Alesis HR-16:B, MMT-8 ROM MrDt, Storingto Disk Using Midi Systemexclusivebulk Data Dump

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STORINGTO DISK USING MIDI SYSTEMEXCLUSIVEBULK DATA DUMP

The HR.16 send to MlDl function is orovided so lhat lh€ data can b€ slored on a computer,a YamahaMDF-1(MlDl FileQor a YamahaDX-7llFD. The data is senl out as one blockof systemexclusivedata,with the lengthbeingdeterminedby the amount of memoryb€ing us6d. No more than 507" of memoryshould be full when saving to a DX-7llFD or its buff€r will be filled. The HR-16 will aulomatically receive MlDl sysl€m sxclusive s€quence data from any of these devices without havingto select a specificpage. lf the systemexclusivedata slarls lo com€ in, the display will read:

ROM MrDt.......

This displaywill remainuntilthe data has be€n complelelyload€d,afterwhich th€ HR-16 will relurn to song 99. Not€ that any time the HR-l6 receiv€ssequence data from MlDl, any data previouslyin memorywill b€ lost.

SYNCING THE HR . 16 TO TAPE

llis possibleto syncthe HR-16 to a lap€ recorderwiththe helpot ths TAPEsYNC mode. Inthis mode,the HR-16 readsa masterclockpulsolrom a lrackof a tapefgcorder,which koepsallot lho sequEncers/drummachinespe.lecllyin timewiththe recordedinformation on the tapemachins.Thismothodhasthe advantageol eliminatingthe needlo printdrum

machineor synthesizsrpartson tape,sinceyoucan usethe mastarclockrecordedon tape (or"synclracK)to lriggerthedrummachineandsynthesizersviathe sequsncsr.

RECORDINGTHE SYNC TONE

Belorerecordingany audioinlormalionon lhe tape machine,you mustlay a "SyncTone' downon onetrackof thetapemachine.Thisis usuallydoneon an outsidelrack(track1 or

Ion an eighttrackmachine;lrack1 or 16 on a sixteentrackmachine;stc.)io keepthe crosstalkto a minimum.

1) Connectthe TAPEOUTjackof ths HR-16 to tho inputol the desiredtrackol the tape maching.

2) Press PLAY on tho HB-16,then adjustlhs level of lhe track so that il reads '0VU".

approximatsly

3l Youmust selor￿ta tempolot the songon theHR-16at thistime as it cannoabe changed later.

4)Beginrecordingon ths tapemachins.

5)PressPLAYon the HR-l6. Allowthe HR-l6 to playthroughits entirosongbefors

stoppingthe recording.Whenthe songhasended,stoplhe rscordingand rewindlhe taps machine. Youare nowr€adyto triggerlhe HR-16fromthe syncton6thatyoujust rscorded.

N O T E S :

