Fostex FD-8 Real tracks and Additional tracks, You can swap data between twenty-four mono tracks

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Before Starting

Real tracks and Additional tracks

The FD-8 features eight Real tracks (1-8) and sixteen Additional tracks (9-24), for a total of twenty-four tracks. Real tracks are used to record sound sources in real-time. Additional tracks are used to temporarily store the sound recorded in the Real tracks. This is useful since you can move data from Real tracks to Additional tracks to clear tracks for fresh recording. The Track Exchange function of the FD-8 handles this operation. This function allows you to swap data freely between twenty-four mono tracks.

You can also swap data between multiple Real tracks and Additional tracks as an eight-track unit.

Real tracks (Trk 1 - Trk 8)

Additional tracks (Trk 9 - TRK 16)

Additional tracks (Trk 17 - Trk 24)

Track

1

2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Track

3

 

 

 

 

 

 

 

 

Track

4

5

6

 

 

 

 

 

Track

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Track

 

Track

 

7

 

 

9

 

 

 

 

Track

8

 

 

 

 

 

 

Track

 

10

 

 

 

 

 

Track

Track

11

 

 

 

 

 

 

 

 

12

 

 

 

 

 

 

 

Track

Track

 

 

 

 

 

 

 

 

13

14

 

 

 

 

 

 

Track

Track

15

 

 

17

 

 

 

Track

16

Track

 

 

 

 

 

Track

Track

18

19

 

 

 

 

 

 

 

 

 

 

 

 

 

Track

20

 

 

 

 

 

 

 

Track

 

21

 

 

 

 

 

 

Track

22

 

 

 

 

 

 

Track

23

 

 

 

 

 

 

 

 

24

 

 

 

 

 

 

 

Track

 

 

 

 

 

 

 

 

Track

You can swap data between twenty-four mono tracks.

Track

1

2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Track

Track

3

4

5

 

 

 

 

 

 

 

 

 

 

 

 

Track

 

Track

 

 

6

7

 

 

 

 

 

 

 

Track

 

 

 

 

 

 

 

 

 

Track

8

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Track

 

Track

9

10

 

 

 

 

 

 

 

 

Track

11

 

 

 

 

 

 

 

 

Track

 

12

 

 

 

 

 

 

 

Track

 

 

 

 

 

 

 

 

13

14

 

 

 

 

 

 

 

Track

Track

15

 

 

 

 

 

 

 

Track

16

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Track

Track

17

18

 

 

 

 

 

 

 

 

 

19

 

 

 

 

 

 

 

 

Track

Track

 

20

 

21

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Track

Track

 

22

23

 

 

 

 

 

 

 

 

Track

 

24

 

 

 

 

 

 

 

 

Track

 

 

 

 

 

 

 

 

 

Track

You can also swap data between Real tracks and Additional tracks in units of eight tracks.

Track

1

2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Track

Track

3

4

5

 

 

 

 

 

 

 

 

 

 

 

 

Track

 

Track

 

 

6

7

 

 

 

 

 

 

 

Track

 

 

 

 

 

 

 

 

 

Track

8

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Track

 

Track

9

10

 

 

 

 

 

 

 

 

Track

11

 

 

 

 

 

 

 

 

Track

 

12

 

 

 

 

 

 

 

Track

 

 

 

 

 

 

 

 

13

14

 

 

 

 

 

 

 

Track

Track

15

 

 

 

 

 

 

 

Track

16

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Track

Track

17

18

 

 

 

 

 

 

 

 

 

19

 

 

 

 

 

 

 

 

Track

Track

 

20

 

21

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Track

Track

 

22

23

 

 

 

 

 

 

 

 

Track

 

24

 

 

 

 

 

 

 

 

Track

 

 

 

 

 

 

 

 

 

Track

Note: You cannot record data on Additional tracks in real-time. Also, you cannot play back data on Additional tracks as is in real-time.

If you wish to play back data on an Additional track, first use the Track Exchange function to move the data to a Real track. Also, you need to move the data to a Real track if you wish to check the REC END point of a song on an Additional track.

