MartinLogan Summit X user manual Full Range Operation

Page 18

Full Range Operation

Another significant advantage of MartinLogan’s exclusive transducer technology reveals itself when you look at exam- ples of other loudspeaker products on the market today.

The Summit X uses no crossover networks above 270 Hz because they are not needed. The Summit X consists of a single, seamless electrostatic membrane reproducing all frequencies above 270 Hz simultaneously. How is this possible?

First we must understand that music is not composed of separate high, mid and low frequency pieces. In fact, music is comprised of a single complex waveform with all frequencies interacting simultaneously.

The electrostatic transducer of the Summit X essential- ly acts as an exact opposite of the microphones used to record the original event. A microphone, which is a single working element, transforms acoustic energy into an elec- trical signal that can be amplified or preserved by some type of storage media. The Summit X’s electrostatic trans- ducer transforms electrical energy from your amplifier back into acoustical energy.

Due to the limitations of electromagnetic drivers, no single unit can reproduce the full range of frequencies. Instead,

these drivers must be designed to operate within a nar- row, fixed bandwidth of the frequency range, and then combined electrically so that the sum of the parts equals the total signal. While nice in theory, we must deal with real-world conditions.

In order to use multiple drivers, a crossover network is enlisted to attempt a division of the complex musical signal into the separate pieces (usually highs, mids, and lows) that each specific driver was designed to handle. Unfortunately, due to the phase relationships that occur within all crossover networks and during the acoustical recombination process, nonlinearities and severe deg- radation of the music signal take place in the ear’s most critical zone (see figure 14).

The Summit X’s electrostatic transducer can single-handed- ly reproduce all frequencies above 270 Hz simultaneously. You have in one transducer the ability to handle in elegant simplicity the critical frequencies above 270 Hz.

The crossover phase aberrations that are associated with traditional tweeter, midrange, and woofer systems are eliminated. The result is a dramatic improvement in imag- ing and staging performance due to the minutely accurate phase relationship of the full-range panel wave launch.

Figure 14.. This diagram illustrates how a conventional speaker system must use multiple crossover networks that have negative effects on the musical performance.

18 Electrostatic Advantages

Image 18
Contents M m i t tm 25Hz Setting 50Hz SettingSerial Numbers Page Contents Installation in Brief Installation in BriefIntroduction IntroductionControls and Connections Controls and ConnectionsBreak-In AC Power ConnectionSignal Connection 25 & 50 Hz Level ControlsControls and Connection Wall Behind the Listener Placement and Room AcousticsListening Position Wall Behind the SpeakersFinal Placement PlacementExperimentation Your Room Extra TweakEnjoy Yourself TerminologySolid Footing Rules of ThumbDipolar Speakers and Your Room Room AcousticsSpike installation Controlled Vertical Dispersion Dispersion InteractionsControlled Horizontal Dispersion Three Major Types of DispersionCenter Channel Home TheaterFront Left and Front Right Home TheaterElectrostatic Advantages Electrostatic AdvantagesFull Range Operation MartinLogan Exclusives Electrostatic history Acoustic gramophone was destined to become obsoleteElectrostatic History Electrostatic History Frequently Asked Questions Frequently Asked QuestionsFrequently Asked Questions Troubleshooting TroubleshootingService SpecificationsWarranty and Registration General InformationDimensional Drawings Dimensional DrawingsGlossary of Audio Terms Resistor.. a device used in a circuit to provide resistance