Behringer MDX2200 manual IKA characteristic of the compressor section

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COMPOSER PRO MDX2200

Output

 

 

 

Gain 0 dB

 

 

Threshold

 

 

 

 

 

 

 

 

 

Ratio 2:1

 

Hard Knee

 

Ratio 4:1

 

 

 

 

Limiter oo:1

 

 

IKA Curve

 

LED

green

yellow

red

Input

Fig. 4.2: IKA characteristic of the compressor section

The new IKA (Interactive Knee Adaptation) circuit prevents aggressive compression, created by high ratios, from sounding too unnatural. This is achieved with an interactive control function, which begins above the threshold level and introduces a “Soft Knee“ curve characteristic in the range up to 10 dB above the threshold point. Beyond this range, the signal is subjected to linear (“Hard Knee“) compression.

+With the threshold control completely turned to the right, the threshold value is +20 dB. Since such a value will not be reached in practice, you can use it to disable the compressor section and work exclu- sively with the expander/gate and limiter circuits.

4.3.1 Initial settings for the compressor section

Control

Setting

 

 

IN/OUT switch

IN

 

 

SC EXT switch

OUT

 

 

SC MON switch

OUT

 

 

INTERACTIVE switch

IN

 

 

SC FILTER switch

OUT

 

 

THRESHOLD control

+20 dB

 

 

RATIO control

3:1

 

 

AUTO switch

IN

 

 

OUTPUT control

0 dB

 

 

Tab. 4.2: Initial settings for the compressor section

Rotate the THRESHOLD control counterclockwise until an appropriate amount of gain reduction is indicated on the GAIN REDUCTION meter. This operation will be accompanied by an audible drop in output level. The OUTPUT control should now be turned clockwise to reinstate the output level. The level of the unprocessed and the processed signal can be compared by pressing the I/O METER switch and observing the INPUT/OUTPUT LEVEL meter.

Final adjustments of the controls can then be made to suit your particular requirements, including the RATIO, ATTACK and RELEASE controls. The AUTO function of the attack and release times, provides program dependent dynamic processing which suits most standard uses. If a “condensed“ or “wider“ sound processing

4. APPLICATIONS

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Contents Composer PRO Detailed Safety Instructions Safety InstructionsForeword Composer PRO Table of Contents Installation Introduction Design concept Before you beginExpander/gate section Control ElementsControl elements of the compressor section Compressor sectionControl elements of the peak limiter section Peak limiter sectionRear panel control elements of the Composer PRO Technical BackgroundNoise as a physical phenomenon Dynamic range capabilities of various devices What are audio dynamics?Expanders/noise-gates Compressors/limitersCompression/levelling/limiting/clipping ApplicationsIRC curve characteristic of the Expander Tab .1 Initial settings for the expander/gate section Compressor section IKA characteristic of the compressor section Peak limiter section Special Applications Tab .3 Initial settings for the peak limiter sectionComposer PRO as a protective device Protection of a system with a passive crossover Composer PRO in broadcastExternal Side Chain Applications Using an equalizer in the side chain pathSide chain function Anticipated compression Tab .1 Initial settings for the De-Esser functionsRack mounting InstallationVoice-over compression ducking Triggering additional sounds from a rhythm trackBalanced use of stereo 1/4 jack plugs Selecting the operating levelAudio Input SpecificationsFunction Switches SC Extern § 1 Warranty CARD/ONLINE Registration Warranty
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