Edirol manual Matching Positioning the R-44 Recording Levels, Technique 3 Appendix

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Situation

2Recording Band Performances

You can easily record band rehearsals using the R-44 internal microphones. Here, we describe several recording tips for using the internal microphones.

Situation Practical 1 Use Technique2 Applied

1 Preparing to Record

An external microphone is unnecessary because you are using the internal microphones.

Record Settings

We recommend the following settings for making a CD when recording with the internal microphones.

Input Select

IntMic

Sets the mode to record with the internal microphones

Rec Freq.

44.1 kHz

We recommend 44.1 kHz if you want to make a CD

Rec Bit

16 bit

 

Rec Mode

STEREO × 1 Setting to use one stereo system (2 channels) to record

Pre Recording

OFF

No need to set this

Project Name

Date

If you set the date, it is easy to know the recording date and time

For details on how to make recording settings, refer to the owner’s manual.

2

Matching

3 Positioning the R-44

the Recording Levels

Technique 3 Appendix

Before recording the band performance, consider the song structure and find the place in the song where the volume is the loudest. Adjust so that the R-44 level meter goes as high as possible but falls just short of the C (clip level) at maximum volume.

Volume is too loud if the

C (Clip Level) lights up

Sensitivity is too high if the channel name lights up

If the recording level is too low, the entire recording is done at the low volume. If it is too high, the recording can be distorted (popping noise or if even higher, the sound can be severely distorted).

For details on setting the input level, refer to the owner’s manual.

When rehearsing in a rehearsal studio, the instruments are often located throughout the room. You should position the R-44 in the middle of the studio to record the sound of each instrument equally. You should also place the microphone at about table-height. If the microphone is placed on the floor, the sound is muffled and unclear; if it is placed too high, you lose the bass range and the sound becomes tinny.

Drums

Place in

 

the middle

Bass Amp

Guitar Amp

PA Speaker for Vocals and Keyboard

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Contents Practical Guide to the Edirol R-44 Compact 4-channel Recorder Linking to a PCObsession with Quality SD Card for Longer Recording TimesSpecifications Situation Practical Use TechniqueMatching Aiming Recording Levels Microphones Record SettingsPreparing to Record Channel Recording Recording a Grand PianoRecording Drums Situation Practical Technique2Vocals Acoustic GuitarElectric Guitar or Bass Synthesizer or OrganWhen recording a solo performance, woodwinds like DrumsPiano Wind InstrumentsMatching Positioning the R-44 Recording Levels Technique 3 AppendixConnections and Settings Setting Rec. Mode in Mono X 4 Input Select to AnalogRecord the band performance in one shot with four channels Matching the recording levelsMatching Microphones Location Recording Levels Situation Practical 1 Use Technique2 Applied TechniqueRecording the Performance and Audience Simultaneously Recording Multiple Input Levels SimultaneouslyRecording with Suspended Microphones Recording in a Small HallRecording in a Large Hall Recording the AudienceRecording a Chorus Matching Dealing with Recording Levels Wind Noise AppliedSimultaneously recording birdsong using multiple microphones Recording with Surround SoundPlay a Baseline Sound and then Record Recording SettingsSynching Video and Audio Mix down withCakewalk Beginning, we recommend recording withPractical Technique2 Channel Surround SoundConverting to 5.1 Channel Surround Sound Difference Between Sensitivity and Volume Microphone TypesMicrophone Directivity DR-80CST-100MB SpecificationsOptions