Harman-Kardon Operation of Logic 7 Surround on Harman Kardon Receivers

Page 33

Operation

For DTS-ES materials, the incoming bitstream will be displayed as 3/3/.1 ES-ON.

When a PCM signal is received, the PCM message, followed by the sampling rate of the signal (32kHz, 44.1kHz, 48kHz or 96kHz), will appear in the front-panel display.

In addition, the Speaker/Channel Input Indicators will indicate the number of channels discretely encoded in the signal by displaying a letter inside that channel’s speaker box. A line will connect the SBL and SBR boxes when a 6.1- channel signal is detected, indicating that the same signal is playing through both speakers. The letters flash when no signal is present, such as when a DVD is paused.

L

C

R

 

 

 

 

LFE

 

 

SL

 

SR

 

SBL

 

SBR

Speaker/Channel Input Indicators

 

 

 

When only two channels – left and right – are present, the analog surround modes may be used to decode the signal into the remaining channels.

Figure 14 – Surround Modes

If you would prefer a different surround format than the native signal’s digital encoding, press the Surround Modes Button to display the Surround Modes menu (see Figure 14).

The Auto Select option (the first line) uses the native signal’s digital encoding, e.g. Dolby Digital or DTS. For two-channel materials, the AVR defaults to Logic 7 Movie mode. If you prefer a different surround processing mode, select the appropriate line from the menu: Virtual Surround, Stereo, Movie, Music or Video Game.

Each line is set to a default surround mode:

Virtual Surround: Dolby Virtual Speaker Reference

Stereo: 7-channel stereo

Movie: Logic 7 Movie

Music: Logic 7 Music

Video Game: Logic 7 Game

You may change each line’s setting to a different surround mode. The choice of new modes depends on the number of speakers in your system.

Virtual Surround: Dolby Virtual Speaker Reference or Wide

Stereo: 2-channel stereo, 5-channel stereo or 7-channel stereo

Movie: Logic 7 Movie, DTS Neo 6:Cinema, Dolby Pro Logic II Movie, Dolby Pro Logic IIx Movie

Music: Logic 7 Music, DTS Neo 6:Music, Dolby Pro Logic II Music, Dolby Pro Logic IIx Music

Video Game: Logic 7 Game, Dolby Pro Logic II Game, Dolby Pro Logic IIx Game

When one of the Dolby Pro Logic II Music modes is selected, access to the Edit submenu becomes available. This submenu may be used to adjust special settings available only in Music mode: Center Width, Dimension and Panorama.

Once you have programmed the default surround mode for each type of program, simply select the line from the Surround Modes menu any time you wish to override the AVR’s automatic surround mode selection. The AVR will use the same surround mode the next time the source input is selected.

NOTE: Dolby Digital 2.0 signals may also include a Dolby Surround flag indicating DS-ON or DS-OFF,depending on whether the 2-channel bitstream contains only stereo information, or a downmix of a multichannel program that can be decoded by the Dolby Pro Logic decoder in the AVR. By default, these signals are played in Dolby Pro Logic IIx Movie mode, but you may select another Dolby surround mode manually.

Surround Modes

Surround mode selection is dependent upon the format of the incoming audio signal, as well as personal taste. There is no harm in experimenting with all of the modes available with any given source material. Information about the Dolby and DTS modes is available on the companies’ Web sites: www.dolby.com and www.dtsonline.com.

When in doubt, check the jacket of your DVD for more information on which surround modes are available on the disc. Usually, nonessential sections of the disc, such as trailers, extra materials or the disc menu, are only available in Dolby Digital 2.0 (2-channel) or PCM 2-channel mode. If the main title is playing and the letters in the Speaker/Channel Input Indicators are not lit for all speaker locations, look for an audio or language setup section in the disc’s menu. Also, make sure your DVD player’s audio output is set to the original bitstream rather than just PCM. Check the DVD player’s output setting by stopping play of the disc and checking the DVD player’s menu system.

Different surround modes may only be available with certain input signals or bitstream formats. For any incoming signal, only a limited number of surround modes are available. Although there is never a time when all of the AVR 355/

AVR 255’s surround modes are available, there is usually a wide variety of modes available for a given input.

To select a surround mode, press the Surround Modes Button S￿, select either Auto Select - AVR Selects Best Mode, or move the blue line to the other options: Virtual Surround, Stereo, Movie, Music and Video Game. Each of these 5 options permit several selections, accessed by pressing the OK Button (See Figure 14).

Dolby Surround Settings

Some additional settings are available for Dolby modes. Three settings are active only when the Dolby Pro Logic II or IIx Music modes have been selected. See Figure 15.

Figure 15 – Dolby Pro Logic II/IIx Music Mode Settings

Center Width: This setting affects how vocals sound through the three front speakers.A higher number (up to 7) focuses the vocal information tightly on the center channel. Lower numbers broaden the vocal soundstage across the three speakers. Use the /Buttons to change the setting.

Dimension: This setting affects the depth of the surround presentation, allowing you to “move” the sound toward the front or rear of the room. The setting of “0” is a neutral default. Setting “F-3” moves the sound mostly toward the front of the room, while setting “R-3” moves the sound mostly toward the rear. Use the /Buttons to change the setting.

Panorama: With the Panorama mode turned ON, some of the sound from the front speakers is moved to the surround speakers, creating an enveloping “wraparound” type of effect. Each press of the OK Button toggles the setting on or off.

