Alesis MMT-8, HR-16:B Start/Stopfootswitch, To Clock the HR.16 Froii Tape Sync

Page 32

B)Kgep the Syncsignal at abut OVIJin oder to avoid dtopouts. fi the HR-16does not see the sync tone lor 1,/2seand, it will assume that the sy;c tone hasenAedana iti go into STOPmode.

p, tt m.s-shU,do tnt .useany noisereductbn , Ee, or signalprocessingon the sync tone. u) Avotdrccgrcilngh'gheneryy,hoh-lrequencytrad<snext to thesync track.

TO CLOCK THE HR.16 FROII TAPE SYNC

lf ot rhetrackof thetaps machinelhat hasthe synctonoto rheTAPE J.l.qnnegt -e_oytput

lNiackofrheHR-l6.

2) Pressandholdthe CLOCKbunon.Thedisplaywillread:

&

3)Usethe keypador + and- buttonsto selsctTAPESYNClN. Thedisplaywiilread:

4)Put the tape machineinto PLAY. The HR-16will automaticallystari as soon as it receiveslhs synctone,causingany olherssquencersconnectedto it lo play. Be carcfut to retum to thp bellinningol the sync tone sincetheHR-l6 will automatballybgin playing any time thatit receivesthesync tone.

USING THE HR . 16 AS A SOUND SOURCE

llis possibl€to triggerthe HR-l6 trom an €xternalcontrollersuch as a sequencor, keyboard,or drumpadcontrollerthroughMlDl.TheHR-16buihin sequencerremainsidle whilsths sxlsrnalcontollsrtriggsrslhe voices,Besursto activateMlDl/ UTIL#2 RECEIVE MlDlDRUMSON. lf thisis s€tto OFF,itwillnotbe possibletotriggerany voicesonthe HR- 16 lromthe controller.

MlDl programchangecommandssentlo the HR-l6 can accesspatterns.MlDt/UTIL#6 MlDl PROGRAMPATTSELECTmustbe set to ON to ac,tivatethislunction. Thisfsature wasdesignedto giveexternalMlDlcontrollersaccossto dittersntsoundsElupsstoredin anyot the 100 availablepatterns.

IMPORTANT NOTE: VOICE, TUNE, AND MIX ASSICNMENTS CANNOT BE STORED IN AN EMPTV PATTERN U'VLESSTHE LENGTH HAS BEEN CHANGED TO A LENGTH OTHER THAN 8 BEATS.

START/STOPFOOTSWITCH

The START/STOPfoolswitchjack is providedfor a momentarynormallyopen foolswitchlhat conn€ctsth6 jack'stip lo its sleev€ (ground). While in stop, the footswitch will function like the play button and slart a pattern or song from the b€ginning. While in play, tho footswitch acts like th6 stop button, and stops playing .