A) Thereis no TAPESYNCOUTswitdt as thisis alwaysadive,

AlesisHR-l6 Instructims

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Contents InstructionManual Pleasereadthis Concerningthe backupmemoryof the HR-16and MMT-8Stepeditmode START/STOPF@TSWITCHSchGh/bDE SONGEDrr CoPY ZuTTONDYNAMCS E E E E Spot Erasing Please Note These Features ProgramchangethroughmidiT R O D U C T I O N Song Change ThroughmidiHR.16QUICKBASICSETUP Pattern Mode LENGTHOO8BEATS N G T HPattoo LENGTH1 Beats A N T I Z E Length BeatsA S E Perc 1 Volume Step Edit ModeKick Song ModePatt Song EditSTEPO1TEM Step PATT27Songerased Frompatt CLS HAT ? CopyCopy Complete InpatternToomanysteps Copyfrompatt Clshat IOMComplete COPYFROI\,ISONG 01TO SongTOM OffsetO0/384rh Offset1ts Oo-241t12 Kick PAD = MODE/ Data EntrybuttonsTEMPO= TempoPerminute Receivemidi Drums Midi / UtilMidi Channel CHANNEL01AlesisHR 16Instructions Pa $ = O VoiceCLICKOUTPUT1 Tune= L ClickChannel 0r sETMidi Note Assignment DrumnotesTransmit Midi Drums Transmitmidi DrumiotesClocksource TomidiotjtMidi Echo Midi ProgramchangeReceive OutenableManual TUNE/MIX EnableClick Value Click in PlayPATT00 P ESongloop EI.IABLEMidi TapePATT00 Patt SONG00 Recordingthe Sync Tone Storingto Disk Using Midi Systemexclusivebulk Data DumpROM MrDt Syncing the HR to TapeUsing the HR AS a Sound Source START/STOPFOOTSWITCHTo Clock the HR.16 Froii Tape Sync HoldingRECORDandpressingLENGTHcausesthefollowingdisplay RemainingmemoryClearing Memory Haiinel HR-16MIDIIMPLEMENTATIONCHARTYES Whattodo HR.16 TroubleshootingchartSymptom WhatsprobablywrongErase SffiffiffiY-1 Andnote PressurePp.rirrry Audioout MMT.8 Ouick Basic SetupD II N fllDl ouT MlDlOUTto otherMlDlInstruments Midiout lDlTHRUt0 otherlllDl Instruments Part Part ModeFast Forward PlayingpartFewind Part Coun HIX3il*tBeats Lengthooobeats A S EErasinga Part Partoo LENGTH1 BeatsPage 01TO Part P YFROM01TO Lhruchannel16I T 01TOSONGChanoi 400CHAN01 126 125 01TO Song Chan 111? 1127CHAN01 121127CHAN01 Ut/ous 126 122 STEPOO1PART Song ModeInsertpart PARI27 BEATOO1 M E R G EO P D I E C H OAlesisMMT-glnstruclions Al€sis MMT-8Inslructions Minute A N S P O S EM P O SemitonesInternal O C KMID Filter Bend Touch Trollers Change YstemexclqffI C K P E RecordclickPART00 Storingto Disk Using Mioi Systemexclusivedata DumpRecohding the Sync Tone Syncing the MMT.8 to TapeRemainingmemory 1 0 Start / Stop FootswitchE a R I N G M E M O R Y Partmode AutolocateYstemexclusive MMT-8MIDIIMPLEMENTATIONCHARTYelocity PitchbenderSymptom MMT-8TROUBLESHOOTINGCHARTWhatsprobablywbong Whattodo Alesslimited Wabranty OnlyifyousendinyoubwarrantycardAlesis
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HR-16:B, HR-16, MMT-8 specifications

The Alesis MMT-8 is a powerful MIDI sequencer that made waves in the late 1980s and continues to be a favored tool for musicians and producers seeking a reliable means to create and control MIDI sequences. Known for its user-friendly interface and robust feature set, the MMT-8 allows users to compose, edit, and play back complex musical arrangements with relative ease.

One of the standout features of the MMT-8 is its 8-track sequencing capability, enabling musicians to sequence multiple MIDI instruments simultaneously. Each track can hold up to 99 phrases, allowing for a high degree of musical flexibility. The MMT-8 supports up to 16 MIDI channels, making it an ideal choice for composing intricate arrangements that involve a variety of sound sources.

The unit boasts a straightforward, intuitive interface that is designed to streamline the workflow. With a dedicated LCD screen and an array of buttons, users can navigate through the various functions with ease. The MMT-8 features real-time and step-time recording modes, providing options for different styles of input, whether one prefers to perform live or program sequences note-by-note.

In terms of sound manipulation, the MMT-8 includes advanced editing capabilities such as quantization, transposition, and velocity adjustments. These features allow musicians to refine their compositions and achieve a polished sound. Additionally, the sequencer supports note durations, triplets, and tuplets, which gives users even more control over timing and rhythm.

Another notable technology of the MMT-8 is its ability to sync with other MIDI devices. It supports MIDI Clock and Song Position Pointer, ensuring tight synchronization when being used in conjunction with other gear. Users can also take advantage of its extensive MIDI data transmission capabilities, which enable seamless interaction between the MMT-8 and external synthesizers, drum machines, and sound modules.

The Alesis MMT-8 has a built-in memory that allows for expansive storage capabilities, with the option to save and recall sequences easily. Users can store up to 40,000 notes and can manage multiple projects without worrying about running out of space. Additionally, the sequencer has a battery backup feature to safeguard data integrity.

In summary, the Alesis MMT-8 is a classic MIDI sequencer that combines powerful features, user-friendly interface, and solid reliability. Its 8-track sequencing capabilities, real-time and step-time recording options, and advanced editing functions make it a valuable tool for both novice and professional musicians looking to expand their creative horizons. Whether for studio work or live performances, the MMT-8 continues to be a respected choice in the landscape of MIDI sequencing technology.