VX | CENTURY SERIES |
| INPUT |
| ||
|
|
| +48V | |
|
|
| LINE | |
|
|
| PAD | |
|
| 40 | GAIN | |
| 30 |
|
|
|
|
|
| 50 | |
| 20 |
| 70 |
|
| 80 |
| 150 |
|
|
|
|
| |
| 40 |
| 300 | |
|
|
| ||
| 20 |
| 400 | |
|
|
| HPF | |
|
|
| Ø |
|
|
| INSERT | ||
|
| 8 | HF | |
| 3 |
| 15 | |
| 1.5K |
| 20K | |
|
| PEAK |
| |
| 2 | 4 HM | ||
| 1K |
|
|
|
| 6 |
|
| 6 |
|
|
|
| |
| 400 |
| 8K |
|
|
| Q |
| |
| 4 | 6 | LM | |
|
| 1K | ||
|
|
| ||
| 2 |
|
|
|
| 100 |
| 2K |
|
|
| Q |
| |
| 200 | 4 | LF | |
100 |
| 6 | ||
|
|
| ||
| 40 |
| 800 | |
|
| PEAK |
| |
|
|
| EQ IN | |
| 4 | 5 | 6 | 1 |
| 3 |
| 7 |
|
| 2 |
| 8 |
|
| 1 |
| 9 |
|
| 0 |
| 10 |
|
| 4 | 5 | 6 | 2 |
| 3 |
| 7 |
|
| 2 |
| 8 |
|
| 1 |
| 9 |
|
| 0 |
| 10 |
|
| 4 | 5 | 6 | 3 |
| 3 |
| 7 |
|
A | 2 |
| 8 |
|
1 |
| 9 |
| |
U |
|
| ||
X | 0 |
| 10 |
|
S | 4 | 5 | 6 | 4 |
E | 3 |
| 7 |
|
N |
|
| ||
D 2 |
| 8 |
| |
S | 1 |
| 9 |
|
|
|
| ||
| 0 |
| 10 |
|
P | 4 | 5 | 6 | 5 |
U | ||||
S | 3 |
| 7 |
|
H 2 |
| 8 |
| |
O | 1 |
| 9 |
|
N | 0 |
| 10 |
|
- |
|
| ||
| 5 |
| 6 | |
O | 4 | 6 | ||
F | 3 |
| 7 |
|
F |
|
| ||
| 2 |
| 8 |
|
| 1 |
| 9 |
|
| 0 |
| 10 |
|
|
| 5 | 6 |
|
P | 4 | 5 | 6 | 5 |
U | ||||
S | 3 |
| 7 |
|
H 2 |
| 8 |
| |
O | 1 |
| 9 |
|
N | 0 |
| 10 |
|
- |
|
| ||
| 5 |
| 6 | |
O | 4 | 6 | ||
F | 3 |
| 7 |
|
F |
|
| ||
| 2 |
| 8 |
|
| 1 |
| 9 |
|
| 0 |
| 10 |
|
| 4 | 5 | 6 | 7 |
| 3 |
| 7 |
|
| 2 |
| 8 |
|
| 1 |
| 9 |
|
| 0 |
| 10 |
|
| 4 | 5 | 6 | 8 |
| 3 |
| 7 |
|
| 2 |
| 8 |
|
| 1 |
| 9 |
|
| 0 |
| 10 |
|
DIR OUT |
| PRE |
| |
|
|
| PAN | |
|
|
| MUTE | |
M |
|
|
| L |
|
|
| C | |
|
|
|
| R |
L |
|
|
| P |
R |
|
|
| A |
|
|
|
| N |
1 |
|
|
| 2 |
3 |
|
|
| 4 |
5 |
|
|
| 6 |
7 |
|
|
| 8 |
| 1 |
| SOLO | |
PK |
|
|
|
|
+8 |
|
| VCA |
|
|
|
|
| |
0 |
|
|
|
|
|
|
|
| |
SIG |
|
|
| 10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| V |
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
| ||
| 3 |
|
|
|
|
|
|
| C |
|
|
|
| |
|
|
|
|
|
|
|
| A |
|
| 0 | |||
|
|
|
|
|
|
|
|
| G |
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
| ||
| 4 |
|
|
|
|
|
|
| R |
|
|
|
| |
|
|
|
|
|
|
|
|
| O |
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
|
|
|
| ||
| 5 |
|
|
|
|
|
|
| U |
|
|
|
| |
|
|
|
|
|
|
|
| P |
|
|
|
| ||
|
|
|
|
|
|
|
|
| S |
| 5 | |||
|
|
|
|
|
|
|
|
|
|
| ||||
|
|
|
|
|
|
|
|
|
|
|
|
| ||
| 6 |
|
|
|
|
|
| 1 |
|
|
|
|
| |
|
|
|
|
|
|
|
| - |
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
| 8 |
|
|
|
|
| |
| 7 |
|
|
|
|
|
|
|
|
|
|
| 10 | |
|
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