PagB 26

Page 31 Page 33
Image 32
Page 31 Page 33
Contents InstructionManual Concerningthe backupmemoryof the HR-16and MMT-8 PleasereadthisSchGh/bDE SONGEDrr CoPY ZuTTONDYNAMCS START/STOPF@TSWITCHStepeditmode E E E E Please Note These Features Programchangethroughmidi T R O D U C T I O NSong Change Throughmidi Spot ErasingHR.16QUICKBASICSETUP Pattern Mode Pattoo LENGTH1 Beats N G T HLENGTHOO8BEATS A S E Length BeatsA N T I Z E Step Edit Mode Perc 1 VolumeSong Mode KickSTEPO1TEM Song EditPatt Songerased PATT27Step Copy Copy CompleteInpattern Frompatt CLS HAT ?Copyfrompatt Clshat IOM CompleteCOPYFROI\,ISONG 01TO Song ToomanystepsOffset O0/384rhOffset TOM1t12 Oo-241ts MODE/ Data Entrybuttons Kick PAD =Perminute TempoTEMPO= Midi / Util Midi ChannelCHANNEL01 Receivemidi DrumsAlesisHR 16Instructions Pa $ Voice = OTune = LClick CLICKOUTPUT10r sET ChannelDrumnotes Transmit Midi DrumsTransmitmidi Drumiotes Midi Note AssignmentTomidiotjt Midi EchoMidi Programchange ClocksourceOutenable ReceiveEnable Click ValueClick in Play Manual TUNE/MIXP E SongloopEI.IABLE PATT00PATT00 Patt SONG00 TapeMidi Storingto Disk Using Midi Systemexclusivebulk Data Dump ROM MrDtSyncing the HR to Tape Recordingthe Sync ToneTo Clock the HR.16 Froii Tape Sync START/STOPFOOTSWITCHUsing the HR AS a Sound Source Clearing Memory RemainingmemoryHoldingRECORDandpressingLENGTHcausesthefollowingdisplay YES HR-16MIDIIMPLEMENTATIONCHARTHaiinel HR.16 Troubleshootingchart SymptomWhatsprobablywrong WhattodoErase SffiffiffiY-1 Pp.rirrry PressureAndnote D II N fllDl ouT MMT.8 Ouick Basic SetupAudioout MlDlOUTto otherMlDlInstruments Midiout lDlTHRUt0 otherlllDl Instruments Part Mode PartFewind PlayingpartFast Forward Beats HIX3il*tPart Coun A S E Erasinga PartPartoo LENGTH1 Beats LengthooobeatsPage P Y 01TO PartLhruchannel16 FROM01TO01TOSONG I T400 ChanoiCHAN01 126 125 01TO Song Chan 111? 1127CHAN01 121127CHAN01 Ut/ous 126 122 Insertpart Song ModeSTEPOO1PART PARI27 BEATOO1 R G E O PD I E C H O M EAlesisMMT-glnstruclions Al€sis MMT-8Inslructions A N S P O S E M P OSemitones MinuteO C K MID FilterBend Touch Trollers Change Ystemexclqff InternalI C K Recordclick P EStoringto Disk Using Mioi Systemexclusivedata Dump PART00Syncing the MMT.8 to Tape Recohding the Sync ToneE a R I N G M E M O R Y Start / Stop FootswitchRemainingmemory 1 0 Autolocate PartmodeMMT-8MIDIIMPLEMENTATIONCHART YelocityPitchbender YstemexclusiveWhatsprobablywbong Whattodo MMT-8TROUBLESHOOTINGCHARTSymptom Alesis OnlyifyousendinyoubwarrantycardAlesslimited Wabranty
Related manuals
Manual 44 pages 21.44 Kb

HR-16:B, HR-16, MMT-8 specifications

The Alesis MMT-8 is a powerful MIDI sequencer that made waves in the late 1980s and continues to be a favored tool for musicians and producers seeking a reliable means to create and control MIDI sequences. Known for its user-friendly interface and robust feature set, the MMT-8 allows users to compose, edit, and play back complex musical arrangements with relative ease.

One of the standout features of the MMT-8 is its 8-track sequencing capability, enabling musicians to sequence multiple MIDI instruments simultaneously. Each track can hold up to 99 phrases, allowing for a high degree of musical flexibility. The MMT-8 supports up to 16 MIDI channels, making it an ideal choice for composing intricate arrangements that involve a variety of sound sources.

The unit boasts a straightforward, intuitive interface that is designed to streamline the workflow. With a dedicated LCD screen and an array of buttons, users can navigate through the various functions with ease. The MMT-8 features real-time and step-time recording modes, providing options for different styles of input, whether one prefers to perform live or program sequences note-by-note.

In terms of sound manipulation, the MMT-8 includes advanced editing capabilities such as quantization, transposition, and velocity adjustments. These features allow musicians to refine their compositions and achieve a polished sound. Additionally, the sequencer supports note durations, triplets, and tuplets, which gives users even more control over timing and rhythm.

Another notable technology of the MMT-8 is its ability to sync with other MIDI devices. It supports MIDI Clock and Song Position Pointer, ensuring tight synchronization when being used in conjunction with other gear. Users can also take advantage of its extensive MIDI data transmission capabilities, which enable seamless interaction between the MMT-8 and external synthesizers, drum machines, and sound modules.

The Alesis MMT-8 has a built-in memory that allows for expansive storage capabilities, with the option to save and recall sequences easily. Users can store up to 40,000 notes and can manage multiple projects without worrying about running out of space. Additionally, the sequencer has a battery backup feature to safeguard data integrity.

In summary, the Alesis MMT-8 is a classic MIDI sequencer that combines powerful features, user-friendly interface, and solid reliability. Its 8-track sequencing capabilities, real-time and step-time recording options, and advanced editing functions make it a valuable tool for both novice and professional musicians looking to expand their creative horizons. Whether for studio work or live performances, the MMT-8 continues to be a respected choice in the landscape of MIDI sequencing technology.
Top Page Image Contents