Edirol R-44 Difference Between Sensitivity and Volume, Microphone Types, Microphone Directivity

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Microphones /

Difference Between Sensitivity and Volume

PRACTICAL GUIDE TO THE EDIROL R-44

Microphones

Microphone Types

There are two main types of microphone structures. It is important to choose the microphone best suited for the recording situation. For example, a bass drum produces high sound pressure levels, so it’s best recorded using a dynamic microphones.

 

Type

 

 

Structure

Characteristic

Condenser

 

 

 

A voltage is applied to

Although sound quality is superior in

 

 

 

electrodes, and the change in

high-range attributes, it is susceptible

Microphone

CS-50

CS-15R

 

capacitance is converted to an

to vibration and moisture and requires

 

DR-80C

electronic signal

phantom power

 

(Stereo)

(Stereo)

 

 

 

 

 

 

 

Although sound quality is not as good

Dynamic

 

 

 

Converts vibrations to an

as a condenser microphone, it is

Microphone

 

 

 

electronic signal

resistant to vibrations and moisture

 

DR-50

 

DR-30

 

and does not require phantom power

 

 

 

 

 

 

 

 

 

 

Microphone Directivity

Different microphones can capture sounds in different directions.

You should try changing the directivity of the microphone according to the recording.

Type

Characteristic

Microphones that have no directivity. Convenient when recording the atmosphere in Omindirectional concert halls.

The built-in microphones of the R-44

Microphones that have good sensitivity toward sound from the front of the microphone.

Unidirectional Convenient to record only a specific sound.

CS-50 (Stereo), CS-15R (Stereo), DR-80C, DR-50, DR-30

These microphones have the highest sensitivity toward their front and rear.

Bi-directional They can also be used together with a unidirectional microphone in an MS configuration to produce a stereo signal.

Difference Between Sensitivity and Volume

Noise can be controlled by adjusting

Noise can be controlled by adjusting

sensitivity to the largest value

sensitivity to the largest value without

without distortion.

distortion.

SENS

 

 

 

INPUT

 

 

 

 

 

 

 

 

 

 

 

LIMITER

 

 

LEVEL

 

 

 

 

 

 

 

 

 

 

A/D

 

 

 

 

Lo-Cut

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

SENS

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

0010101001010110101

 

 

 

 

 

 

Analog Signal

 

 

 

 

 

Digital Signal

 

 

Situation Practical 1 Use Technique2 Applied Technique 3 Appendix

Set LEVEL to the center, and adjust using SENS

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Contents Practical Guide to the Edirol R-44 SD Card for Longer Recording Times Compact 4-channel RecorderLinking to a PC Obsession with QualitySituation Practical Use Technique SpecificationsPreparing to Record Record SettingsMatching Aiming Recording Levels Microphones Situation Practical Technique2 Channel RecordingRecording a Grand Piano Recording DrumsSynthesizer or Organ VocalsAcoustic Guitar Electric Guitar or BassWind Instruments When recording a solo performance, woodwinds likeDrums PianoTechnique 3 Appendix Matching Positioning the R-44 Recording LevelsMatching the recording levels Connections and SettingsSetting Rec. Mode in Mono X 4 Input Select to Analog Record the band performance in one shot with four channelsSituation Practical 1 Use Technique2 Applied Technique Matching Microphones Location Recording LevelsRecording Multiple Input Levels Simultaneously Recording the Performance and Audience SimultaneouslyRecording in a Small Hall Recording with Suspended MicrophonesRecording a Chorus Recording the AudienceRecording in a Large Hall Applied Matching Dealing with Recording Levels Wind NoiseRecording with Surround Sound Simultaneously recording birdsong using multiple microphonesSynching Video and Audio Recording SettingsPlay a Baseline Sound and then Record Beginning, we recommend recording with Mix down withCakewalkConverting to 5.1 Channel Surround Sound Channel Surround SoundPractical Technique2 DR-80C Difference Between Sensitivity and VolumeMicrophone Types Microphone DirectivityOptions SpecificationsST-100MB