Chapter 4 The Effects Explained
■FL: Flanger
This produces a flanging effect that gives a sort of “twisting” character to the sound. Although it resembles the phaser effect, the flanger yields a colder, more metallic twisting effect.
Parameter | Value |
Rate | |
Depth | |
Manual | |
Resonance | |
Separation | |
Level |
Rate
This sets the rate of the flanging effect.
*When set to BPM, the value of each parameter is set according to the value of the Master BPM (p. 44) specified for each patch. This makes it easy to achieve effect sound settings that match the tempo of the song (synchronizing the cycle to
When setting to the BPM, press PARAMETER [ ] to display the Master BPM settings screen.
Depth
Adjusts the modulation depth. The twisting effect spreads out more as the value is increased.
Manual
Adjusts the center frequency for the flanger effect. The twisting effect occurs in a higher range of frequencies as the value is increased.
Resonance
Adjusts the resonance (the amount of feedback). Increasing the value emphasizes the effect, creating a more unusual sound.
Separation
Adjusts the amount of separation. Raising the value increases the separation between the left and right sides.
Level
Adjusts the volume.
■HRM: Harmonist
This effect adjusts the shift in pitch according to an analysis of the pitch of the bass input, allowing you to create harmonics based on Diatonic or user definable scales.
*Because of the need to analyze the pitch, chords (two or more sounds played simultaneously) cannot be played.
Parameter | Value |
Voice | |
Harmony | |
Pre Delay | 0 |
Feedback | |
Level | |
Key | |
Direct Level |
Voice
This selects the number of voices for the pitch shift sound (harmony).
2-Stereo:
Harm (Harmony)
This determines the pitch of the sound added to the input sound, when you are making a harmony. You can have this sound play up to 2 octaves higher or lower than the input sound.
When the scale is set to “Scale
The following shows the parameters that can be set for User scales.
User
DIR
EFF
“Creating Harmonist Scales (User Scale)” (p. 37)
PreDly (Pre Delay)
Adjusts the time from when the direct sound is played until the harmonist sounds are produced. Normally, you can leave this set at “0 ms.”
*When set to BPM, the value of each parameter is set according to the value of the Master BPM (p. 44) specified for each patch. This makes it easy to achieve effect sound settings that match the tempo of the song (synchronizing the cycle to
When setting to the BPM, press PARAMETER [ ] to display the Master BPM settings screen.
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