DigiTech Explore Features and Controls of the Portable Speaker Model RP300A

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Whammy (no Dry Signal)

Harmony Bends (Dry Signal Added)

1OCTUP (1 octave above)

M3>MA3 (a minor third to a Major third)

2OCTUP (2 octaves above)

2NDMA3 (a second above to a Major third

2NDDWN (a second below)

above)

REV2ND (a second below reversed pedal

3RD4TH (a third above to a fourth above)

action)

4TH5TH (a fourth above to a fifth above)

4THDWN (a fourth below)

5THOCT (a fifth above to an octave above)

1OCTDN (an octave below)

HOCTUP (one octave above)

2OCTDN (2 octaves below)

HOCTDN (one octave down)

DIVBOM (Dive Bomb)

 

Mod Level - The Number 5 Knob adjusts the volume of the Whammy™. Ranges from 0 to 99.

The Number 3 and 4 knobs have no function when the Whammy™ is selected.

Delay

Delay is an effect that will record a portion of the incoming signal, and then play it back a short time later. The recording can repeat just once, several times, or infinitely (which turns off the input to the Delay and allows you to play over the top of a passage in the Delay loop). Delay On/Off - The Number 1 Knob turns the Delay on (ON) and off (OF).

Delay Type - The Number 2 Knob selects one of the 3 different types of Delay. Values include: DIGTAL (Digital Delay), ANALOG (Analog Delay), P PONG (Ping Pong Delay).

Delay Time - The Number 3 Knob adjusts the amount of Delay time. Ranges from 10 MS through 990 MS (10 through 990 ms in 10 ms increments), and 1.0 SEC through 2.0 SEC (1 second through 2 seconds in 100 ms increments).

Feedback - The Number 4 Knob adjusts the number of times the delayed signal will repeat. Ranges from 1 to 99 and RHOLD (infinite repeat).

Delay Level - The Number 5 Knob adjusts the volume of the Delay signal. Ranges from 0 to 99.

Reverb

Reverb can give the listener a sense that the material is being performed in various acoustical environments. It can provide the tight acoustics of a small room, or the ambience of huge arena.

Reverb Type - The Number 1 Knob selects the Type of Reverb or acoustic environment. The RP300A provides your choice of ten different environments including:

REV

OF = Reverb Off

PLATE

= Plate

GARAGE

= Parking Garage

STUDIO = Studio

HALL = Hall

ARENA = Arena

ROOM

= Wood Room

AMPTHE

= Amplitheater

SPRING

= Spring

CLUB

= Club

CHURCH

= Church

 

 

PreDelay - The Number 2 Knob adjusts the amount of time it takes for the initial sound to reach the first reflective surface in the simulated environment. Ranges from 0 to 15.

Decay - The Number 3 Knob adjusts the length of time the Reverb is audible. Ranges from

1to 99.

Damping - The Number 4 Knob controls the amount of sound which is absorbed in the simulated environment. Ranges from 0 to 99.

Reverb Level - The Number 5 Knob adjusts the volume of the Reverb. Ranges from 0 to 99.

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Contents User’s Guide Important Safety Information Declaration of Conformity Warranty RP300A PS0913B Power Supply Warranty Card Getting AcquaintedIncluded Items RHYTHM30 Guided Tour of the RP300AFront Panel Rear Panel Getting Started Making Connections Mono OperationStereo Operation Applying Power Performance Mode PresetsBypass Mode Tuner ModeUsing Learn-A-Lick Learn-A-Lick ModeJam-A-Long Drum MachineEditing/Creating Presets Section Two Editing FunctionsMatrix Store Storing/Copying/Naming a PresetAbout the Effects Section Three Effects and ParametersEffect Definitions Pickup/WahAmp Modeling/Cab CompressorNoise Gate Chorus Chorus Flange FLaNgeTriggered Flanger Trgflg Triggered Phaser Trgpha Phaser PHaseR Tremolo Tremlo Panner PannerVibrato viBRTO Parameter 1 The Number 2 Knob adjusts the PedalRotary Speaker Rotary YaYa yayaEnvelope Filter eNvlOp SynthTalk syNtLKDetune DetUNe Pitch Shift PitCH1OCTUP 1 octave above Whammy no Dry Signal Harmony Bends Dry Signal Added2OCTUP 2 octaves above ActionExpression Pedal Section Four Other FunctionsLFO SwitchExpression Pedal Calibration Factory ResetSwitch Sensitivity Section Five Appendix Factory Preset ListPower Consumption 10 Watts Memory 40 User SpecificationsInput 1/4 TS Drum Machine 30 Patterns Simultaneous Effects up to