Edirol R-44 manual Mix down withCakewalk, Beginning, we recommend recording with

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Application

2Editing Your Recordings to Create a CD or DVD

PRACTICAL GUIDE TO THE EDIROL R-44

Creating CDs

Have you ever wanted to have someone listen to your music that you recorded? If so, CDs are better than cassette tapes. A CD is more likely to get heard because CD players, and CD car stereos are really common. Once you learn how, making CDs is easy, so you should learn how to do it.

Making a CD

Transfer the sound file (WAV) on the SD card to a PC via a USB connection.

Mix down with“Cakewalk

Copy the mixed down data

SONAR7 Producer Edition.”

to a CD.

1

If you’ve recorded four channels simultaneously on the R-44, and want to create a CD from your recording, you’ll need to adjust the volume of the four channels and combine them into two-channel stereo data. This process is called “mixdown,” and will allow you to create a CD that sounds the way you want.

In this example, we provide a simple explanation of using the Windows software “Cakewalk SONAR7 Producer Edi- tion” (sold separately) to turn the four channels of data (STEREO x 2) recorded by the R-44 into two-channel stereo, and use this data to create a CD. (For details, refer to the owner’s manual or Help file of the software you’re using.)

1. Manipulate the screen to adjust the volume

2. Export the data.

of each channel.

The data format should be a WAV file at 16 bit/

 

44.1 kHz.

3. Write the exported data to a CD.

If you know that you are going to create a CD from

 

the beginning, we recommend recording with 16

 

bit/44.1 kHz on the R-44. Since this is the same as

 

the CD specifications, it will take just a short time to

 

convert the data.

 

16 bit/44.1 kHz

 

for CDs

Situation Practical Use Technique2 Applied Technique 3 Appendix

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Contents Practical Guide to the Edirol R-44 Linking to a PC Compact 4-channel RecorderObsession with Quality SD Card for Longer Recording TimesSituation Practical Use Technique SpecificationsMatching Aiming Recording Levels Microphones Record SettingsPreparing to Record Recording a Grand Piano Channel RecordingRecording Drums Situation Practical Technique2Acoustic Guitar VocalsElectric Guitar or Bass Synthesizer or OrganDrums When recording a solo performance, woodwinds likePiano Wind InstrumentsTechnique 3 Appendix Matching Positioning the R-44 Recording LevelsSetting Rec. Mode in Mono X 4 Input Select to Analog Connections and SettingsRecord the band performance in one shot with four channels Matching the recording levelsSituation Practical 1 Use Technique2 Applied Technique Matching Microphones Location Recording LevelsRecording Multiple Input Levels Simultaneously Recording the Performance and Audience SimultaneouslyRecording in a Small Hall Recording with Suspended MicrophonesRecording in a Large Hall Recording the AudienceRecording a Chorus Applied Matching Dealing with Recording Levels Wind NoiseRecording with Surround Sound Simultaneously recording birdsong using multiple microphonesPlay a Baseline Sound and then Record Recording SettingsSynching Video and Audio Beginning, we recommend recording with Mix down withCakewalkPractical Technique2 Channel Surround SoundConverting to 5.1 Channel Surround Sound Microphone Types Difference Between Sensitivity and VolumeMicrophone Directivity DR-80CST-100MB SpecificationsOptions