ENGLISH

OPERATION 33

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Contents AVR 255/AVR 355 Audio/VideoReceiver Table of Contents Introduction Description and FeaturesImportant Safety Instructions Safety InformationFront panel analog A/V inputs Main Remote with Internal CodesUnpacking CleaningExclamation point within an Do not place the unit directly on a carpeted surfaceFront Panel Controls See page 33 for more information on the Channel Indicators Rear Panel Connections Rear Panel Connections Rear Panel Connections Main Remote Control Functions OFF Zone 2 Remote Control Functions Zone 2 Remote Control Functions Audio Equipment Connections Installation and ConnectionsHdmi Connections Hdmi Input ConnectionsWith the AVR 355 turned off, connect Analog and Digital Input ConnectionsOn the AVR Video Equipment ConnectionsMain Room Remote Control Extension System and Power ConnectionsBUS Installation Connections AVR 355 only AC Power ConnectionsSpeaker Selection Speaker PlacementUsing the On-Screen Display System ConfigurationSystem Setup First Turn OnAudio and Video Input Selection Set Up SourcesAudio Effects Select this line to display See the Advanced Functions section for more informationYou are now ready to begin enjoying your new receiver Speaker SetupSystem Configuration Step Three Manual Setup Menu Manual SetupStep One Determine Speaker Crossover Step Two Measure Speaker DistancesNumber of Speakers Sub ModeStep Four Setting Channel Output Levels Manually Adjust Speaker Distance MenuSystem Configuration Operation Surround Mode ChartWide ReferenceMain speakers and a subwoofer Dolby HeadphoneMute Function Basic OperationAudio Effects Video ModesSurround Mode Selection Controls and Use of HeadphonesHDMI-equipped multichannel disc player Channel/8-Channel Direct InputDigital Audio Signals Surround Modes Dolby Surround SettingsVirtual Surround Dolby Virtual Speaker Reference Video Game Logic 7 GameMemory Backup Using AVR 355 onlyNight Mode Tape RecordingMultiroom Setup InstallationMultiroom Operation MultiroomMultiroom Operation Video Adjustments Video AdjustmentsUse the M/N Buttons to change each setting’s value Return to main Video Modes Menu by pressing Back/ExitSystem Settings Advanced FeaturesGeneral AVR Settings Audio EffectsAdvanced Features Default Surround ModeMenu Appearance Tuner Operation RDS TuningTo select the built-in tuner RDS OperationProgram Search PTY Program Type PTY as shown in the list belowProgramming the Remote with Codes Programming the RemoteCode Readout Direct Code EntryVID1/VCR VID3/TV VID2/CBL/SAT Erasing Learned CodesLearning Codes from a Remote AVR 355 Remote only Press the 7 button k three timesActivity Programming Macros Programmed Device FunctionsErasing Activity Buttons Punch-Through Programming Resetting the Remote MemoryRemote With Other Devices Select the type of punch-through program- mingInput SEL AUX Function List AVRAUX Reverse PlayN Next/Step Processor Reset Troubleshooting GuidePower Switch 1 is pushed Press the AVR SelectorTechnical Specifications DVD Audio/Video, Sacd Logic 7 MovieComposite Front Table A3 Speaker/Channel Setting Defaults Table A5 Source Settings Table A9 Remote Control Codes Table A11 Zone 2 Settings Appendix Settings Worksheet Part No. CQX1A1318Z

AVR 255, AVR 355 specifications

The Harman-Kardon AVR 355 and AVR 255 are two standout receivers in the realm of home audio, each delivering exceptional sound quality and a variety of features designed to enhance the listening experience.

The AVR 355 is particularly known for its impressive power output, driving up to 100 watts per channel. It boasts a 7.1-channel configuration, providing an immersive surround sound experience ideal for home theater setups. One of its hallmark technologies is the Dolby TrueHD and DTS-HD Master Audio, which ensure that high-definition audio tracks are reproduced with stunning clarity and depth. Beyond just surround sound, the AVR 355 also supports HDMI connectivity with multiple inputs, allowing for easy integration of high-definition video sources like Blu-ray players and gaming consoles.

On the other hand, the AVR 255, while slightly more compact, does not fall short of performance. It delivers a robust 7.1-channel output with 80 watts per channel, making it a great option for users looking to elevate their audio experience without overwhelming their space. The AVR 255 also incorporates advanced audio processing technologies, such as Harman’s proprietary Logic 7 technology, which converts stereo audio into a multi-channel experience. This feature is particularly beneficial for users who enjoy music in stereo and wish to enjoy it in a surround setup.

Both models feature extensive connectivity options, including Bluetooth and USB ports, enabling users to stream audio from a variety of devices seamlessly. Additionally, they are equipped with multi-room audio capabilities, allowing users to enjoy different audio sources in different rooms simultaneously.

Another notable characteristic of both receivers is their intuitive user interface. They come with on-screen displays which make navigating through settings and configurations straightforward, even for those new to home audio systems. Furthermore, they offer automatic calibration technology, which optimally adjusts the audio settings according to the unique acoustics of your room.

In summary, the Harman-Kardon AVR 355 and AVR 255 are exceptional choices for anyone looking to enhance their audio experience at home. With their powerful amplifiers, advanced audio technologies, and comprehensive connectivity options, these models ensure high-quality sound whether it’s for movies, music, or gaming. Whether you opt for the more powerful AVR 355 or the versatile AVR 255, you are guaranteed a superior audio experience tailored to your needs.