MartinLogan Summit X user manual Controls and Connection

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drum or a pipe organ). When adjusting the 25Hz and 50Hz levels we recommend doing so with two or three people—one located at the listening position and one or two people at the controls.

1Start with the 25Hz and 50Hz level knobs set to 0dB. The person at the listening position needs to become familiar with the sound at this setting. Remember, only the person in the listening position should judge the bass integration. Nodes and nulls change dramatically throughout every location in a room. A person adjust- ing the controls on the speaker will experience an entirely different bass performance than a person sit- ting in the listening position.

2Adjust the 25Hz level knob by +10dB. In most cases the bass will sound boomy and unnatural. Return the setting to 0dB and listen to the speaker again for a moment. Next, adjust the 25Hz knob by –10dB. In most cases the bass will sound thin. Return the setting to 0dB and listen again for a moment.

Now you have an idea of the control you have over the 25Hz output. If you feel the bass is too boomy at 0dB, adjust towards the negative settings. If it is to thin at 0dB, adjust toward the positive settings. Repeat this procedure using increasingly smaller amounts (8dB, 6dB, 4dB, etc.) until you find a setting where the low bass sounds balanced—remember to return the knob to 0dB and listen for a moment between each adjustment. Once you’ve found the best sounding setting for your room, make a note of the set- ting.

3Repeat step 2 to adjust the 50Hz level knob

4Setting one level may effect enough change that the other is no longer ideal. Once you have determined and noted the settings for both knobs repeat this pro- cedure with finer adjustments around the points you’ve already chosen.

Remember—due to the unpredictabililty of every lis- tening room, experimentation is essential when setting up a loudspeaker. It may take several attempts to find a combination of control settings, speaker positions, and listening position that is ideal for you and your listening preferences. If you still hear anomalies, you may need to

experiment with speaker placement or the location of the listening position—sometimes even the subtlest adjust- ments will make huge changes!

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Contents M m i t tm 25Hz Setting 50Hz SettingSerial Numbers Page Contents Installation in Brief Installation in Brief Introduction IntroductionControls and Connections Controls and ConnectionsSignal Connection AC Power ConnectionBreak-In 25 & 50 Hz Level ControlsControls and Connection Listening Position Placement and Room AcousticsWall Behind the Listener Wall Behind the SpeakersFinal Placement PlacementExperimentation Enjoy Yourself Extra TweakYour Room TerminologyDipolar Speakers and Your Room Rules of ThumbSolid Footing Room AcousticsSpike installation Controlled Horizontal Dispersion Dispersion InteractionsControlled Vertical Dispersion Three Major Types of DispersionFront Left and Front Right Home TheaterCenter Channel Home TheaterElectrostatic Advantages Electrostatic AdvantagesFull Range Operation MartinLogan Exclusives Electrostatic history Acoustic gramophone was destined to become obsoleteElectrostatic History Electrostatic History Frequently Asked Questions Frequently Asked QuestionsFrequently Asked Questions Troubleshooting TroubleshootingWarranty and Registration SpecificationsService General InformationDimensional Drawings Dimensional DrawingsGlossary of Audio Terms Resistor.. a device used in a circuit to provide resistance