Note: Data on the Additional tracks also affects the REMAIN value. If Real tracks contain no data, but Additional tracks contain data, the amount of data (time and space) will be reflected in the REMAIN value.

Refer to page 61 for more information on the Track

Exchange function.

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Contents Model Safety Instructions Table of contents Introduction Precautions Names and Functions Rear panelInput select switches Input SEL INPUT/OFF/TRK Input fadersPanpot knobs PAN L/R Monitor panpot knobs PAN MON L/MON RInput level switches Level H/M/L Monitor level control knob MON INPUT/TRKEqualizer control knobs EQ HIGH/MID/LOW AUX send knobs AUX AUX 1/AUXContrast adjustment knob LCDScrub key Scrub Setup key Setup Access LED AccessDisplay indication select key Disp SEL Time Base select key Time Base SELPlay button Play Stop button StopRecord button RECORD/ Auto Punch Shift key ShiftAuto Return/Auto Play mode on/off key Vari Pitch key Vari PITCH/ P.EDITLocate key LOCATE/ LOC MEM Hold/ key HoldStore key Store Undo/Redo key UNDO/REDOEdit key Edit Auto Return Start keyAuto Return End key Auto RTN END/ Preview Auto Punch In key Auto Punch IN/ PreviewAuto Punch Out key Clipboard In key Clipboard IN/ PreviewInput jacks 1, 2, 3, 4, 5, 6, 7, 8 Connector phone Monitor Out jacks MON OUT L, R Connector RCA pinStereo Out jacks ST. OUT L, R Connector RCA pin Front Panel Input/Output SectionBalanced input connectors 7, 8 Input 7 Midi OUT jack Midi OUT Connector DIN 5-pinMidi in jack Midi in Connector DIN 5-pin AUX Send jacks 1, 2 AUX Send 1Data output jack Data OUT Connector Optical Data input jack Data in Connector OpticalAC in connector Power switch PowerPreset display Time Base is ABS Time Base is MTCTime Base is BAR/BEAT/CLK Acc Error message Void Out ! messageTrack Over message Rec + Yes ! messageBefore Starting Time BaseRecording method and Remain indicator Remain indicatorRecording method Managing songs by Program Change function Real tracks and Additional tracks You can swap data between twenty-four mono tracksWhen you set a track to recording mode When you set a track to recording stand-by modeInput monitoring and playback monitoring Input monitoringSignal flow The PAN knob function and Stereo Bus Audio file and event About an audio fileRecording mode Formatting a DiskFormatting a current drive disk Scsi disk Formatting a new diskRe-formatting a formatted disk Insert a formatted disk into the Scsi drivePress the EXECUTE/YES key Press the EXECUTE/YES key againFormatting a backup disk Scsi disk Formatting an unformatted disk for backupInsert a new disk into the backup drive Formatting a current drive disk 2.5-inch hard diskFormatting a backup disk fixed disk Re-formatting a formatted disk for backupInsert a formatted disk into the backup drive Handling Programs Creating a new ProgramTurn the JOG dial clockwise Using a Program Change function To enter a titlePress the Setup key while the FD-8 is stopped Deleting a ProgramEditing a Program title JOG dial to enter characters or numbersAfter you enter the title, press the EXECUTE/YES key MenuPlayback in Vari Pitch Mode Set the desired pitch data using the JOG dialConnecting a sound source and a effect unit Recording to a Metronome SoundConnect a microphone to input jack What is Punch In/Out recording? Punch In/Out RecordingAuto Punch In/Out Storing the edit pointsConnecting the instrument Setting the mixer sectionSet up the mixer section as follows PreparationRehearsing Auto Punch In/Out recording Press the Record button while holding down the Shift keySet the track for Auto Punch In/Out to Ready Recording levelAuto Punch In/Out Take Undo/Redo Auto Punch In/Out recordingPress the Record button while holding down the Play button Connecting the instrument and a foot switch Manual Punch In/OutRehearsing Manual Punch In/Out recording Cancelling Rehearsal mode While holding down the Stop button, press the foot switchManual Punch In/Out take Out pointUndo/Redo Manual Punch In/Out recording Setting the switch and knob Creating a Tempo MapChecking the metronome sound Turning the Metronome function onQuitting recording Checking the recorded soundStarting recording Press the Record buttonDigital Recording Digital recording from an external digital deviceSetting a digital output track Digital recording to an external deviceDigital mixdown Assigning output tracksSetting the output level and the master recorder Settings for the effect unitsMixdown Quitting mixdownUsing an optical cable Digital and analog simultaneous recordingStarting the recording Program Settings on the FD-8 Monitoring digital inputsFour-track simultaneous recording Play the connected digital deviceHow to use the Recorder in jack Sixteen channels of digital mixdownDirect recording of an external sound source Patch Bay Mixer etcEditing Tracks Copy & Paste and Move & PasteCopy & Paste Move & PasteExecuting Copy or Move Checking the clipboard dataPaste start point Key for which you wish to check the edit pointExecuting Paste Undo/Redo PasteSelect a destination track to paste data Turn the JOG dial to enter the number of repeats Repeat=Erase