-5.0

 

 

 

 

 

-10.0

 

 

 

 

 

-15.0

 

 

 

 

 

-20.0

 

 

 

 

 

20

100

1k

10k

20k

 

 

 

Frequency/Hz

 

 

Page 12

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Contents Page Page User Guide Introduction Basic Principles of PA Mixing Mixer Pre-Fade-ListenPFL allow s you toClipping Connections and Connectors Getting StartedBa lanced a nd Unba la nced Pola rityUnbalanced Pa ge IC RO PHO NE Input Getting to Know Your ConsoleInput Channel Direc T O UtputLine Selec T Line InputInsert AIN C O Ntro LHI- Pass Filter EQ UaliserAuxiliary Sends Switc H PA NPFL/ Peak LED RO Uting Switc HESEQ Ualisatio N Stereo SectionsStereo Inputs Balanc E AUX SendAUX Selec TIO N PFLGroup Section No O Utput RO UP O UtputPO WER SO C KET IX L & R O UtputsTalkbac K Auxiliary M AstersAuxiliary O Utputs Headpho NE V O LUM EUsing Your Spirit Live 4 Console Initial Set UpPa ge Applications Exa mple 1 Public Address Stereo OutputExa mple 2 Public Address Stereo + Centre Feed Exa mple 3 Public Address Mono OutputExa mple 4 Stereo Recording Exa mple Multitra ck RecordingCare of Your Mixer Genera l Preca utionsFrequency response Selectable Options Removal of +48V on Mic Inputs Reconfiguring Aux 2 as a Post Fa de Send Specifications NoiseDistortion Page Input Stereo StereoPage FAX