|
|
|
| ||
| 8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 15 | |
|
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
|
|
|
| 20 | |
|
|
|
|
|
|
|
|
|
|
|
|
| ||
A |
|
|
|
|
|
|
| M |
|
| 30 | |||
|
|
|
|
|
|
|
|
|
|
| ||||
|
|
|
|
|
|
|
|
| U |
|
| |||
|
|
|
|
|
|
|
|
|
|
|
| |||
| B |
|
|
|
|
|
|
| T |
|
| 40 | ||
|
|
|
|
|
|
|
| E |
| |||||
|
|
|
|
|
|
|
|
| G |
|
| 60 | ||
| C |
|
|
|
|
|
|
| R |
|
|
| ||
|
|
|
|
|
|
|
|
| O |
|
|
|
| |
|
|
|
|
|
|
|
|
| U |
|
|
| ||
D |
|
|
|
|
|
| P |
|
|
| ||||
|
| |||||||||||||
|
|
|
|
|
|
|
|
| S |
|
|
| ||
|
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
| A |
|
|
| ||
|
|
|
|
|
|
|
|
| - |
|
|
|
|
|
|
|
|
|
|
|
|
|
| D |
|
|
| ||
|
|
|
|
| SAFE |
|
|
|
|
| ||||
|
|
|
|
|
|
|
|
Vx Input Module
The input module is the main method by which input signals are brought into the console. The Vx input module takes the new features introduced with the GTx console and adds a more flexible Aux send/assignment Section and extensive VCA (Voltage Controlled Amplifier) functionality.
48V Phantom Power Switch
Applies 48 Volts DC to pins 2 & 3 of the microphone input XLR jack for microphones requiring phantom power. The XLR input is balanced and accepts high quality microphones, DI boxes and line sources.
LINE Switch
Switches between the balanced female XLR microphone Input connector and the balanced Line Input 1/4" TRS con- nector.
PAD Switch
Introduces a
GAIN Control
Adjusts input gain for proper signal level. Maximum gain is 70 dB.
Adjustable High Pass Filter w/LED
Reduces all low frequency content at a
Polarity Reverse Switch w/LED
Inverts the polarity of both the microphone and line inputs. The red LED illuminates when switch is down.
INSERT Switch w/LED
Activates the
Four-Band Sweep Equalizer Controls
There are two knobs for each of the four bands. The inner knob controls the boost or cut (15 dB); the outer knob con- trols the center frequency. Center frequencies are indicated around the outer knob.
PEAK/SHELVE HF Switch
Used for switching the high frequency EQ between the nor- mal shelving setting to a peak setting.
SWITCHABLE Q on HI MID and LO MID EQ
Q is switchable between .8 (switch up) and 1.8 (switch down).
PEAK/SHELVE LF Switch
Used for switching the low frequency EQ between the nor- mal shelving setting to a peak setting.
EQ IN Switch w/LED
Inserts the EQ section into the input channel (post insert, pre fader). An associated green LED illuminates when the switch is down.
PAGE 12