Erasing a specified part of the data between ABS 0Erasing data from a specified point to REC END Executing Erase Undo/Redo EraseStoring the erase start and end points Track Exchange Swapping mono track data between Real tracks, AddiExecuting Track Exchange Cue & Review function using the Rewind and F FWD buttons Cue & Review FunctionDigital scrubbing using Scrub mode Press the Scrub key while the recorder section is stoppedTurn the JOG dial to perform digital scrubbing Cue & Review function using the Shuttle feature Storing a Locate Point Edit Point Storing and editing the locate points to the memory keys Storing in real-timePress the Store key Press the desired memory keyEditing and storing locate data Editing and storing dataPress the HOLD/ key while the FD-8 is stopped Editing the data stored in the Locate key Press the memory key that you pressed in againPress the HOLD/ key, Rewind button, or To located the edited point, press the Locate keyLocate Function Direct LocateAuto Play Auto Return Executing the Auto Play functionPress the desired memory key Press the Locate key Auto Repeat Executing the Auto Return functionStore the Auto RTN Start and Auto RTN END points Start playback a little before the Auto RTN END pointExecuting the Auto Repeat function Start playback a little before the Auto RTN Start pointPreview Function Previewing the rise of the sound fadeDisplay indication during the Preview operation Previewing the fall of the sound fade outExecuting the Preview function Trimming the sound while previewingMemory key Operation Example Time Base is ABS value of SF flashes Connecting and setting an external device Setting Midi Sync OUTMidi Synchronization Midi clock sync systemMixing down while syncing Midi sound sources MidiMTC sync/Machine Control system Mixing down while syncing the Midi sound sources Please read thisSync system in Slave mode Setting up the external deviceSetting the FD-8 Set the following items on the sequence softwareChecking the chase and lock operation RecordingSync system with adat by the slave mode Setup of adat masterSetting on the FD-8 slave Equipment connectionsOffset mode ABS Checking Chase LockUsing a Scsi drive as the current drive Saving and Loading Song DataOutline of the save/load operation Fostex D-5, Pioneer D-05 Saving/loading data using another Scsi drive Title of data to be saved to a backup Scsi diskInsert an unformatted disk into the backup drive Press the EXIT/NO key to exit Setup modeSave PGM ? menu Three backup disks are required Load PGM ? menuSaving/loading via a DAT or adat Saving song data via a DAT or adat Save DAT or adatUse the JOG dial to select the desired tracks Start recording on the DAT or adatUse the JOG dial to select a Program to save Loading song data via a DAT or adat TipsUse the JOG dial to select a Program into which to load data Start playing the DAT or adatSaving and loading song data via a Scsi drive Set the Selector in the monitor section to MONIf you wish to delete the existing data If you do not wish to delete the existing dataChanging the Initial Settings Setup Mode Selecting Setup modeSetting a time signature Sign. Set ? menu Storing a time signatureSelect a Program for which to set a time signature Clearing all time signature and tempo settings Modifying or deleting stored time signaturesRotate the JOG dial to enter the desired measure number MeasuresSetting a tempo Tempo Set ? menu Checking the stored tempo settingStoring a tempo value 100Setting the Metronome function Click ? menu Setting the Metronome function101 Repeat steps 3-5 to store necessary tempo dataSetting a preroll value Preroll ? menu Setting a preroll time102 Turn the JOG dial to select on or oFFSetting Midi sync output signal Sync Out ? menu Setting Midi sync signalTurn the JOG dial to select the desired Midi sync signal 103Setting an MTC frame rate Frame Rate ? menu Setting an MTC offset value Mtc Offset ? menuSetting an MTC frame rate 104Setting Offset mode Ofset Mode ? menu Setting an MTC offset105 Setting the Slave mode Slave Mode ? menu Setting MTC Offset modeTurning Slave mode on and off 106Setting the Slave type Slave Type ? menu Setting the Slave type external sync signal107 Setting the Record Protect function Rec Protect ? menu Recording enabled/disabledUse the JOG dial to enable or disable recording 108Setting digital input tracks Digi. In ? menu Setting digital input tracks109 JOG dial to specify a trackSetting digital output tracks Digi. Out ? menu Setting digital output tracks110 Setting BAR/BEAT resolution mode Resolu ? menu Setting BAR/BEAT resolution modeUse the JOG dial to turn the mode on or off 111Setting the Midi device number Device ID ? menu Setting the Midi device IDChecking the number of track events NOs Event ? menu 112Checking the number of track events 113Midi Implementation Chart 114Transmitted Recognized Remarks Command List Movement Recorder MMC Response/Information Field List Command115 Maintenance Specifications116 117 Block Diagram 118Index Fostex Corporation List of Scsi drive and media checked for function as of Aug
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Manual 28 pages 37.35 Kb

