Elmer's Glass Kiln manual Preparing the Copper, Decorating the Copper

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Enameling on Metal

Preparing the Copper

Enamels come in transparent or opaque. They can be purchased directly from Thompson Enamel, P.O. Box 310, Newport, Kentucky 41072. Their Lead Free Enamels come ready to use. No enamel washing is required for these enam- els.

Start with one of the many pre-shaped copper forms avail- able, or shape and trim the copper to your own design.

1Heat the copper on an enameling rack to about 1400°F/760°C to burn off oil or grease. Heat the copper to just until smoke from oil or grease stops coming off the metal and its color has changed to a purple-red-pale green iridescence that moves across the copper. This indicates that the grease has vaporized. Do not fire the copper any longer than this point. Otherwise excess fire scale will form, making the next cleaning step difficult.

2After the copper cools, brush any loose scale from the copper. Use a brush or paper towel, being sure that you do not put any grease or oil onto the copper,

such as fingerprints. Clean the copper with a 3M Scotch-Brite® pad. This pad does such a good job that in most cases no further cleaning will be re- quired. Additional copper cleaning products are available in the Thompson Enamel Catalog, includ- ing Sparex No. 2.

It is best to clean the copper just before you decorate it. If you wait too long to decorate after cleaning, the copper could get dirty again.

Decorating the Copper

Counter Enameling

Most enameled pieces should be counter enameled on the back side. This gives the piece a much more finished look, it eliminates a great deal of fire-scale cleaning, and it controls the chipping and cracking that can result from the different rates of expansion and contraction in copper and enamel after the enamel has been fired.

Counter or backing enamel, a mixture that gives a mot- tled effect, can be used for counter enameling. Or you can use regular enamel. Counter enamel is applied by the sifting method described below.

When firing counter enamel, underfire it so that the fire scale on the front of the piece isn’t too difficult to remove. You can purchase a masking preparation from your supplier to help prevent fire scale. You must place the piece on a stilt when firing the other (front) side of the piece. The stilt pre- vents the back of the counter enameled piece from sticking to the enameling rack.

Applying Enamels

Apply enamel over a clean sheet of paper so you can pour the excess back into the bottle for reuse. Transparent enam- els should be applied in several thin coats. Transparent enamels can be mixed with fairly good results. If opaque enamels are mixed, however, a grainy effect results. The two basic methods of applying enamels are sifting and spatula.

Sifting Enamel

Spray or brush Thompson holding agent onto the copper. Then sift a 1/32” layer of enamel onto the copper. Use a #60 mesh sifter. If the coat is too thin, you can easily add another coat after firing. But a coat that is too thick will bubble and crack. The enamel must dry completely before firing.

Spatula or Inlaid Method

You can use this method to decorate a small area with many different colors. Using a diluted solution of Thompson holding agent, dampen the enamels just to the saturation point, and maintain this moisture while working with the enamels. Apply the enamels onto the copper with a small spatula, and spread them out with a spreader to a coat of about 1/32” thick. Lines of contact can be formed by the spatula blade. Then spray the enamels with the holding

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Contents Page Contents IntroductionSafety Important Safety RulesSetting Up the Kiln Electrical InstallationWhere to Locate the Kiln Transporting the KilnAccessories Basic OperationImportant Guidelines Loading the Kiln Optional Glass View PortPlace Ware on a Protective Shelf Applying Glass Separator or Kiln WashUsing Ceramic Fireclay Posts Silver & Gold ClayVenting the Kiln Drying TimeRate, Temperature, Hold Cooling TimeGlass Fusing & Slumping How to Cut GlassFusing Compatibility Test Annealing RangeCleaning Gluing the Glass Firing the GlassPreparing the Copper Decorating the CopperCeramic Overglaze Firing EnamelPyrometric Cones Loading and Firing OverglazeLost Wax Burnout OverviewSample Program ConeFiring Mistakes Burnout InstructionsSilver Clay GlassCeramic Overglaze Kiln Maintenance Trouble-ShooterKiln Repairs Replacing the Thermocouple Replacing a Relay or TransformerReplacing the Temperature Controller Replacing the Firing Chamber