Sharp XR-20S Correcting Trapezoidal Distortion, Press P/Q or O/R to adjust Keystone Correction

Correcting Trapezoidal Distortion

When the image is projected either from the top or from the bottom towards the screen at an angle, the image becomes distorted trapezoidally.The function for correcting trapezoidal distortion is called Keystone Correction.

Note

•The Keystone Correction can be adjusted up to an angle of approximately ±13 degrees and the screen can also be set up to an angle of approximately ±13 degrees (when the resize mode is set to “NORMAL” (see page 32)).

1Press g KEYSTONE to enter the

Keystone Correction mode.

•You can also display the on-screen dis-

play of the Keystone Correction mode with d KEYSTONE on the projector.

2Press P/Q or O/R to adjust the

Keystone Correction.

•You can also adjust the Keystone Cor- rection using the adjustment buttons on the projector.

Note

•Press l RETURN while the on-screen dis- play of the Keystone Correction mode is on the screen to return to the default setting.

3 Press g KEYSTONE.

•The on-screen display of the Keystone Correction mode will disappear.

•You can also use d KEYSTONE on the projector.

When using XG-MB55X or XR-20X

•The projector automatically detects tilt and the AUTO KEYSTONE feature automatically cor- rects trapezoidal distortion.

KEYSTONE button

Adjustment buttons (P/R/O/Q)

RETURN button

ROn-screen display (Keystone Correction mode)

Keystone	0
ADJ.	END

Shrinks upper side.

(Move the slide bar in the + direction.)

	Operation Basic
Shrinks lower side.
(Move the slide bar in the - direction.)

Info

•While adjusting the image using Keystone Correction, straight lines and the edges of the image may appear jagged.

Note

•Automatic Keystone Correction may not work well in some cases, such as when the screen is leaning, temperature is extremely high or low, or zoom is at maximum or mini- mum. In these cases, fine adjust the Keystone Correction following steps 1 to 3.

•You can select “On” or “Off” for the Auto Keystone Correc- tion mode. (See page 41.)

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