Syncing the MMT.8 to Tape, Recohding the Sync Tone

data will be 1oo largs for the MlDl f iler'sbuffer. No more than 257" ot memory should be lull when saving lo a DX-7llFD or its buffsr will b€ lillsd as well. The MMT-8 will automatically receivs MlDl system exclusivesequence data trom any of these devices without havingto select a spscific pags. lf the system exclusive data starts to come in, the display will read:

This display will remain until the data has bsen completelyloaded, atterwhichthe MMT-8 will return to song 99. Note that any time the MMT-8 receivessequence data from MlDl, any data previously in memory will be lost.

SYNCING THE MMT.8 TO TAPE

It is possible to sync lhe MMT-8 to a tape recorder with rhe help of the TAPE SYNG mode. In lhis mode, the MMT-8 reads a master clock pulselrom a track of a lape recorder,which keeps all ol the sequoncers/drummachinesperfecllyin time with the recordedinlormation on lhe tapa machine. This method has the advantagsof eliminatingthe need to printdrum machins or synlhesizerpartson tape, since you can use the masterclock recordedon tape (or "sync track")to triggerthe drum machineand synthesizersvia the sequencer.

RECOHDING THE SYNC TONE

Belore recording any audio informationon ths tape machine,you must lay a ,,SyncTone" down on one track ot lhe lape machine. This is usuallydone on an outsidetrack (track 1 or

8on an oight track machine: track 1 or 16 on a sixteen track machine; etc.) to keep the crosslalk to a minimum.

1) Connsct the TAPE OUT jack of lhe MMT-8 to tha input of rhe desired track of the tape macntne.

2)Prsss PLAY on the MMT-8, th6n adjust thE level ol tho track so lhat it reads approximatoly"0VU".

3l You must select a tempo for the song on the MMT-8 at this time as it cannot be changed later.

4)Begin recordingon the tape machins.

5)Press PLAY on the MMT-8. Allow the MMT-8 to play through its entire song before stopping the recording. When the song has ended, stop the recording and rewind the tape machine. You are now ready to trigger lhe MMT-8 lrom the sync tone that you just recorded.

N O T E S :

A)There is no TAPE SYNC OUT switch as this is always aaive.

B)Keep the Sync signal at about jVU in order to avoid dropouts. lf the MMT-B does not

see the sync tone lor 1/2 sennd, it will assume that the sync tone has ended and will go into STOP mode.

C)lf possible, do not use any noise reduction , EQ, or signal procxsing on the sync tone.

D)Avoid rccording high energy, high-trequency tracks next to the sync track.

TO CLOCK THE MMT.8 FROM TAPE SYNC

1) Connecl the output of the track of the tape machinethat has the sync tone to the TAPE lN iack ol the MMT-8.

AlesisMMT-8lnstructions

Paqe 27

HR-16:B, HR-16, MMT-8 specifications

The Alesis MMT-8 is a powerful MIDI sequencer that made waves in the late 1980s and continues to be a favored tool for musicians and producers seeking a reliable means to create and control MIDI sequences. Known for its user-friendly interface and robust feature set, the MMT-8 allows users to compose, edit, and play back complex musical arrangements with relative ease.

One of the standout features of the MMT-8 is its 8-track sequencing capability, enabling musicians to sequence multiple MIDI instruments simultaneously. Each track can hold up to 99 phrases, allowing for a high degree of musical flexibility. The MMT-8 supports up to 16 MIDI channels, making it an ideal choice for composing intricate arrangements that involve a variety of sound sources.

The unit boasts a straightforward, intuitive interface that is designed to streamline the workflow. With a dedicated LCD screen and an array of buttons, users can navigate through the various functions with ease. The MMT-8 features real-time and step-time recording modes, providing options for different styles of input, whether one prefers to perform live or program sequences note-by-note.

In terms of sound manipulation, the MMT-8 includes advanced editing capabilities such as quantization, transposition, and velocity adjustments. These features allow musicians to refine their compositions and achieve a polished sound. Additionally, the sequencer supports note durations, triplets, and tuplets, which gives users even more control over timing and rhythm.

Another notable technology of the MMT-8 is its ability to sync with other MIDI devices. It supports MIDI Clock and Song Position Pointer, ensuring tight synchronization when being used in conjunction with other gear. Users can also take advantage of its extensive MIDI data transmission capabilities, which enable seamless interaction between the MMT-8 and external synthesizers, drum machines, and sound modules.

The Alesis MMT-8 has a built-in memory that allows for expansive storage capabilities, with the option to save and recall sequences easily. Users can store up to 40,000 notes and can manage multiple projects without worrying about running out of space. Additionally, the sequencer has a battery backup feature to safeguard data integrity.

In summary, the Alesis MMT-8 is a classic MIDI sequencer that combines powerful features, user-friendly interface, and solid reliability. Its 8-track sequencing capabilities, real-time and step-time recording options, and advanced editing functions make it a valuable tool for both novice and professional musicians looking to expand their creative horizons. Whether for studio work or live performances, the MMT-8 continues to be a respected choice in the landscape of MIDI sequencing technology.