FD-8 specifications

The Fostex FD-8 is a revolutionary digital multitracker that has garnered significant attention since its release. Designed for musicians and audio professionals, the FD-8 offers a compelling combination of functionality, simplicity, and affordability, making it an ideal choice for both studio recordings and live performances.

One of the key features of the Fostex FD-8 is its 8-track simultaneous recording capability. This allows users to record multiple instruments or vocal parts at once, enabling more complex arrangements without the hassle of overdubbing. With a built-in 20-bit A/D converter, the FD-8 captures high-quality audio, ensuring that every nuance of a performance is faithfully reproduced.

In addition to its recording capabilities, the FD-8 boasts a range of editing features that make it easier to fine-tune performances. The onboard digital effects processor includes reverb, delay, and EQ settings, which can be applied in real-time, offering users a versatile toolkit for sound manipulation. This means that the FD-8 not only serves as a recording device but also as a powerful mixing console.

The FD-8 employs a user-friendly interface, with a large backlit LCD display that provides clear feedback on track levels and settings. Navigating through the device’s extensive features is simplified by an intuitive layout, making it accessible for both novice and experienced users. The inclusion of USB connectivity allows for easy data transfer, enabling users to back up their projects or move recordings to a computer for further editing.

Another noteworthy characteristic of the Fostex FD-8 is its compatibility with various media formats. It supports standard audio files, making it convenient for musicians to work with different file types. The ability to save work on standard CD-Rs or a removable storage device adds to the operational flexibility.

The robust build of the FD-8 is designed to endure the rigors of touring and live performances. Its compact size allows for easy transport, while the durable housing protects against wear and tear.

In essence, the Fostex FD-8 stands out as a remarkable digital multitracker that provides users with essential recording and editing features packed into a portable, user-friendly package. Its combination of quality, flexibility, and ease of use has made it a popular choice among audio professionals and hobbyists alike, securing its place as a staple in modern music production.