Edirol R-44 Preparing to Record, Matching Aiming Recording Levels Microphones, Record Settings

Page 4

Situation

1Recording Acoustic Instruments

Situation Practical 1 Use Technique2 Applied

Using the R-44 allows you to realistically record a variety of instrumental performances.

We introduce several recording tips here.

1 Preparing to Record

• Connect two microphones (DR-80C) to the R-44.

Turn [PHANTOM] ON

It’s convenient to use a microphone stand.

Turn [PHANTOM] ON.

 

For details, refer to the owner’s manual.

Record Settings

We recommend the following settings for making a CD.

Input Select

Analog

Sets the mode to record with external microphones

Rec Freq.

44.1 kHz

We recommend 44.1 kHz if you want to make a CD

Rec Bit

16 bit

You can use 88.2 kHz for higher quality and perform accurate dithering to CD later

Rec Mode

STEREO × 1 Setting to use one stereo system (2 channels) to record

Pre Recording

OFF

No need to set this

Project Name

Date

If you set the date, it is easy to know the recording date and time

For details on how to make recording settings, refer to the owner’s manual.

 

Matching the

 

 

Aiming the

2

 

3

Recording Levels

 

Microphones

Technique 3

The first step in recording is to determine the input level by matching it to the loudest sound to record. Play the phrase that is the loudest so the R-44 level meter goes as high as possible, and then adjust the [SENS]/[LEVEL] input level knobs so that the R-44 level meter falls just short of the C (clip level) on the right when the maximum volume is reached.

The microphone records sounds for the right ear and left ear separately. So, it is important to directly face the person or instrument you are recording. Also, as you move closer to the sound source, you get a crisper sound; as you move away, you get a softer sound because you also record the room echoes.

Appendix

4

Volume is too loud if the

C (Clip Level) lights up

Sensitivity is too high if the channel name lights up

When the input level is too low, the dynamic feel of the sound is lost; when it is too high, the sound becomes distorted (pops and clicks and other noise occurs).

For details on setting the input level, refer to the owner’s manual.

Bright

Adjusting the

brightness

Soft

 

and softness

 

See “Instrument Recording Techniques” on p. 6 of this guide for how to record different instruments.

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Contents Practical Guide to the Edirol R-44 Compact 4-channel Recorder Linking to a PCObsession with Quality SD Card for Longer Recording TimesSpecifications Situation Practical Use TechniquePreparing to Record Record SettingsMatching Aiming Recording Levels Microphones Channel Recording Recording a Grand PianoRecording Drums Situation Practical Technique2Vocals Acoustic GuitarElectric Guitar or Bass Synthesizer or OrganWhen recording a solo performance, woodwinds like DrumsPiano Wind InstrumentsMatching Positioning the R-44 Recording Levels Technique 3 AppendixConnections and Settings Setting Rec. Mode in Mono X 4 Input Select to AnalogRecord the band performance in one shot with four channels Matching the recording levelsMatching Microphones Location Recording Levels Situation Practical 1 Use Technique2 Applied TechniqueRecording the Performance and Audience Simultaneously Recording Multiple Input Levels SimultaneouslyRecording with Suspended Microphones Recording in a Small HallRecording a Chorus Recording the AudienceRecording in a Large Hall Matching Dealing with Recording Levels Wind Noise AppliedSimultaneously recording birdsong using multiple microphones Recording with Surround SoundSynching Video and Audio Recording SettingsPlay a Baseline Sound and then Record Mix down withCakewalk Beginning, we recommend recording withConverting to 5.1 Channel Surround Sound Channel Surround SoundPractical Technique2 Difference Between Sensitivity and Volume Microphone TypesMicrophone Directivity DR-80COptions SpecificationsST-100MB